The Mermaid In The Bathtub (Yonder)

One day, a resolutely ordinary young man named Mr. Whatwilltheysay returns home to find Grain-of-Sand, a mermaid, waiting for him in his favorite armchair. Despite his objections, the two embark on a series of very watery adventures as he tries to get rid of her. But ultimately the thought of being seen with half a fish is simply too much for Mr. Whatwilltheysay to bear—what would people say? So broken-hearted Grain-of-Sand returns to the sea in his bathtub, leaving Mr. Whatwilltheysay to resume his pedestrian existence. Mr. Whatwilltheysay soon finds that his beloved landlubber life, however, lacks the splash and shimmer (and bathtub) of his good times with Grain-of-Sand—and acting against all his instincts, he sets off to sea to find her.

Grandpa’s Top Threes

Henry loves talking with Grandpa, but Grandpa has stopped listening. Mom says to just give him time. But Henry wants to talk to Grandpa now. So Henry tries his favorite game: Top Threes. And something amazing happens: Grandpa starts talking again. Out of a tale of favorite sandwiches and zoo animals, outings and trains, emerges a moving story about love, loss, and the wonder of grannies and grandpas.

Let’s Work

Cynthia Weill scores again with an early concept book that bring every kind of job to life, including the work of the dedicated palm weavers of Flavio Gallardo’s workshop, whose miniature palm weavings illustrate this playful book, teaching children words for work in two languages. The weavers live in the village of Chigmecatitlán in the Mixteca part of the Mexican state of Puebla. With tremendous skill and patience, the artisans of this region practice palm weaving, a craft which came to Mexico even before the arrival of the Spanish in the early 15th century. Imagine being able to hold all of the illustrations in one book in the palms of your hands. You can do that with the tiny weavings in Let’s Work. Most pieces are no larger than a dime!

Freedom Soup

Every year, Haitians all over the world ring in the new year by eating a special soup, a tradition dating back to the Haitian Revolution. This year, Ti Gran is teaching Belle how to make the soup — Freedom Soup — just like she was taught when she was a little girl. Together, they dance and clap as they prepare the holiday feast, and Ti Gran tells Belle about the history of the soup, the history of Belle’s family, and the history of Haiti, where Belle’s family is from. In this celebration of cultural traditions passed from one generation to the next, Jacqueline Alcántara’s lush illustrations bring to life both Belle’s story and the story of the Haitian Revolution. Tami Charles’s lyrical text, as accessible as it is sensory, makes for a tale that readers will enjoy to the last drop.

Charcoal Boys

While making a mud house for her hornet egg, a wasp follows a human child thoughout his day as he works in a Brazilian charcoal mine.

Encounter

Based on the real journal kept by French explorer Jacques Cartier in 1534, Encounter imagines a first meeting between a French sailor and a Stadaconan fisher. As they navigate their differences, the wise animals around them note their similarities, illuminating common ground. This extraordinary imagining by Brittany Luby, Professor of Indigenous History, is paired with stunning art by Michaela Goade, winner of 2018 American Indian Youth Literature Best Picture Book Award. Encounter is a luminous telling from two Indigenous creators that invites readers to reckon with the past, and to welcome, together, a future that is yet unchartered.

Anna and Samia: The True Story Of Saving a Black Rhino

From a Geisel Honor author/illustrator, the story of conservationist Anna Merz and the baby rhino she adopted and raised.