The story of a Palestinian family’s ties to the land, and how one young girl finds a way to care for her home, even as she says goodbye.
Featured in WOW Review Volume XVII, Issue 1.
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The story of a Palestinian family’s ties to the land, and how one young girl finds a way to care for her home, even as she says goodbye.
Featured in WOW Review Volume XVII, Issue 1.
This moving tale introduces the youngest picture book audience to a girl who misses her grandmother, whom she calls Tata or Tatita, as is traditional in many Spanish-speaking cultures and yearns to spend time with her. But Tatita is not here any more. The spare, striking illustrations make it ambiguous whether the girl misses her tata because she lives in a faraway place, is ill, or has passed on. Yet this gorgeous, deceptively simple book’s ending makes it clear that no matter what, your tatita lives in your heart, and you can always hold her in your memory.
Imagine an America very similar to our own. It’s got homework, best friends, and pistachio ice cream. There are some differences. This America been shaped dramatically by the magic, monsters, knowledge, and legends of its peoples, those Indigenous and those not. Some of these forces are charmingly everyday, like the ability to make an orb of light appear or travel across the world through rings of fungi. But other forces are less charming and should never see the light of day. Elatsoe lives in this slightly stranger America. She can raise the ghosts of dead animals, a skill passed down through generations of her Lipan Apache family. Her beloved cousin has just been murdered, in a town that wants no prying eyes. But she is going to do more than pry. The picture-perfect facade of Willowbee masks gruesome secrets, and she will rely on her wits, skills, and friends to tear off the mask and protect her family. Darcie Little Badger is an extraordinary debut talent in the world of speculative fiction. We have paired her with her artistic match, illustrator Rovina Cai. This is a book singular in feeling and beauty.
Mom never had long hair, she was told it was too wild. Grandma couldn’t have long hair, hers was taken from her. But one young girl can’t wait to grow her hair long: for herself, for her family, for her connection to her culture and the Earth, and to honor the strength and resilience of those who came before her.
Pedro Martín has grown up hearing stories about his abuelito, his legendary crime-fighting, grandfather who was once a part of the Mexican Revolution! But that doesn’t mean Pedro is excited at the news that Abuelito is coming to live with their family. After all, Pedro has 8 brothers and sisters and the house is crowded enough! Still, Pedro piles into the Winnebago with his family for a road trip to Mexico to bring Abuelito home, and what follows is the trip of a lifetime, one filled with laughs and heartache. Along the way, Pedro finally connects with his abuelito and learns what it means to grow up and find his grito.
Featured in Volume XVI, Issue 3 of WOW Review.
The true story of the Indigenous Nations of the American Northeast, including the Wampanoag nation and others, and their history up to present day.
A middle grade survey nonfiction work celebrating North American Indigenous knowledge and Native contributions to contemporary STEM.
Mama opened our bedroom door. “Wake up, you two,” she whispered. “Let’s go, so we get there on time.” Excited, the sleepy family step outside into a beautiful summer night. The world is quiet and shadowy, filled with fresh smells and amazing sights. Is this what they miss when they’re asleep? Together, they walk out of their sleeping village. What will they find in the dark landscape?
When a wooden robot prince forgets to say the magic words that turn his sister from a log into a princess she is thrown away, so he goes on an epic journey to find her and bring her back.
Diego Rivera offers young readers unique insight into the life and artwork of the famous Mexican painter and muralist. The book follows Rivera’s career, looking at his influences and tracing the evolution of his style. His work often called attention to the culture and struggles of the Mexican working class. Believing that art should be for the people, he created public murals in both the United States and Mexico, examples of which are included. The book contains a list of museums where you can see Rivera’s art, a historical note, a glossary, and a bibliography.