I Love Saturdays y Domingos

Saturdays and Sundays are very special days for the child in this story. On Saturdays, she visits Grandma and Grandpa, who come from a European-American background, and on Sundays — los domingos — she visits Abuelito y Abuelita, who are Mexican-American. While the two sets of grandparents are different in many ways, they also have a great deal in common — in particular, their love for their granddaughter. While we follow our narrator to the circus and the pier, share stories from her grandparents’ pasts, and celebrate her birthday, the depth and joy of both cultures are conveyed in Spanish and English. This affirmation of both heritages will speak to all children who want to know more about their own families and ethnic backgrounds.

Awards
Americas Award for Children’s and Young Adult Literature, Commended

El Sombrero Del Tío Nacho / Uncle Nacho’s Hat

When Ambrosia gives her Uncle Nacho a new hat, he tries to get rid of his old one, but to no avail. No matter what he does, the pesky hat keeps coming back to him. This classic folktale from the Puppet Workshop of Nicaraguan National Television, vividly illustrated by Mira Reisberg and presented in a bilingual edition, is a parable about the difficulties of making changes and shaking off old habits. The book includes an account of the origins of the story.

Elena’s Serenade

Who ever heard of a girl glassblower? In Mexico, where the sun is called el sol and the moon is called la luna, a little girl called Elena wants to blow into a long pipe… and make bottles appear, like magic. But girls can’t be glassblowers. Or can they? Join Elena on her fantastic journey to Monterrey — home of the great glassblowers! — in an enchanting story filled with magic realism.

Americas Award For Children’s And Young Adult Literature. Commended.

Hue Boy

Everybody talks about little Hue Boy’s size. He gets teased by his friends at school, his mother worries day and night, and his grandma sews up clothes for him to grow into. Buy he does not change at all, even though just about everyone in the village offers advice. Yet in time Hue Boy grows to understand what it really means to stand tall, no matter what his height.

The Closet Ghosts

With help from Hanuman, the Hindu monkey god, Anu finds a way to cope with going to a new school, living in a new home, and even dealing with the mischievous ghosts in her closet.

Papa, Do You Love Me?

This follow-up to the best-selling Mama, Do You Love Me? captures the universal love between a father and child. When a Maasai father in Africa answers his son’s questions, the boy learns that his father’s love for him is unconditional.

A Prairie Year

The year begins with hockey, icefishing, and a snowmobile race. Spring brings renewal: the arrival of piglets, baby chicks in the farm kitchen; and outside, the fields are seeded. In summer, there’s a dinosaur park to be visited; a calf is groomed for the fair and wheat tested between grandfather’s fingers. In fall, a farm auction becomes a party, trick-or-treating is done by pick-up truck, and Clydesdales are driven by teams competing at the world’s great farm fair.The glorious year ends with the arrival of Santa on the main street at night in a pickup truck, while beyond in the dark is the infinite mystery of the prairies.

The Lord Is My Shepherd

The Twenty-third Psalm, one of the world’s most cherished prayers, is paired with some of the most exquisite illustrations in this inspirational picture book by New York Times Best Illustrator Gennady Spirin. This never-before-created format, made from one large, magnificent painting, gives parents and children an opportunity to share the experience, making prayer time even more profound.

Noah’s Ark

The New York Times Best- Illustrated book returns Lisbeth Zwerger, recipient of the Hans Christian Andersen Medal, employs her distintive style to breathe fresh life into this well-known Bible story. Her award-winning art uses clever vignettes and striking full pages to present the menagerie of animals sailing on this amazing voyage. With grace and economy, Heinz Janisch’s text tells the full story of the flood without glossing over details. It is in every way poignant and captivating.