Under a smooth gray rock on the outside windowsill of a home in Chimayo, New Mexico, sits la llave–the key–to the home of Grandpa and Grandma Ortega. The key has always been there for family, friends, and neighbors to use. When Grandma Ortega passes away, some things change and some things stay the same. Grandpa now lives alone, but his life is still filled with loving family and friends and la llave is still resting underneath its rock. Cristina Ortega’s latest children’s story represents life on a northern New Mexico plaza while highlighting the respect, friendship, trust, commitment, and love found in the community. Spanish phrases within the text and detailed illustrations by Cristina’s brother, Luis Armando Ortega, combine to demonstrate to children the importance of these timeless values.Reading level: grade 4 and up
Family
The Eyes Of The Weaver: Los Ojos Del Tejedor
Cristina Ortega is the granddaughter of Juan Melquiades Ortega, a master weaver of northern New Mexico’s Chimayó Valley. Chimayó’s roots are in early Spanish Colonial times and has long been famous for its unique weavings. Juan M. Ortega was taught to weave by his father in the early days when weavers sheared their own sheep and spun and dyed the wool for their blankets. El Tejedor (The Weaver) continued weaving until he was one hundred years old, when his eyesight failed him. In The Eyes of the Weaver, Cristina shares her memories of visits when she was ten years old with Grandpa in the village of Chimayó, where he taught her how to weave. She also recalls how Grandma helped her husband choose color combinations for his Chimayó blankets. It was during these visits that Cristina learned how important it is for a child to listen to and learn from his or her relatives.Some of Juan M. Ortega’s weavings and tools of the trade have been included in the exhibit, “American Encounters,” at the National Museum of American History, Smithsonian Institution, in Washington, D.C.Reading level: 10 years and up
Sofi Mendoza’s Guide to Getting Lost in Mexico
When Southern California high school senior Sofi Mendoza lies to her parents and crosses the border for a weekend party, she has no idea that she will get stuck in a Mexican village with family she has never met before, unable to return to the United States and the easy life she knew.
I’m Just Like My Mom; I’m Just Like My Dad/ Me parezco tanto a mi mama; Me parez
I’m just like my mom.
Me parezco tanto a mi mamá.
I’m just like my dad.
Me parezco tanto a mi papá.
With Akemi Gutiérrez’s charming illustrations, renowned journalist Jorge Ramos explores the many ways in which all children are just like their parents—in two languages!
Junto con las simpáticas ilustraciones de Akemi Gutiérrez, el respetado periodista Jorge Ramos explora las varias maneras en que los hijos se parecen a sus padres. ¡Y lo hace en dos idiomas!
Alicia’s Treasure
Alicia’s Treasure is the delightful tale of a young girl’s magical, fun-filled journey of discovery to the sea shore.
The Tequila Worm
Sofia comes from a family of storytellers. Here are her tales of growing up in the barrio in McAllen, Texas, full of the magic and mystery of family traditions: making Easter cascarones, celebrating el Dia de los Muertos, preparing for quinceañera, rejoicing in the Christmas nacimiento, and curing homesickness by eating the tequila worm. When Sofia is singled out to receive a scholarship to boarding school, she longs to explore life beyond the barrio, even though it means leaving her family to navigate a strange world of rich, privileged kids. It’s a different mundo, but one where Sofia’s traditions take on new meaning and illuminate her path.
Desert Passage
Miguel and Ramón are in big trouble with their family. The cousins were almost expelled from school for fighting, and just as they’re finishing up their final year in middle school and preparing to enter high school, their grades have dropped. Miguel’s father Rodrigo who, with his wife Connie, has raised Ramón since his father’s tragic death in a car accident has decided the boys need to be punished. So instead of going on the family’s summer vacation to Santa Fe, they’ll stay with their Abuelita Rosa in a remote town in northern Arizona and do chores around her place.Dreading a long, boring month with their grandmother in the middle of nowhere, the boys get started on the extensive list of tasks they are supposed to complete. Cleaning the shed seems like the least disagreeable one, and soon they find something interesting: a two-wheeled Vespa scooter covered with dust and cobwebs. Excited at their find, the boys decide fixing the scooter might enliven their stay. If they can get it to run, they’ll at least be able to get around town.The next morning, though, Miguel and Ramón wake to a quiet house, and they’re shocked to find their grandmother unconscious in her bed. When the ambulance takes her away to the hospital, the boys are left alone and unable to contact Miguel’s parents. Suddenly, the scooter seems to be the only answer to reaching their family, and so the boys gather food, water, sleeping bags, and the small amount of money they have and begin the long trip to New Mexico.Miguel and Ramón quickly learn that traveling across the country isn’t as easy as they had expected. Sharing the road with fast-moving eighteen-wheelers and camping in the cold desert all make for an exhausting trip. But along the way the boys see many wonderful sights including the Grand Canyon and the red rocks of Sedona and meet lots of interesting people: Frank, an old friend of their grandfather’s who helps them get the scooter ready for the trip; Turner, an attentive youth group counselor they meet at the Grand Canyon; and a group of scientists exploring an ancient Native American site. Most importantly, Miguel and Ramón will discover a lot about themselves through their growing independence as emergent young men.
Quesadilla Moon
As a young migrant worker, David is shocked and thrilled when the man running the field store offers him a loaf of bread in exchange for a song. Singing has been strongly discouraged by David’s father, who views it as a less-than-manly activity. But the opportunity to get food for free is a temptation David can’t resist, and the praise he receives afterwards produces a sense of euphoria he has never felt. Someone is actually paying him to sing! But singing always leads to conflict with his father, and the only time David can do it without getting into trouble is when the others start to harmonize to pass the time as they move up and down the rows, picking cotton, asparagus, or other crops. To help get through the grueling labor, David regularly daydreams about performing in front of an adoring audience. As David and his family move from town to town following the crops, he begins to forget his dream of becoming a singer, until one day when he learns about a local competition. Somehow, his feet carry him to the Four Square Apostolic Church where the contest will take place, but he is shaken when the elderly black ladies setting up for the event tell him it’s only for “colored folk.” When he is ultimately given the chance to participate, he eagerly seizes the opportunity. Is it really possible that his dreams might come true? Will the people who believe in him–a group of African-American women and an ambitious young reporter from the Oakland Tribune–be able to help David overcome the racial, social, and familial barriers he faces?
Marisol and Magdalena: The Sound of Our Sisterhood
Separated from her best friend in Brooklyn, thirteen-year-old Marisol spends a year with her grandmother in Panama where she secretly searches for her real father.
Pillars of Gold and Silver
After her father is killed in the Korean War, young Blanca Estela and her mother leave California to spend the summer in Revilla, an old town in Northern Mexico with Blanca’s grandmother. At first, Blanca is unhappy in their holiday retreat, but gradually makes friends and becomes part of the community.