Realistic Fiction genre
Grannie Jus’ Come! joins a host of Caribbean children’s books, but unlike the rest–which are mostly song books, poetry books, and counting books–this book offers a rich narrative about a young girl and her loving relationship with her grandmother.
Amber, Jazz, and Geena Dhillon, a.k.a. the Bindi Babes, are three fabulous sisters with a reputation for being the coolest, best-dressed girls at their school. But their classmates don’t know that the sisters miss their mom, who died a year ago. An interfering auntie from India invites herself into their household to cramp their style and soon the sisters’ pushover dad is saying no to designer clothes and expensive sneakers. There’s only one way to be rid of Auntie: marry her off to some unsuspecting guy. Will Amber, Jazz, and Geena find a man who can put up with Auntie before she completely ruins their lives? Or are Auntie’s new rules doomed to make the fabulous Dhillon sisters just average?
In the bustle of street and marketplace, everyone is watching, waiting for those magical clouds to bring their gift of rain to the land. A child describes waiting for the monsoon rains to arrive and the worry that they will not come.
Ana’s story begins the day she is born with HIV, transmitted from her mother, who dies just a few years later. From then on, Ana’s childhood becomes a blur of secrets—about her illness, her family, and the abuse she endures. Shuffled from home to home, Ana rarely finds safety or acceptance. But after she falls in love and becomes pregnant at seventeen, she embarks on a journey that leads her to new beginnings, new sorrows, and new hope. Based on her work with UNICEF and inspired by the framework of one girl’s life, Jenna Bush tells the story of many children around the world who are excluded from basic care, support, and education. Resources at the back of this book share how you can help children like Ana and protect yourself and others.
The Kamishibai man used to ride his bicycle into town where he would tell stories to the children and sell them candy, but gradually, fewer and fewer children came running at the sound of his clappers. They were all watching their new televisions instead. Finally, only one boy remained, and he had no money for candy. Years later, the Kamishibai man and his wife made another batch of candy, and he pedaled into town to tell one more story—his own. When he comes out of the reverie of his memories, he looks around to see he is surrounded by familiar faces—the children he used to entertain have returned, all grown up and more eager than ever to listen to his delightful tales.
Flicka, Ricka, and Dicka were three little girls who lived in Sweden. They had blue eyes and yellow curls, and they looked very much alike.When they decided to bake a surprise cake for their mother’s birthday, their friend Aunt Betty helped them. She told them how to make Mother’s favorite cake, and she watched them put it in the oven.”Remember — your cake should bake just half an hour, ” Aunt Betty told the girls as she went out.What happen after that surprised everyone!
This story was originally published in the United States in 1955, Flicka, Ricka, Dicka Bake a Cake was one of a series of treasured books created by Swedish author-artist Maj Lindman (1886-1972). She also wrote and illustrated stories about three little Swedish boys, Snipp, Snapp, and Snurr.
After fleeing her home, suburban-bred Dana struggles to survive in the alleys, squats and subway stations of downtown Toronto. Dana’s graffiti on an underpass catches the eye of a counselor at Sketches, a drop-in center where homeless teens can express themselves through art. As Dana works on a painting, she begins to confront the reason she left home. The truth of what her stepfather did to her is trying to break free, but will it come out through her paintbrush or the blade of a knife?
There is always a story in moving house and this family has several to tell. From Uncle’s hat to Aunty’s violin, follow our family as they embark on an incredible adventure to find that elusive place called home.
Kukamba loves to visit her grandmother, Gugu. Though the village where Gugu lives is dry and dusty, her house is big and sprawling and unlike any other. The courtyard and walls are decorated with beautiful paintings and clay animals, all made by Gugu herself. Best of all, when Kukamba visits, she gets to help shape and paint some of the wonderful zebras, elephants, and birds that Gugu is always adding to the house. When the heavy rains come and her grandmother’s showpieces are destroyed, Kukamba is crushed. But the Gugu helps her see that an ending can also be a beginning, and art is not the only beauty the world has to offer.
Sareen is attending her first sit-up, a Jamaican tradition that celebrates the life of a loved one who has died. The whole village has come to share memories of Sareen’s Nana. Sareen wants to tell her stories of Nana’s last mango season and their search for the perfect mango, but she’s afraid the words won’t come or that she’ll begin to cry. It’s only when Sareen faces her fear that she realizes it’s not the sadness of Nana’s death that she’ll remember best but the joy of Nana’s life.Set amid the rich culture and lush scenery of Jamaica, this moving book offers the hope of rediscovering joy after a loss and pays tribute to the remarkable power of story: to touch, to connect, and to heal.