The story of the training of a carrier pigeon and its service during the First World War, revealing the bird’s courageous and spirited adventures over the housetops of an Indian village, in the Himalayan Mountains, and on the French battlefield.
Nonfiction
Nonfiction genre
The Children of the Sierra Madre
Describes life in the Sierra Madre Occidental Mountains, with a focus on the customs of the Tarahumara Indians.
My Nana’s Remedies/Los Remedios De Mi Nana
A little girl tells how her grandmother makes special teas and warm drinks for her and her little brother when they are not feeling well.
See the review at WOW Review, Volume 3, Issue 2
Pablo Remembers
From October 31 to November 2, people in Mexico celebrate the festival of el Dia de Los Muertos, the Day of the Dead. This photodocumentary follows Pablo and his family as they prepare to honor the memory of Pablo’s grandmother. Ancona’s photographs catch the affirmation of life that fills the Mexican festival arising from both Aztec and Christian customs honoring the dead.
I’m New Here
Remember the Alamo: Texians, Tejanos, and Mexicans Tell Their Stories
The Big Spanish Heritage Activity Book
This comprehensive activity book for children offers action-packed fun highlighting the contributions of the Hispanic Colonial settlers in the multi-cultural environment of the American Southwest. There are eight sections: The Age of Discovery, The New World, Colonial Life, The Camino Real, The Native Americans, Hispanic Art, Hispanic Architecture, and Hispanic Crafts. Projects are presented in a variety of formats such as illustrations to complete, word searches, matching names and ideas, picture construction, puzzles, and more. This entertaining activity book, richly illustrated by the author, provides a wonderful introduction into the romance and excitement of the Hispanic settlement of America.
Voices From The Fields: Children Of Migrant Farmworkers Tell Their Stories
Interviews with nine children of Hispanic migrant farm workers reveal some of their struggles, such as the long hours in the fields and the language barriers at school, and their aspirations for a better life.
The Migrant Project: Contemporary California Farm Workers
The images in this book highlight the lives of the men and women who struggle to exist while literally feeding this country. Countless words and studies over decades bemoan the plight of those who toil in the fields, but Rick Nahmias’s pictures bring farm workers to us in an unforgettable way, taking us beyond stoop labor stills and into their intimate moments and inner lives. Having traveled over four thousand miles to document California’s migrant workforce, Nahmias’s soulful images and incisive text go beyond one state’s issues, illuminating the bigger story about the human cost of feeding America. The Migrant Project includes the images and text of the traveling exhibition of the same name, along with numerous outtakes and an in-depth preface by Nahmias. Accompanied by a Foreword from United Farm Worker co-creator Dolores Huerta, essays by top farm worker advocates, and oral histories from farm workers themselves, this volume should find itself at home in the hands of everyone from the student and teacher, to the activist, the photography enthusiast, and the consumer.”Every day in the hot fields of California, hundreds of thousands of farmworkers toil for long hours at low pay to provide fruit and vegetables to feed our nation. Most Americans never see the faces of these hard-working men and women, and know little or nothing about the harsh conditions they endure. The Migrant Project has done an extraordinary job documenting these workers’ lives. Rick Nahmias’s powerful photographs and the beautiful essays of dedicated advocates tell an inspiring story of the farmworkers’ historic struggle for the respect, the dignity, and the justice they so obviously deserve.”–U.S. Senator Edward M. Kennedy, Massachusetts “Nahmias’s images starkly capture both the humanity of the farm workers who literally feed our country, and the inhumanity of a system which has kept them and their predecessors prisoners to poverty for decades. This book is a testament to the flesh-and-blood cost of feeding America.”–Arianna Huffington, author, editor-in-chief of The Huffington Post, and nationally syndicated columnistExhibition schedule for The Migrant Project photographs:Mexican Cultural Institute, Washington D.C., February 21-April 14, 2008Museum of Tolerance, Los Angeles, California, March 4-April 25, 2008For more information on immigrant and migrant worker issues, please access the following organizations:Farmworker JusticeCalifornia Rural Legal AssistanceNational Association of State Directors of Migrant EducationNational Council for La RazaInternational Relations Center Americas ProgramCongressional Hispanic Caucus InstituteGlobal Commission on International MigrationInstitute for Agriculture and Trade PolicyNational Farmworker MinistryNational Rural Funders CollaborativeNational Farm Worker AllianceSouthern Poverty Law CenterUMOS Clergy and Laity United for Economic JusticeAmerican Friends Service CommitteeAFL-CIOCoalition for Comprehensive Immigration ReformCatholic Campaign for Immigration Reform
Conversations with Contemporary Chicana and Chicano Writers
Hector A. Torres conducted these interviews with today’s popular Chicano/a writers, asking each about language and life between languages, about the creative drive that has guided them in their craft and commits them to their art. In sharing their responses, Torres reveals a brief biography of each author and a concise examination of their writings. Taking their stories and essays individually and collectively, Torres explains how each author reiterates issues that have concerned Mexican Americans since at least 1848. Chicano/a authors know that an abundance of politics can spoil a story, as can too little. The writers included here span historical terrain, first, under the shadow of Manifest Destiny and, then, under the America’s imperial sovereignty stance. Interviewees include Rolando Hinojosa (“I Reflect the Way Valleyites Act and React”), Arturo Islas (“I Don’t Like Labels and Categories”), Erlinda Gonzales-Berry (“On the New Mexican Borderlands”), Gloria Anzaldúa (“The Author Never Existed”), Ana Castillo (two separate interviews), Sandra Cisneros (two separate interviews), Pat Mora (“I Was Always at Home in Language”), Richard Rodriguez (“I Don’t Think I Exist”), Demetria Martinez (“To Speak as Global Citizens”), and Kathleen Alcalá (“To Tell the Counternarratives”).