
Sharing Our World, by First Nations and Native artists: honoring Ancestors, the Totem, and 15 animals native to the NW coast.
Materials from United States of America
Sharing Our World, by First Nations and Native artists: honoring Ancestors, the Totem, and 15 animals native to the NW coast.
Cash and Sheriff Wheaton make for a strange partnership. He pulled her from her mother’s wrecked car when she was three. He’s kept an eye out for her ever since. It’s a tough place to live-northern Minnesota along the Red River. Cash navigated through foster homes, and at thirteen was working farms. She’s tough as nails-five feet two inches, blue jeans, blue jean jacket, smokes Marlboros, drinks Bud Longnecks. Makes her living driving truck. Playing pool on the side. Wheaton is big lawman type. Scandinavian stock, but darker skin than most. He wants her to take hold of her life. Get into Junior College. So there they are, staring at the dead Indian lying in the field. Soon Cash was dreaming the dead man’s cheap house on the Red Lake Reservation, mother and kids waiting. She has that kind of power. That’s the place to start looking. There’s a long and dangerous way to go to find the men who killed him. Plus there’s Jim, the married white guy. And Longbraids, the Indian guy headed for Minneapolis to join the American Indian Movement.
When his family’s restaurant and Cuban American neighborhood in Miami are threatened by a greedy land developer, thirteen-year-old Arturo, joined by Carmen, a cute poetry enthusiast, fight back, discovering the power of poetry and protest through untold family stories and the work of José Martí.
Eleven-year-old Stella Rodriguez finds herself in possession of a strange new pet that swallows up everything in sight when a black hole decides to follow her home.
Now settled in the Valley Where First Light Paints the Cliffs with her family and friends, Lozen turns her attention and her far-seeing abilities to protecting her community of refugees from the two remaining maniacal overlords of Haven, a ruthless assassin, and predatory genetically-modified monsters.
From the backyards of suburban Florida to the parched desert of New Mexico, Because of the Sun explores the complexity of family, the saving grace of friendship, and the healing that can begin when the truth is brought to light.
As fire creeps toward the village of the First People, First Man and First Woman must find a way to quench the flames. First Woman asks the Bird People, the River People, and the Water People for assistance, but everyone she speaks to has an excuse. “Not me,” said Mockingbird. “The smoke would hurt my voice and I would never sing again.” “Not me,” said Snail. “I carry my house with me and I am slow.” “No,” said Beaver. “We’d like to help, but our river home would become a desert if we changed the flow of water.” At last, First Woman asks the mysterious Frog for help. Will he be able to stop the flames before they reach the village? Author Patricia Hruby Powell’s retelling of this Navajo folktale is as graceful as it is compelling, and as magical as the mythical time it describes.
Told in the rhythms of traditional oral narrative, this telling of the history of the Native/Indigenous peoples of North America recounts their story from Creation to the invasion and usurpation of Native lands. As more and more people arrived, The People saw that the new men did not respect the land. The People witnessed the destruction of their Nations and the enslavement of their people. The People fought hard, but eventually agreed to stop fighting and signed treaties. Many things changed and became more difficult, but The People continued to farm and create crafts. They remembered and told their children, “You are Shawnee. You are Lakota. You are Pima. You are Acoma…. You are all these Nations of the People.” The People held onto their beliefs and customs and found solidarity with other oppressed people. And despite struggles against greed, destruction of their lands, and oppression, The People persisted.
This bilingual collection of poems that takes us through the week day by day. Children spend Sunday visiting their grandparents, play with school friends on Monday, daydream on Tuesday, eat popcorn at the local market on Wednesday, and more, until we arrive at Saturday, when they get to play nonstop all day. Along the way, we also learn how the names of the seven days came to be. Partly based on the real life experiences of Alarcon’s own family, this festive, celebratory collection of poems highlights the daily life of children while also honoring the experiences of the poet’s Latino family in the United States. With her vibrant illustrations, illustrator Maya Christina Gonzalez has created a loving tribute to childhood, to family, and to Francisco Alarcon.* *Francisco X. Alarcon passed away in January 2016.
Perfect Mexican daughters do not go away to college. And they do not move out of their parents’ house after high school graduation. Perfect Mexican daughters never abandon their family. But Julia is not your perfect Mexican daughter. That was Olga’s role.
Featured in WOW Review Volume X, Issue 4.