Catalog sorted by genre
Last Leaf First Snowflake to Fall takes us on a dreamlike voyage into nature at that secret moment when fall turns into winter. We find ourselves in a kind of paradise, which humans may be part of but which they have not despoiled. A Native father and son lead us through forests, down rivers, over lakes and ponds. Along the way we experience the primordial beauty of the physical world. This is nature as we all feel in our hearts it must once have been.
Tess has visited her grandmother many times without really being aware of the garden. But today they step outside the door and Tess learns that all of nature can be a garden. And if you take care of the plants that are growing, if you learn about them — understanding when they flower, when they give fruit, and when to leave them alone — you will always find something to nourish you. At the end of their day Tess is thankful to Mother Earth for having such a lovely garden, and she is thankful to have such a wise grandma.
Photographs by the great nineteenth-century photographer depict the beauty of the North American Indian and his way of life and are accompanied by an insightful commentary.
A collection of stories and songs by Nishnaabeg storyteller and writer Leanne Betasamosake Simpson. Blending elements of Nishnaabeg storytelling, science fiction, contemporary realism, and lyric voice, this collection encompasses broad and imaginative themes.
This collection includes poems that explore human relationships, music, death … universal concerns written about in a way that recognizes and uses the universality while selecting the images from her Cree background. We are privileged to glimpse another way of relating to the world while being presented with the difficulties of growing up in a minority culture.
Emphasizes the differences among the four billion people on earth.
Etseh and Etsi traveled the Idaa Trail when they were children and as they paddle north with their grandchildren, they pass along their knowledge of special sites along the way — the history behind an abandoned village, the legend of the wolverine and its babies at the Sliding Hill, the story of a mysterious gravesite. They also explain how their people survived in the old days – building birch bark canoes, fishing with willow lines and muskrat-tooth hooks, and ambushing herds of caribou.
Text and black-and-white illustrations follow the intricate step-by-step process of the building of an ancient Egyptian pyramid.
In the early 1600s Father Jean de Brébeuf came to Canada from his native France as a Jesuit missionary. He settled among the Huron, or Ouendat, people in what is now Midland, Ontario. Despite his missionary zeal, Brébeuf was sensitive to the people with whom he lived. He learned their language and he wrote, in Huron, the original version of this famous Christmas carol. He and his fellow priests, called Black Robes, and many of their Huron parishioners were killed in an Iroquois raid in 1649. But Brébeuf’s carol continued to be sung by successive generations of Hurons. Then in 1926, Toronto writer Jesse Edgar Middleton, inspired by Brébeuf, wrote his own version of the carol in English. His are the familiar words we sing today, describing the Huron landscape, flora and fauna in telling the Christmas story.
A young Aboriginal girl is taken from the north of Australia and sent to an institution in the distant south. There, she slowly makes a new life for herself and, in the face of tragedy, finds strength in new friendships. Poignantly told from the child’s perspective, Sister Heart affirms the power of family and kinship.