Clark Kent has always been faster, stronger–better–than everyone around him. But it’s not like he’s earned his powers . . . yet. Lately it’s difficult to hold back and keep his heroics in the shadows. When Clark follows the sound of a girl crying, he comes across Gloria Alvarez and learns that people are disappearing from the Mexican-American and undocumented worker community in Smallville. Teaming up with his best friend, Lana Lang, Clark discovers that before he can save the world, he must save Smallville.
A twelve-year-old Jose Maldonado used to dream of becoming a fine artist. Now all he worries about is survival. Since his mother died and his father left for work in the U.S., he’s been on his own in Mexico. But when at last it’s time to reunite with his father in the U.S., everything goes wrong.
Every spring, Lilia Garcia had to leave school early to go north with her family to pick fruits and vegetables. She was too young to work in the fields with the rest of the family, so her mother and teenage brother would sign her up to attend the local school. She was the only Spanish-speaking child at Coloma Elementary, and that, combined with the fact that it was late in the school year, made it difficult to make friends and keep up with the work.
In this bilingual autobiography, the Mexican American poet Juan Felipe Herrera describes his childhood in California as the son of migrant workers. The author recalls his childhood in the mountains and valleys of California with his farmworker parents who inspired him with poetry and song. A rich, personal narrative about growing up as a migrant farmworker. Herrera relates how he learned to love the land from his father, and poetry from his mother. He uses lyrical passages to portray everyday life, e.g., the ritual of breakfast: The sky was my blue spoon – the wavy clay of the land was my plate. The colored-pencil and acrylic illustrations are bright and at times fanciful. Simmon’s artwork brings to life Herrera’s words, which are printed in both English and Spanish.
When Papa Rabbit does not return home as expected from many seasons of working in the great carrot and lettuce fields of El Norte, his son Pancho sets out on a dangerous trek to find him, guided by a coyote. Includes author’s note.
Migrant farmers and their families represent an ever-growing body of laborers around the world. They are used as cheap labor but most of them are not allowed to settle down, integrate into their host countries and become citizens with full rights. This is, of course, devastating to their children.
Among these groups are the Mennonites from Mexico, who originally went to Mexico from Canada in the 1920s. They speak “Low German” and though many are poor, they are an important part of the Mexican farm community. Because of free trade and the fact that Mexican farmers cannot compete with highly subsidized US farmers, they have been forced to come back to Canada — as migrant workers — in order to survive. Anna is the child of Mennonites from Mexico, who have come north to harvest fruit and vegetables. Sometimes she feels like a bird, flying north in the spring and south in the fall, sometimes like a jackrabbit in an abandoned burrow, since her family occupies an empty farmhouse near the fields, sometimes like a kitten, as she shares a bed with her sisters. But above all Anna wonders what it would be like to be a tree rooted deeply in the earth, watching the seasons come and go, instead of being like a “feather in the wind.”
Every day, thousands of farmworkers harvested the food that ended up on kitchen tables all over the country. But at the end of the day, when the workers sat down to eat, there were only beans on their own tables. Then Dolores Huerta and Cesar Chavez teamed up. Together they motivated the workers to fight for their rights and, in the process, changed history. Award-winning author Monica Brown and acclaimed illustrator Joe Cepeda join together to create this stunning tribute to two of the most influential people of the twentieth century. Todos los dÍas, miles de campesinos cosechaban los alimentos que se servÍan en los hogares de todo el paÍs. Pero al terminar la jornada, cuando los campesinos se sentaban a comer, lo Único que habÍa en sus propias mesas era frijoles. Entonces, Dolores Huerta y CÉsar ChÁvez se unieron para motivar a los trabajadores a luchar por sus derechos y en el proceso, cambiaron el curso de la historia. La premiada autora Monica Brown y el aclamado ilustrador Joe Cepeda se unen para crear Éste impresionante tributo a dos de las personas mÁs influentes del siglo veinte.
In this novel in verse, unprecedented in Chicano literature, renowned poet Juan Felipe Herrera illuminates the soul of a generation. Drawn from his own life as well as a lifetime of dedication to young people, CrashBoomLove helps readers understand what it is to be a teen, a migrant worker, and a boy wanting to be a boy. Sixteen-year-old Cesar Garcia is careening. His father, Papi Cesar, has left the migrant circuit in California for his other wife and children in Denver. Sweet Mama Lucy tries to provide for her son with dichos and tales of her own misspent youth. But at Rambling West High School in Fowlerville, the sides are drawn: Hmongs vs. Chicanos vs. everybody vs. Cesar, the new kid on the block. Precise and profound, CrashBoomLove will appeal to and resonate with high school readers across the country.
Brothers Gabriel and Gustavo, high school students in the Rio Grande Valley of Texas, are horrified when their father suggests that they spend the summer in California doing field work to earn extra money. They’re not immigrants; the boys and their younger sister Paula were born in Texas, and the idea of picking fruits and vegetables hard labor usually associated with undocumented workers is totally humiliating. But their father thinks working in the fields will be good for his children. After all, the experience didn’t hurt him when he was a kid. ”Look at me. I didn’t die. All that work made me stronger.” Gustavo, heading into his senior year, doesn’t want to leave his girlfriend. And what will all his friends think? Gabriel doesn’t care what anyone thinks; he’s just not interested in spending the summer doing back-breaking labor. It’s only when the promise of visiting Disneyland, after working the fields, is offered that they ultimately agree to the ”vacation.” Before long, the family finds itself in a migrant camp, living in a shack with no electricity or bathroom. Toiling in the fields by day, trying to get the hang of picking strawberries, the boys and their father attempt to make sense of it all, including the motives and hopes of their fellow workers: the manic Borrado brothers, who are the fastest pickers around, and Victor, who introduces them to the canal where the migrant teens swim, even though two boys drowned there last season. Unfortunately, while learning their way around town, the family members experience the racism frequently directed at recent immigrants. How often, Gabriel wonders, has he done the same thing and dismissed someone just for being in the U.S. illegally? In this illuminating novel for teens that sheds light on the subjects of immigrant labor and prejudice within the Hispanic community, Genaro Gonzalez blends the ageless theme of fathers and sons at odds with a contemporary issue weighing on many minds. While set in a place unfamiliar to many, the characters’ hopes and dreams for the future will resonate with young adult readers.