A young Aboriginal girl is taken from the north of Australia and sent to an institution in the distant south. There, she slowly makes a new life for herself and, in the face of tragedy, finds strength in new friendships. Poignantly told from the child’s perspective, Sister Heart affirms the power of family and kinship.
Age
Catalog sorted by age group
Grandpa’s Girls
A young girl delights in a visit to her grandpa’s farm. She and her cousins run through the fields, explore the root cellar where the smoked salmon and jars of fruit are stored, swing on a rope out the barn loft window, visit the appaloosa in the corral and tease the neighbor’s pig. The visit is also an opportunity for this child to ask Grandpa what her grandmother, Yahyah, was like, and explore the “secret room,” with its old wooden box of ribbons, medals and photos of Grandpa in uniform.
Sometimes I Feel Like A Fox
Good For Nothing
The year is 1959, and fifteen-year-old Nipishish returns to his reserve in northern Quebec after being kicked out of residential school, where the principal tells him he can look forward, like all Native Americans, to a life of drunkenness, prison, and despair. But despite his new freedom, the reserve offers little to a young Métis man. Both his parents are dead, his father Shipu, a respected leader, dying mysteriously at a young age. When Nipishish is sent to a strange town to live with a white family and attend high school, he hopes for the new life the change promises. But despite some bright spots, the adjustments prove overwhelming. Forced to return to his people, he must try to rediscover the old ways, face the officials who find him a threat, and learn the truth about his father’s death.
Looks Like Daylight
A compelling collection of interviews with children aged nine to eighteen. They come from all over the continent, from Iqaluit to Texas, Haida Gwaai to North Carolina, and their stories run the gamut — some heartbreaking; many others full of pride and hope.
Ancient Thunder
Leo Yerxa, an artist of Ojibway ancestry, brings us an art book in which he celebrates wild horses and the natural world in which they lived in harmony.
Missing Nimâmâ
A young mother, one of the many missing indigenous women, watches over her small daughter as she grows up without her nimama, experiencing important milestones – her first day of school, first dance, first date, wedding, first child – from afar.
Brother Eagle, Sister Sky
A Suquamish Indian chief describes his people’s respect and love for the earth, and concern for its destruction.
Navajo Women: Saanii
“I am a child of Changing Woman.” That is a line in a Navajo prayer spoken by medicine men on behalf of patients, and in the old days it was symbolic and spiritual. Today, it is real. Navajo women, once relegated to bearing children, caring for the home, and raising livestock in a matrilineal society, have transformed themselves into businesswomen, attorneys, truck drivers, pilots, nurses, artists, presidential candidates, and more. Who is the Navajo woman and what drives her in 2007? Join Navajo writer Betty Reid and photographer Kenji Kawano on a journey through the cycle of a Navajo woman’s life, from east (birth and youth) to south (teenager and young adult) to west (adult) to north (elder).
Her Land, Her Love
A sobering perspective of what it was like to be forced on the Navajo Long Walk, one of our nation’s most traumatizing events. Ninaanibaa’, the young woman whose family the story centers on, is the heart of the novel. Two of her young daughters are kidnapped prior to removal. Through the love of her warrior husband, Haske Yil Naanaah, she never gives up hope of reuniting again with her daughters.