You are invited to the biggest party of Cindy Chvez’s life. In text and gorgeous color photos, Elizabeth King takes us to this joyous, once-in-a-lifetime event–the quinceañera. It is the celebration of a Latina’s fifteenth birthday, a coming-of-age ritual in which a community welcomes its newest adult member with a church service, a feast, and dancing. The tradition, which has its roots in Aztec and Mexican custom, is popular in the United States. With a lavish dress, an honor court of friends, a big cake, and a night filled with music, the quinceañera is a chance for a young woman to feel like a queen. But there are solemn, quiet moments, too, particularly at the Mass held before the party. The history, significance, and fun of the quinceañera are warmly recounted in this lovely book. It is an inviting glimpse at a part of American culture for newcomers to the tradition, and a special scrapbook for those anticipating or remembering their own quinceañera.
Young Adult (ages 14-18)
Material appropriate for young adults
500 Years of Chicana Women’s History/Anos de Historia de las Chicanans
The history of Mexican Americans spans more than five centuries and varies from region to region across the United States. Yet most of our history books devote at most a chapter to Chicano history, with even less attention to the story of Chicanas. 500 Years of Chicana Women’s History offers a powerful antidote to this omission with a vivid, pictorial account of struggle and survival, resilience and achievement, discrimination and identity. The bilingual text, along with hundreds of photos and other images, ranges from female-centered stories of pre-Columbian Mexico to profiles of contemporary social justice activists, labor leaders, youth organizers, artists, and environmentalists, among others. With a distinguished, seventeen-member advisory board, the book presents a remarkable combination of scholarship and youthful appeal. In the section on jobs held by Mexicanas under U.S. rule in the 1800s, for example, readers learn about flamboyant Doña Tules, who owned a popular gambling saloon in Santa Fe, and Eulalia Arrilla de Pérez, a respected curandera (healer) in the San Diego area. Also covered are the “repatriation” campaigns” of the Midwest during the Depression that deported both adults and children, 75 percent of whom were U.S.-born and knew nothing of Mexico. Other stories include those of the garment, laundry, and cannery worker strikes, told from the perspective of Chicanas on the ground. From the women who fought and died in the Mexican Revolution to those marching with their young children today for immigrant rights, every story draws inspiration. Like the editor’s previous book, 500 Years of Chicano History (still in print after 30 years), this thoroughly enriching view of Chicana women’s history promises to become a classic.
Brothers Torres, The
Frankie Towers has always looked up to his older brother, Steve, and with good reason. Steve is a popular senior who always gets what he wants: girls, a soccer scholarship, and–lately–street cred. Frankie, on the other hand, spends his time shooting off fireworks with his best friend Zach, working at his parents’ restaurant, and obsessing about his longtime crush, Rebecca Sanchez.
Frankie has reservations about Steve’s crusade to win the respect of the local cholos. He doesn’t think about them, though, until he gets into a fist fight John Dalton – the richest, preppiest kid in his New Mexican high school, and longtime nemesis of Steve. After the fight, Steve takes Frankie under his wing – and Frankie’s social currency begins to rise. The cholos who used to ignore him start to recognize him; he even lands a date to Homecoming with Rebecca.
The situation with Dalton continues to simmer, and after another incident Steve is bent on retaliating. Frankie starts to think that his brother is taking this respect thing too far. He may have to choose between respecting his brother and respecting himself.
In an honest and humorous debut novel, Coert Voorhees uses a coming of age story to look at where loyalty ends and the self begins.
Honey Blonde Chica
Evie Gomez is one chill chica.She and her best friend, Raquel, hang with the Flojos, a kick-back crew named for their designer flip-flops. And their habit of doing absolutely nothing.But the return of long-lost amiga mejor Dee Dee wrecks Evie and Raquel’s Flojo flow. A few years in Mexico City have transformed their shy, skinny, brunette Dee Dee into a Sangro nightmare. Dee Dee has reinvented herself as “Dela,” complete with tight designer threads, freaky blue contacts, and that signature blond hair.When Raquel wants precisely nada to do with the new Dela, Evie finds herself caught between two very different friends. At heart, is Evie a Cali-casual Flojo chick, or a sexy Sangro diva?How’s a chica to choose?
