Deep in the forest lives the biggest, hairiest, scariest yeti anyone has ever seen. And he is also the loneliest yeti around. Then one day…THUNK! Someone lands on Yeti’s head. And that someone isn’t scared of Yeti at all. Could that someone be a friend?
From a young age, Michael was both fascinated by and afraid of his grandfather. Grandpa’s ship was torpedoed during the Second World War, leaving him with terrible burns. Every time he came to stay, Michael was warned by his mother that he must not stare, he must not make too much noise, he must not ask Grandpa any questions about his past. As he grows older, Michael stays with his grandfather during the summer holidays and learns the story behind Grandpa’s injuries, finally getting to know the real man behind the solemn figure from his childhood. Michael can see beyond the burns, and this gives him the power to begin healing scars that have divided his family for so long.
Featured in WOW Review Volume X, Issue 1.
A powerful and visually stunning anthology from some of the most groundbreaking Native artists working in North America today. Truly universal in its themes, Dreaming In Indian will shatter commonly held stereotypes and challenge readers to rethink their own place in the world.
Here is the tale of Tom Shepherd, tending his lambs and shearing their fleece and wooing his sweetheart, who weaves the sheep’s wool to make him a coat. But then the Great War comes, and Tom must leave his beloved wife and his unborn child and go off to fight.
Featured in WOW Review Volume X, Issue 2.
Two years ago, Margaret left her Arctic home for the outsiders’ school. Now she has returned and can barely contain her excitement as she rushes towards her waiting family — but her mother stands still as a stone. This strange, skinny child, with her hair cropped short, can’t be her daughter. “Not my girl!” she says angrily.
One snowy night, a fox loses its way, entering a village. Chased away by the grown ups, Fox takes shelter in a greenhouse. A little boy sees this from his window. Without hesitating, he brings a basket of food to the greenhouse, where he leaves it for the fox. His gift is noticed and the night becomes a garden of new life, nourished by compassion and kindness.
Zeina Abirached grew up in Beirut in the 1980s as fighting between Christians and Muslims divided the city streets. With striking black-and-white artwork, Abirached recalls the details of ordinary life inside a war zone.
William Grill weaves a detailed visual narrative of Shackleton’s journey to Antarctica. Grill’s beautiful use of colored pencils and vibrant hues effortlessly evokes the adventure and excitement that surrounded the expedition. His impeccably researched drawings, rich with detail, fastidiously reproduce the minutiae of the expedition.
After the death of her mother, Anna and her father imagine that Heaven might be a place where one can help in God’s garden, visit with old friends, and take off one’s socks whenever one pleases.
The book is a visual travelogue that both mimics and subverts the typical colonial encounter. With radical innocence and great sophistication, Bhajju brings the signs of the Gond forest to bear on the city, turning London into an exotic jungle, a clever beastiary. The London Underground becomes a sinuous snake, Big Ben transforms into a rooster crowing the time, and an airplane — the first Bhajju ever encountered — is compared to an elephant miraculously flying through the air. It is rare to encounter a truly original vision that is capable of startling us into reexamining familiar sights. By breathing the ancient spirit of wonder back into the act of travel, The London Jungle Book does just that.
See the review at WOW Review, Volume VII, Issue 4