Sometimes we can be fooled by what we want to see. That happens to a famished Nanabosho when he sees a bush of plump cranberries seemingly floating on the surface of the lake.
Age
Catalog sorted by age group
The Moccasins
This is an endearing story of a young Aboriginal foster child who is given a special gift by his foster mother. Her gift of warmth and thoughtfulness helps her young foster children by encouraging self-esteem, acceptance and love. Written as a simple story, it speaks of a positive foster experience.
The Girl Who Dreamed Only Geese: And Other Tales Of The Far North
Based on decades of research and extended collaboration with Inuit storytellers, award-winning author Howard Norman’s masterful retellings of ten Inuit tales invite readers on a unique story–journey from Siberia and Alaska to the Canadian Arctic and Greenland. Dramatic illustrations inspired by stonecut art of the Inuit people capture the beauty and mystery of these stories as they carry us–sometimes laughing, sometimes crying–from village to village over taiga, tundra, snow plains, and the iceberg-filled sea.
Building An Igloo
In crisp black-and-white photographs, Ulli Steltzer documents the beauty and precision of an igloo’s construction – from stacking blocks of snow to cutting a door – in this informative picture book.
An Eskimo Birthday
Young Eeka lives in Point Hope, Alaska, well above the Arctic Circle where there is little daylight during the winter months. It’s her birthday and Eeka is hoping that her mother may have found the right fur for the newly made velveteen parka that her mother has just made for her. However, with the coming of a storm, her attention moves towards the safety of her father who may be caught in the great winter storm that has developed while checking his traps. From Eeka escorting her younger cousin home from school, to the stories of survival and legend told by Eeka’s grandfather, young (and older) readers will be introduced to a bit of Eskimo culture. Lastly, Glo Coalson’s lovely and descriptive illustrations are integral to the book.
Little Voice (In The Same Boat Series, 4)
A young Ojibway girl, struggling over the fact that her father has died, spends a summer in the bush with her grandmother and finds her own identity and voice. Things have been hard for her family since her father’s accidental death in a logging accident, and Ray has been unable to express her grief. In school, the green eyes she inherited from her father are unusual for a child from an Ojibway background in a northern Ontario town and get her noticed in ways she doesn’t enjoy. At home, Ray believes that her mother, grieving herself and busy with Ray’s younger brother and sister, no longer needs her. Ray becomes so withdrawn that at times she hardly speaks. At the end of this beautiful and empowering story, which begins in 1978, the withdrawn green-eyed girl has found her voice and is not afraid to use it.
Mush-Hole: Memories of a Residential School
When Maddie Harper was seven years old, she found herself in the Brantford School in Ontario with about 200 other little girls who called it “mush-hole” because mush was their daily fare. Here, Harper tells of her eight years at the school, the cultural degradation she was forced to endure, her escape at age 15, her alienation from her community, her descent into alcoholism and finally, her return to traditional ways and recovery.
Black Star, Bright Dawn
In this redesigned edition of Scott O’Dell’s classic novel, a young Eskimo girl encounters frightening obstacles when she takes her father’s place in the Iditarod, the annual 1,172-mile dogsled race in Alaska.
Arctic Adventures: Tales From The Lives Of Inuit Artists
Extreme weather, hunger, magic, hunting, and the land are themes that shape the existence of the Inuits’ of the Far North. These stories — retold by Raquel Rivera based on the lives of native artists Pudlo Pudlat, Jessie Oonark, Kenojuak Ashevak and Lazarusie Ishulutuk — offer young readers a glimpse into this rich, remote culture, past and present. In “Pudlo and Kapik Go Hunting,” a young boy drifts out to sea on an ice floe; “Oonark\’s Arctic Adventure” tells of a mother and daughter stranded on the icy tundra; “The Shaman’s Granddaughter” movingly explores loss and mystery; and “Lazarusie and the Polar Bears” reveals just how finely attuned the relationship between animals and humans can be. Accompanying each story are illustrations by Jirina Marton, who has spent time in the Arctic and whose deep appreciation for its subtle beauty shines through her art. In addition to the stories, there is a feature spread on each artist with a photograph, a brief biography, and a reproduction of one of the artist’s works.
Tuk And The Whale
During the early 1600s, there was an active whaling industry in Canada. Whale oil was used to light the streets and buildings of European cities and to manufacture leather, wool, and soap. The baleen was used to make everything from carriage springs to corsets. Told from the point of view of a young Inuit boy named Tuk, this story imagines what might have happened if the people of Tuk’s Baffin Island winter camp had encountered European whalers, blown far from their usual whaling route. Both the hunters and the whalers prize the bowhead whale for different reasons. Together, they set out on a hunt, though they are all on new and uncertain ground. Scrupulously researched and vetted, this early chapter book inspires discussion about communication between two groups of people with entirely different world views, early whaling practices, and a productive partnership that also foreshadows serious problems to come. Simply and beautifully told, Tuk and the Whale includes a glossary, historical note, and recommendations for further reading.