Materials from United States of America
A collection of ten original and traditional stories set in New Mexico, including “Lupe and la Llorona,” “The Shepherd Who Knew the Language of Animals,” and “Coyote and Raven.”
See the review at WOW Review, Volume 3, Issue 2
Each year on his birthday, a young Mexican American boy looks forward to seeing how his grandfather has decorated the tree he planted on the day the boy was adopted.
Manny relates his coming of age experiences as a member of a poor Mexican American family in which the alcoholic father only adds to everyone’s struggle.
Featured in Volume VI, Issue 1 of WOW Review.
Meet Manuel, a young man who wears hand-me-downs from his older brothers until he finally gets a brand-new pair of shoes. And Jose Luis, who watches the vet bills rise after he buys a sick rooster to save it from becoming someone’s dinner. And Alma, a young woman who runs to every shop and flea market in town buying back the clothes of her dead mother that her father has given away. These Mexican American youths meet life’s challenges head-on in this hard-hitting collection of short stories.
Latino poets, novelists and journalists contribute to an exciting anthology of works that give voice to the dreams, desires, fears, and painful struggles of the Latino community as they write about family, oppression, and success while living as Americans.
As a young migrant worker, David is shocked and thrilled when the man running the field store offers him a loaf of bread in exchange for a song. Singing has been strongly discouraged by David’s father, who views it as a less-than-manly activity. But the opportunity to get food for free is a temptation David can’t resist, and the praise he receives afterwards produces a sense of euphoria he has never felt. Someone is actually paying him to sing! But singing always leads to conflict with his father, and the only time David can do it without getting into trouble is when the others start to harmonize to pass the time as they move up and down the rows, picking cotton, asparagus, or other crops. To help get through the grueling labor, David regularly daydreams about performing in front of an adoring audience. As David and his family move from town to town following the crops, he begins to forget his dream of becoming a singer, until one day when he learns about a local competition. Somehow, his feet carry him to the Four Square Apostolic Church where the contest will take place, but he is shaken when the elderly black ladies setting up for the event tell him it’s only for “colored folk.” When he is ultimately given the chance to participate, he eagerly seizes the opportunity. Is it really possible that his dreams might come true? Will the people who believe in him–a group of African-American women and an ambitious young reporter from the Oakland Tribune–be able to help David overcome the racial, social, and familial barriers he faces?
Seventeen-year-old Chloé Rodriguez, who inherited her uncle’s beloved Harley after his death, spends the subsequent year trying to pass chemistry, wondering whether she should look for her birth parents, and beginning an unlikely relationship with her chemistry tutor, while also trying to figure out how she really feels about the boy who has been her best friend since they were children.
Clara chooses to have a dog-shaped pinata at her birthday party but quickly finds she has become attached to it and cannot bear to destroy it, so she finds herself in a bad situation because if she keeps the dog pinata, she will have no pinata for her party.
The images in this book highlight the lives of the men and women who struggle to exist while literally feeding this country. Countless words and studies over decades bemoan the plight of those who toil in the fields, but Rick Nahmias’s pictures bring farm workers to us in an unforgettable way, taking us beyond stoop labor stills and into their intimate moments and inner lives. Having traveled over four thousand miles to document California’s migrant workforce, Nahmias’s soulful images and incisive text go beyond one state’s issues, illuminating the bigger story about the human cost of feeding America. The Migrant Project includes the images and text of the traveling exhibition of the same name, along with numerous outtakes and an in-depth preface by Nahmias. Accompanied by a Foreword from United Farm Worker co-creator Dolores Huerta, essays by top farm worker advocates, and oral histories from farm workers themselves, this volume should find itself at home in the hands of everyone from the student and teacher, to the activist, the photography enthusiast, and the consumer.”Every day in the hot fields of California, hundreds of thousands of farmworkers toil for long hours at low pay to provide fruit and vegetables to feed our nation. Most Americans never see the faces of these hard-working men and women, and know little or nothing about the harsh conditions they endure. The Migrant Project has done an extraordinary job documenting these workers’ lives. Rick Nahmias’s powerful photographs and the beautiful essays of dedicated advocates tell an inspiring story of the farmworkers’ historic struggle for the respect, the dignity, and the justice they so obviously deserve.”–U.S. Senator Edward M. Kennedy, Massachusetts “Nahmias’s images starkly capture both the humanity of the farm workers who literally feed our country, and the inhumanity of a system which has kept them and their predecessors prisoners to poverty for decades. This book is a testament to the flesh-and-blood cost of feeding America.”–Arianna Huffington, author, editor-in-chief of The Huffington Post, and nationally syndicated columnistExhibition schedule for The Migrant Project photographs:Mexican Cultural Institute, Washington D.C., February 21-April 14, 2008Museum of Tolerance, Los Angeles, California, March 4-April 25, 2008For more information on immigrant and migrant worker issues, please access the following organizations:Farmworker JusticeCalifornia Rural Legal AssistanceNational Association of State Directors of Migrant EducationNational Council for La RazaInternational Relations Center Americas ProgramCongressional Hispanic Caucus InstituteGlobal Commission on International MigrationInstitute for Agriculture and Trade PolicyNational Farmworker MinistryNational Rural Funders CollaborativeNational Farm Worker AllianceSouthern Poverty Law CenterUMOS Clergy and Laity United for Economic JusticeAmerican Friends Service CommitteeAFL-CIOCoalition for Comprehensive Immigration ReformCatholic Campaign for Immigration Reform
When Luís’s father joins the army shortly after the start of World War II, Luís’s entire life changes. His mother decides to return to the dusty New Mexican village where she and her husband grew up. In Los Angeles, Luís had struggled to find a place in his ethnically diverse neighborhood and had been intimidated into ending a close friendship with a Jewish boy. In Las Manos, everyone is Hispanic and Catholic like Luís, but the way of life seems backward and slow. Luís and his mother stay in a cramped bungalow with his dying grandfather and sullen grandmother, and Luís must share a bed with his uncle, a priest. Then, just as Luís begins to feel more comfortable in Las Manos, he learns an settling fact-his family is not Catholic after all. They are Jewish, a secret that has been kept for generations. Angry and confused, Luís realizes he must confront his feelings about family, religion, and friends, and ultimately make his own decision about who he is. Glossary of Spanish words.