Self-Made Boys

Three teens chase their own version of the American Dream during the Roaring 20s in this YA remix of The Great Gatsby.

Islands Apart: Becoming Dominican American

Jasminne Mendez didn’t speak English when she started kindergarten, and her young, white teacher thought the girl was deaf because in Louisiana, you were either Black or white. She had no idea that a Black girl could be a Spanish speaker. In this memoir for teens about growing up Afro Latina in the Deep South, Jasminne writes about feeling torn between her Dominican, Spanish speaking culture at home and the American, English speaking one around her. She desperately wanted to fit in, to be seen as American, and she realized early on that language mattered. Learning to read and write English well was the road to acceptance. Mendez shares typical childhood experiences such as having an imaginary friend, boys and puberty, but she also exposes the anti-Black racism within her own family and the conflict created by her family’s conservative traditions.

Show Us Who You Are

A neurodiverse twelve year old girl is shown an amazing new technology that gives her another chance to talk to the best friend she lost. But she soon discovers the corporation behind the science hides dark secrets that only she can expose.

Momo Arashima Steals The Sword Of The Wind

All Momo wants for her twelfth birthay is an ordinary life, but instead she finds out she is half human, half goddess and must unlock her divine powers to save her mother’s life and keep countless evil spirits from escaping Yomi, the land of the dead.

Iveliz Explains It All

Twelve year old Iveliz is trying to manage her mental health and advocate for the help and understanding she deserves, but in the meantime her new friend calls her crazy and her abuela Mimi dismisses the therapy and medicine Iveliz needs to feel like herself.

Doodles From The Boogie Down

A young Dominican girl navigates middle school, her strict mother, shifting friendships, and her dream of being an artist.

Dounia And The Magic Seeds

Dounia is the story of a little girl who loves her home city of Aleppo, Syria, and its many smells, sights, and traditions. But when war breaks out, Dounia and her grandparents must flee Aleppo to find safety. Before they go, their neighbour reads their future in a cup of coffee, she sees a long difficult journey ahead of the family and a blue house awaiting them at the end. Taking only a bird carved from Aleppo soap and four little barake seeds in her pocket, Dounia faces dangerous waters, a camp surrounded by barbed wire, and unfriendly soldiers, and she wonders where she and her family belong in the world. Remembering the ancient knowledge that barake seeds ward off evil, she pulls one from her pocket to use for each of the threats they face. Magically, the seeds from their faraway home help them along their way, until they finally find the blue house at the end of their journey.

In her new home, Dounia plants her final seed in a pot so it can grow and offer more seeds, while also keeping a piece of Aleppo with her. The baraké seeds represent the Syrian culture. Although Dounia is fleeing her country, she carries with her the strength of her people. It is by tapping into her roots, represented by the seeds, that she finds her own strength and resilience. The magical moments brought about by the baraké seeds can be interpreted as Dounia’s imagination it’s a way of seeing the war and the migration from a six year old’s perspective. Dounia does not understand everything that is going on, but she is not a powerless victim. By using the seeds, she feels she is taking an active part in her own destiny. In the end, whether it is magic or Dounia’s imagination at play, it’s a story about obstacles faced by migrants and about the courage they have in facing these obstacles. As Marya puts it in her article for TBI Magazine, it reverses the common narrative in North American media that Syria is synonymous with devastation and destruction, and that Syrian refugees can only be victims of their circumstance, rather than brave, vibrant heroes who can take charge of their own stories.