The Skirt

When Miata leaves on the school bus the skirt that she is to wear in a dance performance, she needs all her wits to get it back without her parents’ finding out that she has lost something yet again.

Conversations with Contemporary Chicana and Chicano Writers

Hector A. Torres conducted these interviews with today’s popular Chicano/a writers, asking each about language and life between languages, about the creative drive that has guided them in their craft and commits them to their art. In sharing their responses, Torres reveals a brief biography of each author and a concise examination of their writings. Taking their stories and essays individually and collectively, Torres explains how each author reiterates issues that have concerned Mexican Americans since at least 1848. Chicano/a authors know that an abundance of politics can spoil a story, as can too little. The writers included here span historical terrain, first, under the shadow of Manifest Destiny and, then, under the America’s imperial sovereignty stance. Interviewees include Rolando Hinojosa (“I Reflect the Way Valleyites Act and React”), Arturo Islas (“I Don’t Like Labels and Categories”), Erlinda Gonzales-Berry (“On the New Mexican Borderlands”), Gloria Anzaldúa (“The Author Never Existed”), Ana Castillo (two separate interviews), Sandra Cisneros (two separate interviews), Pat Mora (“I Was Always at Home in Language”), Richard Rodriguez (“I Don’t Think I Exist”), Demetria Martinez (“To Speak as Global Citizens”), and Kathleen Alcalá (“To Tell the Counternarratives”).

The Piñata Maker / El Piñatero

Told in both English and Spanish by award-winning author-photographer George Ancona, The Pinata Maker/El pinatero documents this traditional Latin American artform and includes a note on how to make pinatas at home. Set in Mexico.

Family/Familia

Young Daniel doesn’t share his dad’s excitement over going to the family reunion. What’s the big deal? It’s just going to be a bunch of old people he doesn’t know, sitting around and telling stories about other old people he doesn’t know. Once there, though, Daniel is in for several pleasant surprises.

Quinito, Day and Night/Quinito, Día y Noche

From dawn till dusk, Quinito’s life is full of opposites. In the morning, he’s up and running – fast or slowly, depending on the day. If it’s sunny, he’s off to the park to swing high and low. If it’s a rainy, stay-at-home day, Quinito’s quiet at naptime and noisy at playtime. So much to do before the sun sets! This playful story builds awareness in young readers that everywhere they look, opposites abound. Told in both English and Spanish, Quinito, Day and Night is a delight for readers young or old, tall or short, messy or neat.

Do You Know The Cucuy? / ¿cocones Al Cucuy?

“The Cucuy is a tall, furry, three-eyed, four-armed monster with a mouth full of huge teeth,” Papo tells his granddaughter. And, he warns, if she doesn’t behave, the Cucuy will take her away! She used to be afraid of the Cucuy, until one day she meets him and learns that he is not the frightful beast her grandfather described. Instead, he’s cute and likes to play. His fur is blue, and his teeth are small. He may not be just like her, but he does have two arms and two eyes. And the Cucuy also likes to play catch, blow bubbles, and eat candy. Best of all, though, the young girl learns that he doesn’t kidnap naughty children! First-time children’s book author Claudia Galindo and illustrator Jonathan Coombs vividly bring to life a character known to generations of Latino children. Although this time, the Cucuy isn’t a scary monster but instead is a fun playmate.

The Christmas Gift

With honesty and rare grace, award-winning author Francisco Jiménez shares his most poignant Christmas memory in this remarkable book. Illustrated with paintings full of strength and warmth, written in spare bilingual text, this simple story celebrates the true spirit of Christmas, and illuminates how children do indeed draw strength from the bonds of their families.

Quinceanera: English-Language Edition

You are invited to the biggest party of Cindy Chvez’s life. In text and gorgeous color photos, Elizabeth King takes us to this joyous, once-in-a-lifetime event–the quinceañera. It is the celebration of a Latina’s fifteenth birthday, a coming-of-age ritual in which a community welcomes its newest adult member with a church service, a feast, and dancing. The tradition, which has its roots in Aztec and Mexican custom, is popular in the United States. With a lavish dress, an honor court of friends, a big cake, and a night filled with music, the quinceañera is a chance for a young woman to feel like a queen. But there are solemn, quiet moments, too, particularly at the Mass held before the party. The history, significance, and fun of the quinceañera are warmly recounted in this lovely book. It is an inviting glimpse at a part of American culture for newcomers to the tradition, and a special scrapbook for those anticipating or remembering their own quinceañera.

Tomas And The Library Lady

Tomás is a son of migrant workers. Every summer he and his family follow the crops north from Texas to Iowa, spending long, arduous days in the fields. At night they gather around to hear Grandfather’s wonderful stories. But before long, Tomás knows all the stories by heart. “There are more stories in the library,” Papa Grande tells him.  The very next day, Tomás meets the library lady and a whole new world opens up for him. Based on the true story of the Mexican-American author and educator Tomás Rivera, a child of migrant workers who went on to become the first minority Chancellor in the University of California system, this inspirational story suggests what libraries–and education–can make possible.  Raul Colón’s warm, expressive paintings perfectly interweave the harsh realities of Tomás’s life, the joyful imaginings he finds in books, and his special relationships with a wise grandfather and a caring librarian.  

My Feet Are Laughing

Sadie, an imaginative young Dominican American, relates her experiences growing up in her grandmother’s brownstone house in Harlem.