Charro (Spanish-Language)

Charro is the Mexican term for horseman, but for a Mexican a charro is much more than a cowboy. A skilled rider of horses and bulls and bucking broncos, an artist with a lariat, and a model of gentlemanly dress and behavior, the charro is also a living symbol of Mexico’s patriotic past. In the rodeo-like sport called la charrería, male charros and female charras, children and adults, show off their skill and daring. But more than that they are showing off their pride in their country–because to be a charro is to be a Mexican.

We Are Cousins / Somos primos

Cousins are friends and rivals. Cousins are funny and frustrating. But the most important thing is that cousins are family. We are Cousins / Somos primos celebrates the joy of this special family bond. The children explain that they are cousins because their mothers are sisters, and from the moment they get together, the fun begins. They march in a make-believe parade, gobble up a pizza, and share a cozy story on Abuelo\’s lap. But they also blame each other if something goes wrong, don\’t want to share their toys, and wiggle against each other to nab a spot on Abuela\’s lap. Written in simple language for children ages 2-5, the brief English and Spanish text will become a valuable tool to encourage children to think and talk about their own families. It will also become a favorite book for children and grandchildren to share with their parents, grandparents, aunts, uncles, and of course, cousins. Vivid illustrations by Christina Rodriguez in bright, primary colors complement this story that will be as much fun to read at story hour as it will be to read on the family sofa.

Birthday In The Barrio/Cumpleanos En El Barrio

barrioIn this second bilingual book by author Mayra L. Dole, lively, determined Chavi sets off on yet another Miami adventure. This time it’s a fifteenth birthday party for her buddy Rosario’s sister that sends her swooshing through her Cuban American neighborhood, recruiting children and grownups to help in the planning and cooking. Once again Chavi proves that she can bring an entire community together for a heartfelt and ultimately very special event.Mayra L. Dole’s bouncy prose and Tonel’s bright, witty watercolors will delight readers who know and love Chavi, as well as those who are discovering this amazing eight-year-old heroine for the first time.

It’s Bedtime, Cucuy

Like many human children, Cucuy, the little monster, doesn’t like to go to bed. “I’m not sleepy,” he says. “All I want to do is jump around and play!” He tries to run and hide, but Mama¡ manages to get him into his pajamas. Every night he kicks and screams, wiggles and jiggles, mumbles and grumbles. He’s hungry, he’s thirsty. He needs to go to the bathroom. But Mama¡ won’t give in. “Tomorrow you will have a whole new day to jump around and play,” she tells her little monster, until finally he… drifts… off… to… sleep.Children ages 3 to 7 will delight in the travails of poor Cucuy, the little monster who doesn’t like to go to sleep. And they might just see themselves as Cucuy protests but ultimately does fall asleep. Author Claudia Galindo and illustrator Jonathan Coombs once again collaborate on an entertaining picture book for children.

The Christmas Gift

With honesty and rare grace, award-winning author Francisco Jiménez shares his most poignant Christmas memory in this remarkable book. Illustrated with paintings full of strength and warmth, written in spare bilingual text, this simple story celebrates the true spirit of Christmas, and illuminates how children do indeed draw strength from the bonds of their families.

Quinceanera: English-Language Edition

You are invited to the biggest party of Cindy Chvez’s life. In text and gorgeous color photos, Elizabeth King takes us to this joyous, once-in-a-lifetime event–the quinceañera. It is the celebration of a Latina’s fifteenth birthday, a coming-of-age ritual in which a community welcomes its newest adult member with a church service, a feast, and dancing. The tradition, which has its roots in Aztec and Mexican custom, is popular in the United States. With a lavish dress, an honor court of friends, a big cake, and a night filled with music, the quinceañera is a chance for a young woman to feel like a queen. But there are solemn, quiet moments, too, particularly at the Mass held before the party. The history, significance, and fun of the quinceañera are warmly recounted in this lovely book. It is an inviting glimpse at a part of American culture for newcomers to the tradition, and a special scrapbook for those anticipating or remembering their own quinceañera.

The Migrant Project: Contemporary California Farm Workers

The images in this book highlight the lives of the men and women who struggle to exist while literally feeding this country. Countless words and studies over decades bemoan the plight of those who toil in the fields, but Rick Nahmias’s pictures bring farm workers to us in an unforgettable way, taking us beyond stoop labor stills and into their intimate moments and inner lives. Having traveled over four thousand miles to document California’s migrant workforce, Nahmias’s soulful images and incisive text go beyond one state’s issues, illuminating the bigger story about the human cost of feeding America. The Migrant Project includes the images and text of the traveling exhibition of the same name, along with numerous outtakes and an in-depth preface by Nahmias. Accompanied by a Foreword from United Farm Worker co-creator Dolores Huerta, essays by top farm worker advocates, and oral histories from farm workers themselves, this volume should find itself at home in the hands of everyone from the student and teacher, to the activist, the photography enthusiast, and the consumer.”Every day in the hot fields of California, hundreds of thousands of farmworkers toil for long hours at low pay to provide fruit and vegetables to feed our nation. Most Americans never see the faces of these hard-working men and women, and know little or nothing about the harsh conditions they endure. The Migrant Project has done an extraordinary job documenting these workers’ lives. Rick Nahmias’s powerful photographs and the beautiful essays of dedicated advocates tell an inspiring story of the farmworkers’ historic struggle for the respect, the dignity, and the justice they so obviously deserve.”–U.S. Senator Edward M. Kennedy, Massachusetts “Nahmias’s images starkly capture both the humanity of the farm workers who literally feed our country, and the inhumanity of a system which has kept them and their predecessors prisoners to poverty for decades. This book is a testament to the flesh-and-blood cost of feeding America.”–Arianna Huffington, author, editor-in-chief of The Huffington Post, and nationally syndicated columnistExhibition schedule for The Migrant Project photographs:Mexican Cultural Institute, Washington D.C., February 21-April 14, 2008Museum of Tolerance, Los Angeles, California, March 4-April 25, 2008For more information on immigrant and migrant worker issues, please access the following organizations:Farmworker JusticeCalifornia Rural Legal AssistanceNational Association of State Directors of Migrant EducationNational Council for La RazaInternational Relations Center Americas ProgramCongressional Hispanic Caucus InstituteGlobal Commission on International MigrationInstitute for Agriculture and Trade PolicyNational Farmworker MinistryNational Rural Funders CollaborativeNational Farm Worker AllianceSouthern Poverty Law CenterUMOS Clergy and Laity United for Economic JusticeAmerican Friends Service CommitteeAFL-CIOCoalition for Comprehensive Immigration ReformCatholic Campaign for Immigration Reform

The Stranger And The Red Rooster/ El Forastero Y El Gallo Rojo

One day in a small California barrio, a scary-looking stranger with an ugly scar on his face arrives. Silence falls on the streets. Normally raucous children stop playing, and their fearful mothers quickly beckon them inside. Everyone peeks out of windows and doors to watch the stranger walk down Main Street. Later in the week, the stranger again appears in town. And a few days later, on a pleasant Sunday morning, the man shows his frightening face yet again. But this time, he’s not alone. Cradled in the stranger’s arms is a big, red rooster with a yellow ribbon tied around its neck. When the rooster sets off after a bug with the stranger hanging on to the ribbon “like a cowboy who had lassoed a wild bull,” the townspeople are finally able to look past the long, ugly scar on the stranger’s face. Echoing the oral tradition common to so many Latinos, acclaimed author Victor Villaseñor shares with young readers one of his father’s favorite stories. With vibrant illustrations by José Jara, this will soon become the favorite of many children aged 3 to 7.