In a high tree fork, a gray ball unfurls. Koala seeks his mother’s milk, but for the first time, she won’t let him into her pouch. It’s time for Koala to make his own way in the world. Rival koalas, fierce storms, and frightening snakes force Koala to keep moving—until he finds a safe place to call his own. In this dramatic nonfiction account, two renowned Australian picture-book creators bring us a surprising and authentic look at the ever-popular koala.
“Yoomi hates stinky spicy kimchi–until Grandma makes kimchi pancakes for her!”
Featured in Volume XV, Issue 1 of WOW Review.
An inquisitive fox named Marco and a bored flock of pigeons join the crew of deer Captain Sylvia, setting sail in her antlered ship in search of a wonderful island and finding friendship on the way.
A lyrical celebration of multiculturalism as a parent shares with a child the value of their heritage and why it should be a source of pride, even when others disagree.
Featured in WOW Review Volume XII, Issue 1
In this introduction to the Anishinaabe tradition of totem animals, young children explain why they identify with different creatures such as a deer, beaver, or moose.
A drop of fresh water must be retrieved in order for First Man to create a stream or lake in his parched homeland, and the members of his village are unable to do so, but, through an unexpected twist of fate, their doomed destiny may be saved.
Last Leaf First Snowflake to Fall takes us on a dreamlike voyage into nature at that secret moment when fall turns into winter. We find ourselves in a kind of paradise, which humans may be part of but which they have not despoiled. A Native father and son lead us through forests, down rivers, over lakes and ponds. Along the way we experience the primordial beauty of the physical world. This is nature as we all feel in our hearts it must once have been.
Tess has visited her grandmother many times without really being aware of the garden. But today they step outside the door and Tess learns that all of nature can be a garden. And if you take care of the plants that are growing, if you learn about them — understanding when they flower, when they give fruit, and when to leave them alone — you will always find something to nourish you. At the end of their day Tess is thankful to Mother Earth for having such a lovely garden, and she is thankful to have such a wise grandma.
In the early 1600s Father Jean de Brébeuf came to Canada from his native France as a Jesuit missionary. He settled among the Huron, or Ouendat, people in what is now Midland, Ontario. Despite his missionary zeal, Brébeuf was sensitive to the people with whom he lived. He learned their language and he wrote, in Huron, the original version of this famous Christmas carol. He and his fellow priests, called Black Robes, and many of their Huron parishioners were killed in an Iroquois raid in 1649. But Brébeuf’s carol continued to be sung by successive generations of Hurons. Then in 1926, Toronto writer Jesse Edgar Middleton, inspired by Brébeuf, wrote his own version of the carol in English. His are the familiar words we sing today, describing the Huron landscape, flora and fauna in telling the Christmas story.
A young girl delights in a visit to her grandpa’s farm. She and her cousins run through the fields, explore the root cellar where the smoked salmon and jars of fruit are stored, swing on a rope out the barn loft window, visit the appaloosa in the corral and tease the neighbor’s pig. The visit is also an opportunity for this child to ask Grandpa what her grandmother, Yahyah, was like, and explore the “secret room,” with its old wooden box of ribbons, medals and photos of Grandpa in uniform.