The wars in Iraq and Afghanistan have impacted the children of soldiers–men and women who have been called away from their families to fight in a faraway war. In their own words, some of these children describe how their experience has marked and shaped them.
Little Duck wants to be a Plains Cree dancer, and decides to dress up like one and walks into the Cree camp. When he sees he does not fit in, the lonely duck returns to his pond and finds acceptance from the other ducks. He becomes content with who he is and his life as a duck.
The Little Duck is a universal story that transcends cultural boundaries and leaves one with a lesson about the importance of self-worth.
As Native elders have advised from time immemorial, this is a gentle plea to respect the natural environment.
When the award-winning poet David Bouchard first saw the artwork of First Nations artist Roy Henry Vickers, he was struck by Vickers’ reverence for nature, the vibrancy of his colors, and his perceptive understanding of Canada’s rugged West Coast. He saw in Vickers’ images the perfect complement to his own lyrical, thoughtful poetry. They collaborated on the original edition of The Elders Are Watching, which has delighted more than 100,000 readers in four languages. Bouchard says, “Both Roy and I share similar dreams for our children. Through this book, we hope that others will come to share these dreams and together work toward correcting some of the mistakes of the past.”
In this new edition, their vision is as fresh and relevant today as it was when the book was first published. A plea to respect the natural treasures of our environment and a message of concern from aboriginal leaders of the past to the people of the new millennium, The Elder Are Watching has both a timelessness and an urgency that must be heard.
Alaska Geographic presents the people, places, and wonders of Alaska to the world. Over the past 30 years, Alaska Geographic has earned its reputation as the publication for those who love Alaska.
Weaving history, art and literature, these stories follow a young Inupiat Eskimo boy through a year of his life at the turn of the last century.
Eighteen traditional tales of the Wabanaki tribe from the eastern woodland include “Glooscap, the Great Chief,” “The Year Summer Was Stolen, ” and “Tomik and the Magic Mat.”
According to Eskimo myth, Berry Woman was asked by Raven to look after the animals and birds. Superb woodcuts illustrate the Eskimo legends that Grandmother tells to her rapt audience, four children clinging to her “on the bedplace.”
Detailed pencil drawings depict the building of an igloo, as well as the summer homes, forms of transport, and ways of life of the Eskimos. “A tidy source of reference information, curriculum support, and just plain compelling reading”.–School Library Journal.
Describes the traditional lifestyle, arts and crafts, changing land, and modern life of the Tlingit Indians.
This is an exceptional book by an innovative author from Yellowknife, Northwest Territories. Not only does it guide the young reader through the numbers 1 to 10, it does so in English, French, Inuktitut, and Inuinnaqtun. The numerical progression in the color images, which are of Inuit figures cut from fabric and arranged anew for each number, is further represented by each figure acquiring a bright red heart, reinforcing the overall theme of friendship among people of different languages and races.