Acclaimed author Ruby Slipperjack delivers a haunting novel about a 12-year-old girl’s experience at a residential school in 1966. Violet Pesheens is struggling to adjust to her new life at residential school. She misses her Grandma; she has run-ins with Cree girls; at her “white” school, everyone just stares; and everything she brought has been taken from her, including her name-she is now just a number. But worst of all, she has a fear. A fear of forgetting the things she treasures most: her Anishnabe language; the names of those she knew before; and her traditional customs. A fear of forgetting who she was. Her notebook is the one place she can record all of her worries, and heartbreaks, and memories. And maybe, just maybe there will be hope at the end of the tunnel. Drawing from her own experiences at residential school, Ruby Slipperjack creates a brave, yet heartbreaking heroine in Violet, and lets young readers glimpse into an all-too important chapter in our nation’s history.
Nimoshom loved to drive the school bus. Every day, on the way to and from school, he had something to say. Sometimes, he told the kids silly stories. Sometimes, he taught the kids a new word in Cree.
Explore the past 150 years in what is now Canada through the eyes of Indigenous creators in this groundbreaking graphic novel anthology. Beautifully illustrated, these stories are an emotional and enlightening journey through indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact.
Leo Yerxa, an artist of Ojibway ancestry, brings us an art book in which he celebrates wild horses and the natural world in which they lived in harmony.
Tess has visited her grandmother many times without really being aware of the garden. But today they step outside the door and Tess learns that all of nature can be a garden. And if you take care of the plants that are growing, if you learn about them — understanding when they flower, when they give fruit, and when to leave them alone — you will always find something to nourish you. At the end of their day Tess is thankful to Mother Earth for having such a lovely garden, and she is thankful to have such a wise grandma.
The year is 1959, and fifteen-year-old Nipishish returns to his reserve in northern Quebec after being kicked out of residential school, where the principal tells him he can look forward, like all Native Americans, to a life of drunkenness, prison, and despair. But despite his new freedom, the reserve offers little to a young Métis man. Both his parents are dead, his father Shipu, a respected leader, dying mysteriously at a young age. When Nipishish is sent to a strange town to live with a white family and attend high school, he hopes for the new life the change promises. But despite some bright spots, the adjustments prove overwhelming. Forced to return to his people, he must try to rediscover the old ways, face the officials who find him a threat, and learn the truth about his father’s death.
Etseh and Etsi traveled the Idaa Trail when they were children and as they paddle north with their grandchildren, they pass along their knowledge of special sites along the way — the history behind an abandoned village, the legend of the wolverine and its babies at the Sliding Hill, the story of a mysterious gravesite. They also explain how their people survived in the old days – building birch bark canoes, fishing with willow lines and muskrat-tooth hooks, and ambushing herds of caribou.
When young Donald and his friends head down to the water to play, they have no idea that they are soon to encounter a mermaid, one of the creatures that his elders have told him about. Terrified, the boys run back to their camp, ready to tell everyone what they have just seen. They can’t seem to remember it clearly. It is up to Donald’s grandmother to explain to them the magical creature they just encountered
These traditional teaching legends come straight from the oral traditions of the Sechelt Nation. Simple enough to be understood by young children, yet compelling enough for adults, they are gentle, beautifully presented cautionary tales. You’ll want to read them again and again – and you’ll learn a few words of the Shishalh language while you’re at it. Charlie Craigan is a young Sechelt artist who works in a tiny studio set up in his bedroom. He studied traditional wood carving with Sechelt Nation carvers, but learned to draw and paint by studying books.