The Truth About Las Mariposas
Sixteen-year-old Carolina “Caro” Torres is excited about spending six weeks of her summer vacation working for her Tía Matilde, mainly because she needs money to buy the car she has been eyeing. But her excitement turns to bewilderment when she finds her aunt hobbling around on a broken foot and, much to her surprise, the owner of a bed and breakfast called Las Mariposas. Almost immediately Caro meets two young people–Andy and Sara–who fill her in on the goings-on around town. For reasons no one understands, the mayor is trying to put her Tía Matilde out of business. His efforts have forced many of the townsfolk to stop doing business with her. A broken foot and a relentless antagonist are too much for Matilde, and she is ready to give up her home and her livelihood. But the three young people convince Matilde that they can help her run the B&B while she recovers. Busy with cleaning rooms, buying groceries, and cooking meals for their guests, Caro and her new friends still find time to wonder why the mayor is so determined to run her aunt out of business. When Caro finds a piece of a mysterious, old letter that makes reference to a fortune left to an unknown individual, the young people are sure there’s a connection to the mayor’s attempts to gain ownership of Las Mariposas. Who could have written the letter? What “bequest” is it talking about? Popular young adult author Ofelia Dumas Lachtman has once again crafted an entertaining and intriguing mystery novel for teen readers.
The Throwaway Piece
Jewel is shuttled from one foster home to another. But Jewel wasn’t always a “State Kid.” Her mother Angela’s constant search for happiness through a steady stream of unsavory boyfriends leads to the state’s intervention in Jewel’s life. Listening to her new foster mother’s list of “nos”—no drugs, no lying, no stealing, no skipping school, no boys in or out of the house, no being late—Jewel realizes that her mother said “yes” a lot. Probably too much. She remembers saving Angela’s life when one of many boyfriends beat her, trying to hide another boyfriend’s attempts to rape her when she was fourteen, and being sent to a foster home to please the latest boyfriend. But still, Jewel worries about her mother and knows that she will once again pick up the pieces when the latest jerk leaves. Bit by bit Jewel’s life begins to change for the better after her latest move to a new foster home and school. Although most people can’t see past her tough “State Kid” façade—spray-painted hair, heavy make-up, ripped clothing and unlaced shoes—her English teacher realizes there’s more to her then meets the eye. He convinces Jewel to tutor a fellow student who needs help with math, and gradually she learns how to make friends. In the process, she touches the lives of many people around her, including her social worker, teachers who believe in her, her new-found, tentative friends, and even their parents. But when she’s forced to choose between her life-long job—taking care of her mother”—and doing what’s right for herself, old habits and loyalties are hard to break. Jewel is sure that this time, she can save her mom. But will she be able to save herself?
A So-Called Vacation
Brothers Gabriel and Gustavo, high school students in the Rio Grande Valley of Texas, are horrified when their father suggests that they spend the summer in California doing field work to earn extra money. They’re not immigrants; the boys and their younger sister Paula were born in Texas, and the idea of picking fruits and vegetables hard labor usually associated with undocumented workers is totally humiliating. But their father thinks working in the fields will be good for his children. After all, the experience didn’t hurt him when he was a kid. ”Look at me. I didn’t die. All that work made me stronger.” Gustavo, heading into his senior year, doesn’t want to leave his girlfriend. And what will all his friends think? Gabriel doesn’t care what anyone thinks; he’s just not interested in spending the summer doing back-breaking labor. It’s only when the promise of visiting Disneyland, after working the fields, is offered that they ultimately agree to the ”vacation.” Before long, the family finds itself in a migrant camp, living in a shack with no electricity or bathroom. Toiling in the fields by day, trying to get the hang of picking strawberries, the boys and their father attempt to make sense of it all, including the motives and hopes of their fellow workers: the manic Borrado brothers, who are the fastest pickers around, and Victor, who introduces them to the canal where the migrant teens swim, even though two boys drowned there last season. Unfortunately, while learning their way around town, the family members experience the racism frequently directed at recent immigrants. How often, Gabriel wonders, has he done the same thing and dismissed someone just for being in the U.S. illegally? In this illuminating novel for teens that sheds light on the subjects of immigrant labor and prejudice within the Hispanic community, Genaro Gonzalez blends the ageless theme of fathers and sons at odds with a contemporary issue weighing on many minds. While set in a place unfamiliar to many, the characters’ hopes and dreams for the future will resonate with young adult readers.
