Braids/Trencitas

This bilingual story shows the importance of family and of reading, while also emphasizing the rewards of passing along cultural traditions. Beautiful illustrations portray the moving story of Bela and her grandma, who love to tell stories, braid hair, and play lotería with the family: “Our stories, like our braids, bind us forever.”

The Good Garden

From the best-selling author of One Hen comes the inspiring story of one struggling farming family in Honduras and their journey to growing enough food to meet their needs. Based on the real story of farm transformation underway in Honduras and many other countries, this book offers children ways they can be part of the movement to grow “good gardens” and foster food security. Eleven-year-old Maria Luz and her family live on a small farm. This year their crop is poor, and they may not have enough to eat or to sell for other essentials, such as health care, school uniforms and books. When Maria’s father must leave home to find work, she is left in charge of their garden. Then a new teacher comes to Maria’s school and introduces her to sustainable farming practices that yield good crops. As Maria begins to use the same methods at home, she too sees improvements, which allow her family to edge their way out of the grip of the greedy “coyotes” — the middlemen who make profits on the backs of poor farmers. Little by little, the farms — and the hopes — of Maria and her neighbors are transformed as good gardens begin to grow.

See the review at WOW Review, Volume 3, Issue 1

A Step From Heaven

A young Korean girl and her family find it difficult to learn English and adjust to life in America.

See the review at WOW Review, Volume 3, Issue 1

This book has been included in WOW’s Language and Learning: Children’s and Young Adult Fiction Booklist. For our current list, visit our Booklist page under Resources in the green navigation bar.

Nutik and Amaroq Play Ball

Amaroq is a lively Eskimo boy who fives at the top of the world with his best friend, Nutik, the wolf pup. Amaroq was named after a great wolf leader; Nutik is the wolf leader’s grandpup. The boy and the wolf pup are like brothers.One day Amaroq and Nutik want to play football, but their ball has disappeared. What shall they do? Listening to and observing Nutik’s wolf talk, Amaroq follows him outside. The two friends wander out onto the tundra, where there are no trees, no paths, and no landmarks to help them find their way home again. Amaroq is afraid they are lost, but then he remembers what the great wolf leader he was named after would do. By observing nature and following what it says, Amaroq and Nutik are safe again-but not before finding a surprise for both of them!Amaroq and Nutik’s adventure follows the first picture book about them, Nutik, the Wolf Pup, and continues the Arctic saga about these characters originally drawn from Julie’s Wolf Pack, sequel to the Newbery Medal-winning Julie of the Wolves.

Stealing Buddha’s Dinner

As a Vietnamese girl coming of age in Grand Rapids, Michigan, Nguyen is filled with a rapacious hunger for American identity, and in the pre-PC-era Midwest (where the Jennifers and Tiffanys reign supreme), the desire to belong transmutes into a passion for American food. More exotic- seeming than her Buddhist grandmother’s traditional specialties, the campy, preservative-filled “delicacies” of mainstream America capture her imagination. In Stealing Buddha’s Dinner, the glossy branded allure of Pringles, Kit Kats and Toll House Cookies becomes an ingenious metaphor for Nguyen’s struggle to become a “real” American, a distinction that brings with it the dream of the perfect school lunch, burgers and Jell- O for dinner, and a visit from the Kool-Aid man. Vivid and viscerally powerful, this remarkable memoir about growing up in the 1980s introduces an original new literary voice and an entirely new spin on the classic assimilation story.

In The Company Of Whispers

Straddling the genres of fiction, memoir, photography and travel,”In the Company of Whispers” looks at the future through the eyes of the past. In the late 1950’s, a young girl moves with her family to Rangoon, Burma. Ninety years later finds her living in the overpopulated Greater East Coast Metropolis, planted firmly in the past inside her small house until her her granddaughter, Zeyya, arrives on her front porch. In 2047, Zeyya has been living like millions of other people in a towering high rise, until her parents are taken by a Quarantine Squad. She retreats to her eccentric ninety-eight-year-old grandmother’s home, the last freestanding house in the Metropolis. But whatever respite she envisions finding there is immediately imperiled by the appearance of the intricately tattooed and possibly delusional Jonah. When Granna invites him into her home, Zeyya is sure that her world will finish unraveling, but despite Zeyya’s resistance, she, Granna, and Jonah become inextricably bound together. Ironically, what binds them is not what is, but what has been. The past intertwines itself into the present as Granna bequeaths her memories of a childhood spent in Burma to Jonah and Zeyya. And in the end, it is both Jonah’s and Granna’s pasts that determine Zeyya’s future.

The Light On The Tent Wall: A Bridging (Native American Ser)

Mary TallMountain is a Native writer whose “lantern voices seek to lead us out of the given darkness,” and “her work, like seasoned oak, is full of heat and fire, simplicity and compassion,” writes poet and scholar Alfred Robinson. The poems in this collection confront death and engage the sacred. Joy Harjo calls each poem “a track, and the series of tracks makes a bridge back to the ‘light on the tent wall,’ which is the sacred place of the songs, the stories that created us.”