Juanita and Miguel’s great aunt, Tía Lola, comes from the Dominican Republic to help take care of them after their parents divorce, and soon she is so involved in their small Vermont community that when her visa expires, the whole town turns out to support her.
The author of Tiempos Lejanos: Poetic Images from the Past returns to his roots in a new and exciting book of poetry about his childhood in Guadalupe, New Mexcio, originally called Ojo del Padre, presumably in honor of a priest who discovered a still-bubbling spring in the area. The village of Guadalupe is no more, but Garciacute;a’s vibrant word pictures transport us to a time and place of true community and existence. Written first in Spanish, then translated to English, these poems paint his young life and the lives of his family members and neighbors in west central New Mexico in the mid-twentieth century. Garcia’s perceptions of a wider world and all it includes, but still anchored in the routines of home and play and work, were imparted by his mother, who never attended a day of school in her life.
Fresh from the spotlight of their first television experience, the Amigas Inc. team is back, but the heat is always on in Miami and when they get hired to do an unusual quince for a bratty debutante, the temperature goes sky high.
Seventeen-year-old Kidd Ellison runs away to work for the summer at a beach campsite in California where his hard work and good looks lead to friendship and love but painful past memories surface in menacing ways.
The author describes Christmas at his grandmother’s apartment in Spanish Harlem the year she introduced him to the Metropolitan Museum of Art and Diego Velazquez’s portrait of Juan de Pareja, which has had a profound and lasting effect on him.
“Photo-essay about Flamenco, a southern Spanish art form that incorporates song, dance, and music, tracing its cultural history and focusing on a contemporary young girl and her brother as they learn the traditional style of movement and instrument playing. Includes a glossary/pronunciation guide and author’s sources”–Provided by publisher.
Fourteen-year-olds Raphael and Gardo team up with a younger boy, Rat, to figure out the mysteries surrounding a bag Raphael finds during their daily life of sorting through trash in a third-world country’s dump.
Leading Women celebrates the impact that women in leadership roles have made across cultures and decades.
The people of Bolivia have grown coca for legitimate purposes for hundreds of years, but the demands of America’s War on Drugs now threaten this way of life. Deborah Ellis’s searing follow-up to the highly praised “I Am a Taxi” deals with this frank reality. After he manages to escape from virtual enslavement in an illegal cocaine operation, Diego is taken in by the Ricardo family. These poor coca farmers give Diego a safe haven where he recovers from his ordeal in the jungle. But the army soon moves in and destroys the family’s coca crop — their livelihood. So Diego joins their protest of the destruction of their crops and confront the army head-on by barricading the roads. While tension between the cocaleros and the army builds to a dramatic climax, Diego wonders whether he will ever find a way to return to his family. This compelling novel defies conventional wisdom on an important issue, and shows how people in one part of the world unknowingly create hardship for people in another.
When someone takes a pet goldfish, then other items from Ms. Blackwell’s classroom, each time leaving a clue in the form of a poem, student Edgar Allan competes with a classmate to be first to solve the mystery.