The author describes his boyhood summers spent at his grandmother’s apartment in Spanish Harlem where she intoduced him to the sounds and steps of the merengue and the conga and told him stories of Puerto Rico.
Author: Book Importer
Goodnight, Papito Dios / Buenas noches, Papito Dios
“Papá, I don’t want to go to sleep. I’m scared.” Everyone knows that the trick to putting children to bed is creating a bedtime routine, and in this new children’s story from Victor Villaseñor, he recreates his own family’s bedtime tradition. Papá tells his son that every night when he was a boy, his mother would sing him to sleep with the turtledove song. “Coo-coo-roo-coo-coooo,” he sings, and tells the little boy about his very own Guardian Angel who will take him through the night sky to be reunited with God, or Papito Dios. “Then in the morning, you’ll come back refreshed, rested, and powerful as the wind.” As Papá sings the turtledove song to his son, he reminds the child that Mamá loves him, the dog and the cat love him, and his brothers and sisters love him too. Even the trees and grass and the flowers that dance in the wind love him. Gradually, the boy drifts off to sleep, feeling safe and warm in God\’s love and dreaming of the day when he will sing the turtledove song to his own children.
Little Crow to the Rescue/El Cuervito al Rescate
A colorful folktale about the natural world by a renowned Chicano writer Little Crow and Father Crow sit on the branch of a tall tree surveying the freshly planted corn field. Father Crow tells Little Crow that the human father and son they see working in the fields do a lot for crows. They plant corn, they move water, and they feed the crows with their fields. The crows sing their gratitude to the farmers, but in spite of their efforts to sing their best songs, the farmers don’t like the crows. As they watch, the tricky farmer bends to get a rock. He hides it by the side of his leg, and when they get in close range, the farmer launches his missile at the crows. But Little Crow and Father Crow are much too fast for him. They fly overhead, laughing and singing. Other crows are not so lucky, like Uncle Fly-Too-Late whose wing was broken when a farmer threw a rock. Little Crow is troubled. What if the farmer picked up a rock when Little Crow wasn’t looking? What if Little Crow couldn’t get away fast enough? Soon, Little Crow has an idea that just might save all the crows.
The Stranger And The Red Rooster/ El Forastero Y El Gallo Rojo
One day in a small California barrio, a scary-looking stranger with an ugly scar on his face arrives. Silence falls on the streets. Normally raucous children stop playing, and their fearful mothers quickly beckon them inside. Everyone peeks out of windows and doors to watch the stranger walk down Main Street. Later in the week, the stranger again appears in town. And a few days later, on a pleasant Sunday morning, the man shows his frightening face yet again. But this time, he’s not alone. Cradled in the stranger’s arms is a big, red rooster with a yellow ribbon tied around its neck. When the rooster sets off after a bug with the stranger hanging on to the ribbon “like a cowboy who had lassoed a wild bull,” the townspeople are finally able to look past the long, ugly scar on the stranger’s face. Echoing the oral tradition common to so many Latinos, acclaimed author Victor Villaseñor shares with young readers one of his father’s favorite stories. With vibrant illustrations by José Jara, this will soon become the favorite of many children aged 3 to 7.
Remember the Alamo: Texians, Tejanos, and Mexicans Tell Their Stories
An account of the famous battle of the Alamo which presents different points of view of the event.
Sand Sister
When lonely Paloma goes to the beach and wishes that she had a sister to play with, the girl she draws in the sand comes magically alive, and at day’s end her parents give her the good news of a new baby on the way.
Tiny Tortilla
Juan Carlos is dreaming of a hot, tasty tortilla. But the old tortilla maker in the plaza has sold them all—except for a tiny piece of masa (corn dough) that she gives him with instructions.This tiny piece is magical—it becomes a hat to shade him from the hot sun, a boat to carry him through a flood, and an enormous feather that floats him home. And then it becomes a delicious tortilla for his well-earned supper. Featuring inventive art with Southwestern folk accents, this is a rich and satisfying book about finding magic in ordinary places.
The Big Spanish Heritage Activity Book
This comprehensive activity book for children offers action-packed fun highlighting the contributions of the Hispanic Colonial settlers in the multi-cultural environment of the American Southwest. There are eight sections: The Age of Discovery, The New World, Colonial Life, The Camino Real, The Native Americans, Hispanic Art, Hispanic Architecture, and Hispanic Crafts. Projects are presented in a variety of formats such as illustrations to complete, word searches, matching names and ideas, picture construction, puzzles, and more. This entertaining activity book, richly illustrated by the author, provides a wonderful introduction into the romance and excitement of the Hispanic settlement of America.
Sunflowers / Girasoles
After helping her grandfather plant squash, onions, carrots, cabbage, and other vegetables that her mother uses in soups and salsas, seven-year-old Marisol plants sunflower seeds in her neighbors’ yards, and weeks later, everyone gets to enjoy the fruits of Marisol’s labor.
”My name is Marisol. I’m seven years old. This spring, I helped my grandfather make a garden.” First, Marisol and her grandfather had to prepare the ground. They pulled out the old plants and weeds. They mixed up all the dirt ”to make it soft.” Then it was time to plant the seeds. They planted seeds to grow the vegetables Mama uses in soup squash, onions, carrots, and cabbage. They planted seeds to grow the things she needs to make salsa garlic, tomatoes, cilantro, and chili peppers. They planted mint for Abuela’s tea. They planted watermelon seeds for Marisol and her brother. And for Grandad, they planted sunflower seeds because their ”big black eyes with long yellow eyelashes” make him happy. And he likes to eat the seeds! One day, Marisol’s grandfather gives her a small bag of sunflower seeds, but instead of eating them she plants them here and there one in the corner of Mrs. Sosa’s yard, another in Mr. Binh’s yard. In fact, as she walks to school, she plants seeds in the corners of all the yards she passes. And she plants the last three seeds in the playground at school. As the days pass, sometimes it’s rainy and sometimes it’s sunny. Finally, one bright day, Marisol’s sunflower surprise shines a bit of happiness all around. The tender relationship between grandparent and grandchild is illuminated in this children’s book by author Gwendolyn Zepeda with warm illustrations by Alisha Gambino. Children ages 3-7 will sow and reap ideas of their own about ways to share a little joy, just as Marisol does with sunflowers.
Growing Up with Tamales/Los Tamales De Ana (Spanish Edition)
“My name is Ana. Every year, my family makes tamales for Christmas. This year, I am six, so I get to mix the dough, which is made of cornmeal. My sister Lidia is eight, so she gets to spread the dough on the corn husk leaves. I wish I was eight, so that my hands would be big enough to spread the dough just right–not too thick and not too thin.” And so the years pass, and Ana turns eight, ten, twelve, fourteen, sixteen. But every year, big sister Lidia is always two years older. Ana envies her elder sibling and wishes she could do what Lidia does: put just the right amount of meat inside the tamales and roll them up; steam the tamales without scalding herself with the hot, hot steam; chop and cook the meat for the tamales without cutting or burning her hands. When she turns eighteen, though, Ana knows she will keep making tamales and she will be able to do all of the steps herself in her very own factory. When Christmas comes around, Ana will deliver tamales to all of her customers around the world, in delivery trucks that say “Ana’s Tamales.” And maybe Ana will even let Lidia work for her. Gwendolyn Zepeda’s rhythmic prose is combined with April Ward’s bright illustrations to create an affectionate and amusing story about sibling relationships that introduces an important Hispanic holiday tradition–making tamales!