Materials from United States of America
Musquon must overcome her impatience while learning to distinguish sweetgrass from other salt marsh grasses, but slowly the spirit and peace of her surroundings speak to her, and she gathers sweetgrass as her ancestors have done for centuries, leaving the first blade she sees to grow for future generations. This sweet, authentic story from a Maliseet mother and her Passamaquoddy husband includes backmatter about traditional basket making and a Wabanaki glossary. color throughout
Moth has lost her family in an accident. Though she lives with her aunt, she feels alone and uprooted.
Until she meets Sani, a boy who is also searching for his roots. If he knows more about where he comes from, maybe he’ll be able to understand his ongoing depression. And if Moth can help him feel grounded, then perhaps she too will discover the history she carries in her bones.
Moth and Sani take a road trip that has them chasing ghosts and searching for ancestors. The way each moves forward is surprising, powerful, and unforgettable
Miosotis Flores is excited about three things;fostering rescue dogs, goofy horror movies, and her sister Amarilis’ upcoming wedding. But her papi wants her to care about school more than anything else, so they strike a deal — if Miosotis improves her grades in two classes, she can adopt a dog of her own in the summer.
Miosotis dives into her schoolwork, and into nurturing a fearful little pup called Freckles. Could he become her forever dog? At the same time, she notices Amarilis behaving strangely–wearing thick clothes in springtime, dropping her friends in favor of her fiancé, even avoiding Miosotis and the rest of their family.
When Miosotis finally discovers her sister’s secret, she faces some difficult choices. What do you do if someone is in danger, but doesn’t want your help? When should you ask for support, and when should you try to handle things on your own?
What ultimately matters most–what Miosotis wants, or what’s right for the ones she loves?
“What is the recipe?” I ask. Abuela laughs. “It is in my heart, Rosie. I use mis ojos, my eyes, to measure. Mis manos, my hands, to feel. Mi boca, my mouth, to taste. My abuela gave it to me, and I am giving it to you.” Each year on Christmas Eve, Rosie’s abuela, mamá, tía, sister, and cousins all gather together in Abuela’s kitchen to make tamales—cleaning corn husks, chopping onions and garlic, roasting chilis, kneading cornmeal dough, seasoning the filling, and folding it all—and tell stories. Rosie learns from her abuela not only how to make a delicious tamale, but how to make a delicious life, one filled with love, plenty of spice, and family.
Elizabeth Lilly’s tale of a joyous road trip, drawn from her own experience, is illustrated with quirky charm that captures all the warmth and love of her family’s two distinct cultures.
Featured in WOW Review, Volume XV, Issue 4.
Like all kids, Josefina loves to eat sweets. She loves warm chocolate chip cookies right out of the oven, cupcakes and candy! One night, while eating a piece of flan, Mami asks her to consider giving up sweets for Lent, the 40 days leading up to Easter. “That’s impossible!” Josefina says. When Mami promises to teach her how to make her favorite dessert, habichuelas con dulce, she agrees to give it a try. Josefina can’t wait to end her fast and eat the delicious sweet cream beans, her family’s traditional Easter dessert. While she and her mom, tias and abuela prepare the dish, they dance to merengue music and tell stories about life back in the Dominican Republic. The kitchen fills with the aromatic smells of cinnamon and sugar, but it’s the feelings of love and happiness Josefina will never forget. On Easter, when the family eats her special dessert, the girl’s grandmother says it’s the best she has ever tasted
From bestselling Latina author Pat Mora comes a collection of poems celebrating a young child’s growth and everyday experiences throughout the seasons of a year.
“Little Damian is getting ready for bed, and the spooky monster called La Llorona is hollering up a storm outside his bedroom window. But he’s not afraid. “You can’t scare me, silly Llorona,” says Damian, “and neither can your monster friends!” When evil-looking witch owls fly around his room and little green duendes, or goblins, make creepy noises under his bed, he’s still not frightened. Not even a little bit. The Donkey Lady, a chupacabras and even some little devils parade through his room, but Damian still isn’t afraid. A witch casting spells, a ghost rattling its chains, a cucuy with a burlap bag to catch him … nada. None of them can terrify brave little Damian. How can a little boy like him be so fearless?!? No one knows it, but Damian has a secret weapon: a night light shaped like a mighty wrestler wearing a silver mask. When he plugs it in, its bright light terrifies all the monsters and sends them running for a place to hide!
“We Shall Overcome” is one of the most recognizable anthems of the Civil Rights movement, widely performed at protests and rallies to promote nonviolent civil rights activism. Now, these inspirational, empowering, legendary lyrics are brought to life with the stirring, evocative, and breathtaking illustrations from multi-award-winning talent Bryan Collier. Powerfully imagined for the present moment, Collier’s illustrations meld the most emblematic moments of the twentieth-century Civil Rights movement with the present day, depicting the movements, protests, and demonstrations — big and small — as the fight for justice continues.
Join Molly as she ventures into a curious world where nothing is quite as it seems. A trail of clues leads from scene to scene, presenting Molly with a number of challenges. But who is leaving the clues, and where will they lead? This interactive mystery shows math isn’t just about numbers-it’s about imagination! An explorative and creative approach to the world of mathematics.
Featured in WOW Review Volume XIV, Issue 2.