Alicia Afterimage
On the evening of September 24, 2004, sixteen-year-old Alicia MarÃa Betancourt was killed in a car accident. Popular, happy, fun-loving Alicia daughter, sister, and friend to so many gone in an instant. How would those left behind cope with such a sudden, devastating loss? Wrestling with grief, anger, mortality, and spirituality, Alicia’s loved ones struggle to create a lasting place in their hearts for someone who is no longer a physical presence. They share joyful and painful memories, and discover the resilient power of enduring friendship and love. In time, each person finds a way to heal while keeping Alicia’s vibrant spirit alive for those who knew her, and those who never will. Alicia Afterimage is a remarkable story of loss and recovery, but mostly it is a story of love. In this moving tribute to an extraordinary girl, readers will find a pathway through grief and a road map to remembrance. It is a book of comfort for all teens and adults who seek a way to ease the pain of losing someone they cherished.
Finding Our Way
THESE STORIES TAKE the reader to meet mochos; cholos; Mr. and Mrs. Special; Manny with his mysterious phone calls; Melly, who dreams of being the first girl to take the Dive; Andy and Ruthie, who find that being “boyfriend-girlfriend” takes on new meaning the night of the prom; and Chuy, who seems determined to get kicked out of school. Each distinct voice shares secret thoughts that draw the reader into daily dramas of love, danger, loyalty, and pride. In the final story, a shocking tragedy reverberates through the barrio.“With this collection, Saldaña makes a significant contribution to the field of Latino short stories for young readers.”—VOYA, Starred“These powerfully written, provocative selections have universal appeal and subtle, thoughtful themes.”—School Library Journal“While much is revealed, just as much is implied, making the stories layered and rich while still rendering them accessible.”—The BulletinFrom the Hardcover edition.
Windows into My World: Latino Youth Write Their Lives
“They never thought I would leave. I remember tia Olivia calling the house to let me know that I was betraying my family by leaving to study. But unlike both of my parents, I wasn’t leaving the country to let years pass before seeing my family again; and unlike my mother, I wasn’t leaving to get married.” In this short but powerful memoir, Marisol explains that she knew her departure for Yale would create conflict with her family, but she is surprised that her leaving leads to a bond with her parents that she could never have imagined. Marisol is one of thirty-six Latinos whose writings are included in this collection. They all uniquely document their struggles with the issues that young people encounter–friendship, death, anorexia, divorce, sexuality–but added to these difficulties are those specific to their ethnicity, such as adjusting to a new culture and language, and handling familial and cultural expectations that can limit their hopes and dreams but just as often enrich their lives. In one piece, a young woman muses about the safety in the hills of her native Honduras compared to the flat expanse of her new homeland: “When I venture back into these silver hills, no one can see where I’ve gone because of the curves of the winding streets. But when I walk the flat roads of America, people can watch me go, trace my path and witness the inevitable stumble.” These short essays written by young men and women from various Latino backgrounds–Mexican American, Puerto Rican, Dominican, Salvadoran–reflect the diversity of growing up Latino in the United States. Whether from a gay or straight, urban or rural, recent immigrant or third generation perspective, these illuminating pieces of memoir shine a light into the lives of young Hispanic adults.