According to Eskimo myth, Berry Woman was asked by Raven to look after the animals and birds. Superb woodcuts illustrate the Eskimo legends that Grandmother tells to her rapt audience, four children clinging to her “on the bedplace.”
Americas
Materials from the Americas
Neeluk: An Eskimo Boy in the Days of the Whaling Ships
Weaving history, art and literature, these stories follow a young Inupiat Eskimo boy through a year of his life at the turn of the last century.
Glooscap And His Magic
Short children’s stories about Glooscap, a mythical Wabanaki hero. In each of the short stories, Glooscap conducts some form of intervention. Often this occurs while in disguise so that the moral or ethical character of his ‘subject’ can be determined and either rewarded or punished.
Alaskan Native Cultures
A book about the Tlingit, Haida, and Tsimshian’s native cultures.
How Glooskap Outwits The Ice Giants: And Other Tales Of The Maritime Indians
Six tales featuring the mythical giant who roamed the coast to New England and Canada, created the Indian peoples to keep him company, and fought battles to protect them ever after.
The Seal Oil Lamp: An Adaptation of an Eskimo Folktale
A retelling of a traditional Eskimo tale of how a seven-year-old blind boy is saved from death by the kindly little mouse people.
The War Canoe
Mickey, a young Tlingit Indian who is a troublemaker in his small Alaska town, discovers his proud heritage with the help of several interested adults and builds a traditional war canoe to honor his discovery.
The Tlingit
Describes the traditional lifestyle, arts and crafts, changing land, and modern life of the Tlingit Indians.
More Glooscap Stories: Legends of the Wabanaki Indians
Eighteen traditional tales of the Wabanaki tribe from the eastern woodland include “Glooscap, the Great Chief,” “The Year Summer Was Stolen, ” and “Tomik and the Magic Mat.”
The Loon’s Necklace
According to Canadian Indian legend, when an old man’s sight was restored by a Loon he gave the bird his precious shell necklace as a reward. That is why the loon has a white collar and speckles on its back. Elizabeth Cleaver’s rich and beautiful style of picture-making gives new visual excitement to the splendors of the British Columbia landscape, and to the magic of this Indian legend.