When two gun-toting hoodlums tell the fourteen-year-old narrator of René Saldaña’s story, “The Right Size,” to kiss the floor, he doesn’t think twice. And his dad and younger brother drop to the floor just as quickly. “This guy Jimmy probably thinks Dad is the greatest threat among the three of us, but he’s dead wrong. Dad couldn’t hurt a bug,” the boy thinks. In the ensuing twenty minutes, he learns that his dad isn’t as weak as he thought, and in fact, his dad is willing to do whatever it takes to protect his family, even if it means killing someone. The teens featured in these stories deal with situations typical to all young adults, including attraction to the opposite sex—or to the same sex, in one story—and first sexual encounters, problems with family and friends, academic and personal aspirations. But they also deal with every kind of thrilling situation imaginable, from missing girls to kidnappings and dismembered bodies. A young girl finds herself living with her “family,” though she has no memory of them or who they claim she is. A geek at a prestigious public high school finds himself working with his very attractive arch-rival to solve the mystery of a severed, bloody arm that appears inexplicably in his locker. And Mike’s life sucks when his parents split up, but it gets worse when his best friend is abducted by a thug shot by Mike’s dad, a police officer. There’s something for everyone here, with aliens, ghosts and even an Aztec god making appearances in these stories. Set in schools and communities from New York City to Venice Beach, California, the protagonists reflect the breadth and diversity of the Latino authors included in this innovative collection. Published authors such as Mario Acevedo, Alicia Gaspar de Alba, Diana López and Sergio Troncoso appear alongside less well-known authors who deserve more recognition. With an introduction by young adult literature expert Dr. James Blasingame of Arizona State University, this collection is sure to keep readers on the edge of their seats until the last page is turned.
United States
Materials from United States of America
Carmen
The Monster In The Mattress And Other Stories / El Monstruo En El Colchon Y Otros Cuentos
High Riders, Saints and Death Cars: A Life Saved by Art
Nicholas Herrera started life as a mischievous, dyslexic boy, born into one of the old Spanish families of New Mexico. Bad teachers and poor schooling helped him to lose himself in drugs, drinking, riding motorcycles and driving fast cars. A near-death experience, a wonderful mother and a fascination with making art saved him. Today Nicholas Herrera is one of the most noted Santeros in the US. His work is displayed in folk-art galleries across the country and is collected by the Smithsonian. He is noted for the highly personal, political nature of his work and his innovative treatment of what can sometimes be a rather bland art form designed to sell to tourists. His work is intensely personal and even confessional. A survivor of alcoholism and drug addiction, which almost led to his death in a terrible car crash, Herrera is now sober and remarkably productive. His art is his life and his life is his art. Extraordinarily charismatic, Herrera is the grandson, nephew and son of artists. His young daughter is now following in his footsteps.
Rubia and the Three Osos
Bradley Mcgogg
Bradley McGogg makes his home in the bog where there are plenty of yummy bugs for a frog to feed on. But one day Bradley finds that his cupboard is bare. He turns to his neighbors to see if they will share their dinner with him. He soon finds that not all animals eat alike…With its infectious rhyming text and its enchanting art, Bradley McGogg, the Very Fine Frog is bound to become a favorite with children and the people who try to feed them.
Side By Side/Lado A Lado

Every day, thousands of farmworkers harvested the food that ended up on kitchen tables all over the country. But at the end of the day, when the workers sat down to eat, there were only beans on their own tables. Then Dolores Huerta and Cesar Chavez teamed up. Together they motivated the workers to fight for their rights and, in the process, changed history. Award-winning author Monica Brown and acclaimed illustrator Joe Cepeda join together to create this stunning tribute to two of the most influential people of the twentieth century. Todos los dÍas, miles de campesinos cosechaban los alimentos que se servÍan en los hogares de todo el paÍs. Pero al terminar la jornada, cuando los campesinos se sentaban a comer, lo Único que habÍa en sus propias mesas era frijoles. Entonces, Dolores Huerta y CÉsar ChÁvez se unieron para motivar a los trabajadores a luchar por sus derechos y en el proceso, cambiaron el curso de la historia. La premiada autora Monica Brown y el aclamado ilustrador Joe Cepeda se unen para crear Éste impresionante tributo a dos de las personas mÁs influentes del siglo veinte.
From North To South/Del Norte Al Sur

José loves helping Mamá in the garden outside their home in California. But when Mamá is sent back to Mexico for not having citizenship papers, José and his Papá face an uncertain future. What will it be like to visit Mamá in Tijuana? When will she be able to come home? Award-winning children’s book author René Colato Laínez tackles the difficult and timely subject of family separation with exquisite tenderness. Joe Cepeda’s bright and engaging illustrations bring this story of hope to vivid life.
See the review at WOW Review, Volume 4, Issue 2
Five Little Gefiltes

Five little gefilte fish sneak out of their jar and explore the world, causing their poor mother great worry. Includes a note about gefilte fish and a glossary of Yiddish words.
Dybbuk: A Version

In this retelling of a Jewish legend, a girl is possessed by the spirit of the man she was destined to, but did not, marry. Sender, the richest man in town, only wants the best for his daughter, Leah. Her husband-to-be must be extremely wealthy. But when Leah and Konin, an orphaned scholar, fall in love, Sender recalls a pact he made long ago with his best friend: If one man had a daughter and the other a son the two would be married. Though Konin is the son of his beloved friend, Sender cannot bear to permit the poor scholar to wed Leah. Konin dies of a broken heart once he hears Leah has been promised to another. Konin has his revenge, though, on Leah’s wedding day when he inhabits her body and refuses to leave.