A secret world of their own. Jess Aarons’ greatest ambition is to be the fastest runner in the fifth grade. He’s been practicing all summer and can’t wait to see his classmates’ faces when he beats them all. But on the first day of school, a new girl boldly crosses over to the boys’ side of the playground and outruns everyone. That’s not a very promising beginning for a friendship, but Jess and Leslie Burke become inseparable. Leslie has imagination. Together, she and Jess create Terabithia, a magical kingdom in the woods where the two of them reign as king and queen, and their imaginations set the only limits. Then one morning a terrible tragedy occurs. Only when Jess is able to come to grips with this tragedy does he finally understand the strength and courage Leslie has given him.
Grief
Spud Sweetgrass
Suspended from school for cussing at a mean teacher, John “Spud”’ Sweetgrass at least still has his job selling french fries from a curbside “chip wagon.” But he notices that something stinks — literally. It’s the smell of rancid cooking oil at a polluted Ottawa beach. His suspicions aroused, Spud follows Dumper Stubbs, a creepy delivery man who services local restaurants and chip wagons. Spud gets angry when he sees Dumper living up to his name, dumping oil into a storm drain and causing terrible pollution in the river. When Spud blows the whistle, he loses his job. Enlisting the help of his buddy Dink the Thinker, and Connie Pan — whom he calls his girlfriend though she isn’t exactly that — Spud thinks he has a chance of regaining his job and stopping the Dumper’s harmful activities. In the background of this offbeat farce are serious issues that Spud must also deal with, including his father’s death, his mother’s withdrawal into grief, and his own awkward transition through adolescence. Brian Doyle expertly interweaves comedy and important contemporary concerns of young people in this vivid story with a message.
The Scar
When his mother dies, a little boy is angry at his loss but does everything he can to hold onto the memory of her scent, her voice, and the special things she did for him, even as he tries to help his father and grandmother cope.
Onion Tears
A little Vietnamese girl tries to come to terms with her grief over the loss of her family and her new life with the Australian family with whom she lives.
Slog’s Dad
The ineffable nature of grieving and belief inspires a tender, gritty, and breathtaking work of graphic storytelling from the creators of The Savage. “Slogger, man,” I said. “Your dad’s dead.” “I know that, Davie. But it’s him. He’s come back again, like he said he would.” Do you believe in life after death? Slog does. He believes that the scruffy man on a bench outside the butcher shop is his dad, returned to visit him one last time. Slog’s friend Davie isn’t so sure. Can it be that some mysteries are never meant to be solved? And that belief, at times, is its own reward? The acclaimed creators of The Savage reunite for a feat of graphic storytelling that defies categorization. Eerie, poignant, and masterful, Slog’s Dad is a tale of astonishing power and complexity.
Season of Secrets
Sent by their father to live in the country with their grandparents after the sudden death of their mother, Molly’s older sister Hannah expresses her grief in a raging rebellion while imaginative Molly finds herself increasingly distracted by visions, that seemingly only she can see, of a strange hunt in the nearby forest.
The Beginner’s Guide to Living
Seven days after his mother dies in a sudden, senseless accident, seventeen-year-old Will embarks on a search for meaning that leads him to the great philosophers—Plato, Seneca, Kierkegaard, Nietzsche—and to Taryn, the beautiful girl he meets at his mother’s wake. Will is desperate to find, however he can, something authentic, something ultimate, something so true he would live or die for it. But is he willing to risk losing Taryn—losing everything–to seek the answers he craves?
How To Make a Bird
It’s dawn, on an empty road in the countryside. Empty, except for the girl in the long, red evening gown, standing next to a bicycle, and looking back at the home she’s about to leave. Mannie’s ready to start a new life and forget the terrible things that have happened here, but there are questions that need to be answered before she can let go. Questions about her elegant but unstable mother, her brother who’s always overshadowed her, and his friend Harry Jacob, who just might be Mannie’s boyfriend. And her only clue is an unfamiliar address in Melbourne, written on a scrap of paper found in her brother’s room. As she makes her journey to the city, the mystery of this vulnerable, quirky girl is revealed piece by piece in her search for a way to become whole again. With rare sensitivity and a poetic voice that is unmistakably her own, Martine Murray tells a story about growing up and listening to your heart.
Lucy And The Green Man
Lucy knew Lob was there, from the way she felt inside. There was a sparking of mischief in her head, a tingle of energy in her arms and legs. She wanted to run, jump, climb, be everywhere at once. You have to be a special person to see Lob, that’s what Lucy’s Grandpa Will says. Lucy’s parents don’t believe in him. But Lucy does. And then she finally catches sight of the Green Man in Grandpars’s garden. And then she knows. Lob is here, and he is real-now and forever and ever!
Little Voice (In The Same Boat Series, 4)
A young Ojibway girl, struggling over the fact that her father has died, spends a summer in the bush with her grandmother and finds her own identity and voice. Things have been hard for her family since her father’s accidental death in a logging accident, and Ray has been unable to express her grief. In school, the green eyes she inherited from her father are unusual for a child from an Ojibway background in a northern Ontario town and get her noticed in ways she doesn’t enjoy. At home, Ray believes that her mother, grieving herself and busy with Ray’s younger brother and sister, no longer needs her. Ray becomes so withdrawn that at times she hardly speaks. At the end of this beautiful and empowering story, which begins in 1978, the withdrawn green-eyed girl has found her voice and is not afraid to use it.