Seventh-grader Joshua knows his best friend Artie Mendoza is a liar. They have been friends since kindergarten, and Artie has told far-fetched stories for years. So when Artie tells Josh that there’s a body buried in Mrs. Foley’s garden, Josh doesn’t believe him at first. But when Josh walks by the Foleys’ house, he sees the mound of earth, about seven feet long and covered with flowers, and has to admit it does look like a grave. Artie insists that Mrs. Foley killed her husband and buried him in the back yard. The Foleys used to fight so loudly that kids walking in the alley behind their house could hear the arguments. Lately, there hasn’t been any sign of Mr. Foley. Still, Josh has his doubts. But Wolf Man, Artie’s other best friend, naively believes everything his friend tells him and encourages Artie’s plan to dig up the body. Josh doesn’t care much for Wolf Man, and if he’s honest with himself, he knows he’s jealous of the friendship between Wolf Man and Artie. Unlike Josh, they watch wrestling on TV, don’t care much about school, and on top of that, speak Spanish fluently, which makes Josh feel left out. While Josh struggles to avoid getting caught up in Artie’s scheme to get famous by digging up the supposed body in Mrs. Foley’s backyard he also tries to cultivate his budding friendship with Lorena, the prettiest girl in the seventh grade, who challenges Josh to see both Artie and Wolf Man in a different light. With other problems sprouting up all around him, Josh can’t help but wonder if there’s really a shovel-wielding criminal living in the neighborhood. Instead of digging up the garden, or grave, shouldn’t they call the police? Young adult author and educator Ray Villareal has written another fast-paced, exciting novel for middle-school students that explores the impact of making poor decisions and the importance of choosing the right friends.
Intermediate (ages 9-14)
Material appropriate for intermediate age groups
Facts Of Life: Stories
The Skirt
When Miata leaves on the school bus the skirt that she is to wear in a dance performance, she needs all her wits to get it back without her parents’ finding out that she has lost something yet again.
The Big Spanish Heritage Activity Book
This comprehensive activity book for children offers action-packed fun highlighting the contributions of the Hispanic Colonial settlers in the multi-cultural environment of the American Southwest. There are eight sections: The Age of Discovery, The New World, Colonial Life, The Camino Real, The Native Americans, Hispanic Art, Hispanic Architecture, and Hispanic Crafts. Projects are presented in a variety of formats such as illustrations to complete, word searches, matching names and ideas, picture construction, puzzles, and more. This entertaining activity book, richly illustrated by the author, provides a wonderful introduction into the romance and excitement of the Hispanic settlement of America.
Chicken Foot Farm
On the eve of World War II, young Alejandro comes of age on his family’s South Texas farm, known as Chicken Foot Farm because of how his mother marks her chicks. “Mama held the chick against her breast and splayed its left foot between her thumb and index finger. With her free hand she… quickly cut off the end of the chick’s shortest toe.” Rich with the customs and traditions of rural, Mexican-American life, Chicken Foot Farm depicts a multi-generational family in flux as change crawls relentlessly toward their land and lifestyle. As the seasons–and loved ones–come and go and misfortunes befall the family, Alejandro learns the lessons of life: the importance of family, honesty, hard work, and compassion. When the kitchen burns down one night, Alejandro feels they have lost something integral to their family unity. But his father promises they will build another kitchen, the new one better than the old. As Abuela Luciana ages, she begins to behave erratically, burning tortillas, forgetting to add water to the beans she is cooking, and even disappearing from the farm. She is certain someone has cursed her–put mal de ojo on her. How can the family cure her when she is the curandera, the one who has always taken care of them? Most importantly, Alejandro works hard to win his father’s approval, even though Papa generally ignores him in favor of the eldest son, Ernesto, who Papa says will inherit the farm. When Ernesto joins the Army, the family must face the possibility that he may not return as the entire country is thrown into the uncertainty of war. Following the attack on Pearl Harbor, young Alejandro notices something new in his family’s kitchen: a framed United States flag now hangs on the wall. “It’s something I can do for the war,” his Abuela Luciana tells him. Not understanding, she explains to him, “I can remind people that we are Americans.” In these poignant images of a time and place long gone, Anne Estevis sketches a tight-knit, Mexican-American community on the cusp of a new way of life as tractors replace mules and modern science competes with superstitious beliefs.
Fitting In
Written with deep understanding and compassion, these are the bittersweet tales of young Cuban immgrants adjusting to life in the United States as they cross the threshold into young womanhood.
Help Wanted: Stories
With real wit and heart, Gary Soto takes readers into the lives of young people in ten funny, heartbreaking tales. Meet Carolina, who writes to Miss Manners for help not just with etiquette but with bigger messes in her life; Javier, who knows the stories his friend Veronica tells him are lies, but can’t find a way to prove it–and many other kids, each caught up in the difficulties of figuring out what it means to be alive.
Mercy on These Teenage Chimps
At age 13, best friends Ronnie and Joey suddenly feel like chimps–long armed, big eared, and gangly–and when the coach humiliates Joey in front of a girl, he climbs up a tree and refuses to come down. Gary Soto tells a touching story about friendship, understanding and the painful insecurities of being 13.
Joan Baez: Folksinger for Peace (Great Hispanics of Our Time)
Vatos
One evening, Pulitzer Prize-winning photographer Jos Galvez heard Luis Alberto Urrea read “Hymn to Vatos Who Will Never Be in a Poem” with its chant-like repetitions and its evocation of Chicano manhood. As Luis read each line, an image clicked in Jos’s memory, and he knew that he had already taken that photograph. The result of that experience is this remarkable book. Vatos is street slang for dude, guy, pal, brother. It sprang from the highly stylized language of the Pachucos (los chukotes) in the ’50s. It’s a Chicano term derived from the once-common friendly insult chivato, or goat. It had a slightly unacceptable air to it, which the Locos and Weesas of the Chuco world enjoyed. They were able to take the sting out of racism by calling themselves a bunch of names assimilated “good Mexicans” didn’t like.