Jewel is shuttled from one foster home to another. But Jewel wasn’t always a “State Kid.” Her mother Angela’s constant search for happiness through a steady stream of unsavory boyfriends leads to the state’s intervention in Jewel’s life. Listening to her new foster mother’s list of “nos”—no drugs, no lying, no stealing, no skipping school, no boys in or out of the house, no being late—Jewel realizes that her mother said “yes” a lot. Probably too much. She remembers saving Angela’s life when one of many boyfriends beat her, trying to hide another boyfriend’s attempts to rape her when she was fourteen, and being sent to a foster home to please the latest boyfriend. But still, Jewel worries about her mother and knows that she will once again pick up the pieces when the latest jerk leaves. Bit by bit Jewel’s life begins to change for the better after her latest move to a new foster home and school. Although most people can’t see past her tough “State Kid” façade—spray-painted hair, heavy make-up, ripped clothing and unlaced shoes—her English teacher realizes there’s more to her then meets the eye. He convinces Jewel to tutor a fellow student who needs help with math, and gradually she learns how to make friends. In the process, she touches the lives of many people around her, including her social worker, teachers who believe in her, her new-found, tentative friends, and even their parents. But when she’s forced to choose between her life-long job—taking care of her mother”—and doing what’s right for herself, old habits and loyalties are hard to break. Jewel is sure that this time, she can save her mom. But will she be able to save herself?
Genre
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Messed Up
Fifteen-year-old RD is repeating the eighth grade, planning to have an easy year, but after his grandmother walks out her boyfriend is no longer able to care for him, which leaves RD to fend for himself while avoiding being caught.
The Boy without a Flag: Tales of the South Bronx
The violent world of the underclass and the daily battle with hopeless poverty, drug addiction, and other urban horrors come vividly to life in a collection of stories about being young and desperate in the South Bronx. A first collection. Original.
Finding Our Way
THESE STORIES TAKE the reader to meet mochos; cholos; Mr. and Mrs. Special; Manny with his mysterious phone calls; Melly, who dreams of being the first girl to take the Dive; Andy and Ruthie, who find that being “boyfriend-girlfriend” takes on new meaning the night of the prom; and Chuy, who seems determined to get kicked out of school. Each distinct voice shares secret thoughts that draw the reader into daily dramas of love, danger, loyalty, and pride. In the final story, a shocking tragedy reverberates through the barrio.“With this collection, Saldaña makes a significant contribution to the field of Latino short stories for young readers.”—VOYA, Starred“These powerfully written, provocative selections have universal appeal and subtle, thoughtful themes.”—School Library Journal“While much is revealed, just as much is implied, making the stories layered and rich while still rendering them accessible.”—The BulletinFrom the Hardcover edition.
The Skirt
When Miata leaves on the school bus the skirt that she is to wear in a dance performance, she needs all her wits to get it back without her parents’ finding out that she has lost something yet again.
Alphabet City Ballet
Marisol has always loved to dance–from the salsa at family parties to the boom boxes on Loisada Avenue. Then she wins a scholarship to ballet school and discovers an inspiring new world of beauty and discipline. When violence erupts in Alphabet City, Marisol’s dream starts to slip away. To keep dancing she must make heartbreaking choices–perhaps impossible ones.
Fiesta U.S.A.
In a tribute to the customs and traditions of Latinos in the United States, engaging photographs capture four fiestas: the Day of the Dead, las Posadas, the dance of the Matachines, and Three Kings’ Day.
The Empanadas That Abuela Made/Las Empanadas Que Hacia La Abuela
A sweet bilingual story about a family tradition. Baking is always a treat, particularly when you throw family and fun into the mix. In this whimsical look at the making of empanadas, popular children’s author Gonzales Bertrand serves up the festive fun of a family’s effort to concoct the delicious pastries. In the tradition of popular rhymes like “The Old Lady Who Swallowed a Fly,” the laughter and fun rise from page to page. The Empanadas that Abuela Made/Las empanadas que Abuela hacía is filled with humorous cooks and family: Abuela, Abuelo, the cousins, aunts, uncles, and even the family dog join the parade of fluttering flour and swirling sugar. Alex Pardo de Lange fills the pages with offbeat illustrations of blankets of dough and dancing rolling pins.
Little Mama Forgets (Melanie Kroupa Books)
Every morning, Lucy tiptoes into her grandmother’s room to
wake her with a gentle tickle. Little Mamá always remembers to
tickle Lucy right back! But Lucy knows there are things her
abuelita sometimes forgets – like the way to the park or how to
tie her shoes. “Two long bunny ears like this,” Lucy shows her.
Still, there’s much that Little Mamá remembers and shares: how
to skip and dance, stories from Mexico, and plenty of hugs and
kisses.
wake her with a gentle tickle. Little Mamá always remembers to
tickle Lucy right back! But Lucy knows there are things her
abuelita sometimes forgets – like the way to the park or how to
tie her shoes. “Two long bunny ears like this,” Lucy shows her.
Still, there’s much that Little Mamá remembers and shares: how
to skip and dance, stories from Mexico, and plenty of hugs and
kisses.
A lyrical text with Spanish words and phrases and vibrant art
spiced with cultural details capture the give-and-take in this
lively Hispanic family and celebrate the special bonds that exist
between young and old.
Speak English for Us, Marisol!
After school, Marisol eagerly starts for home to see if her cat, Luisa, has had her kittens. But before she can get there, Uncle Tomás calls to her. He needs Marisol to tell the poultry man that his chickens cost too much. Uncle Tomás cannot speak English so Marisol must do the talking–and she does. Marisol hurries on her way, but soon Auntie Flora stops her for help. Then Mrs. Lopez needs her, too. When Marisol finally gets home, her own mama needs her to hurry to the phone company to straighten out a bill. Luisa will have to wait.