Tells the story of a young girl’s dramatic escape from slavery via the Underground Railroad, from the perspective of her beloved rag doll.
(Coretta Scott King Illustrator Honor Book)
Materials from the Americas
Tells the story of a young girl’s dramatic escape from slavery via the Underground Railroad, from the perspective of her beloved rag doll.
(Coretta Scott King Illustrator Honor Book)
Two sisters, Jeannie and Sarah, tell their separate yet tightly interwoven stories in alternating narrative poems. Each sister–Jeannie, who leaves Scotland during the Highland Clearances with her father, mother, and the younger children, and Sarah, who hides so she can stay behind with her grandmother–carries a length of the other’s hair braided with her own. The braid binds them together when they are worlds apart and reminds them of who they used to be before they were evicted from the Western Isles, where their family had lived for many generations.
An author’s note describes the poetic form in detail.
Featured in Vol. I, Issue 4 of WOW Review.
Joyce never used to care that much about how she looked, but that was before she met JFK—John Ford Kang, the most gorgeous guy in school. And it doesn’t help that she’s constantly being compared to her beautiful older sister, Helen. Then her rich plastic-surgery-addict aunt offers Joyce a gift to “fix” a part of herself she’d never realized needed fixing—her eyes. Joyce has heard of the fold surgery—a common procedure meant to make Asian women’s eyes seem “prettier” and more “American”—but she’s not sure she wants to go through with it. Her friend Gina can’t believe she isn’t thrilled. After all, the plastic surgeon has shown Joyce that her new eyes will make her look just like Helen—but is that necessarily a good thing? Printz Award–winning author An Na has created a surprisingly funny and thought-provoking look at notions of beauty, who sets the standards and how they affect us all. Joyce’s decision is sure to spark heated discussions about the beauty myths readers confront in their own lives.
Featured in Volume I, Issue 4 of WOW Review.
Mina is the perfect daughter. Bound for Harvard, president of the honor society, straight A student, all while she works at her family’s dry cleaners and helps care for her hearing-impaired little sister. On the outside, Mina does everything right. On the inside, Mina knows the truth. Her life is a lie. At the height of a heat wave, the summer before her senior year, Mina meets the one person to whom she cannot lie. Ysrael, a young migrant worker who dreams of becoming a musician, comes to work at the dry cleaners and asks Mina the one question that scares her the most. What does she want? Mina finds herself torn between living her mother’s dreams, caring for her younger sister, grasping the love that Ysrael offers, and the most difficult of all, living a life that is true. With sensitivity and grace, An Na weaves an intriguing story of a young woman caught in the threads of secrets and lies, struggling for love and finding a voice of her own.
Thirteen-year-old Lauren, a Korean-American adoptee, is tired of being called “slant” and “gook,” and longs to have plastic surgery on her eyes, but when her father finds out about her wish–and a long-kept secret about her mother’s death is revealed–Lauren starts to question some of her own assumptions.
Kids of all ages are always asking Joe Hayes, “How can it snow tortillas?” Now they’ll know where to find the answer: at long last, Joe’s signature book The Day It Snowed Tortillas is appearing in a new bilingual edition. Bloomsbury Review listed the original English-only edition as one of their fifteen all-time favorite children’s books. This bilingual edition has all the original stories as they have evolved in the last twenty years of Joe’s storytelling. It also has new illustrations by award-winning artist Antonio Castro. Storytellers have been telling these stories in the villages of New Mexico since the Spanish first came to the New World over four hundred years ago, but Joe always adds his own nuances for modern audiences. The tales are full of magic and fun. In the title story, for instance, a clever woman saves her silly husband from a band of robbers. She makes the old man believe it snowed tortillas during the night! In another story, a young boy gladly gives up all of his wages for good advice. His parents think he is a fool, but the good advice leads to wealth and a royal marriage. The enchantment continues in story after story—a clever thief tricks a king for his kingdom and a prince finds his beloved in a house full of wicked step-sisters. And of course, we listen again to the ancient tale of the weeping woman, La Llorona, who still searches for her drowned children along the riverbanks.
Featured in Volume I, Issue 4 of WOW Review.
Duke Kahanamoku was the twentieth century’s top waterman, and is known as the “father of international surfing.” The first Hawaiian to win an Olympic gold medal, Duke represented the United States in the Olympic Games in 1912, 1920, 1924 and 1932, winning gold, silver and bronze medals. Born in 1890, Duke grew up next to the ocean in Waikîkî. After school, he and his sister and brothers would hit the water. “I was only happy when I was swimming like a fish,” Duke said. Duke and the other beach boys gathered under a hau tree in Waikîkî. They rode the waves at Castles, a prime surf spot, on their sixteen-foot solid wooden surfboards. Years of swimming, surfing and canoe paddling made Duke a fine athlete. He had a strong body, long arms, powerful legs and his hands were said to be as big as buckets. Some claimed he had feet as big as fins and could steer a canoe with his feet alone. Duke knew that he was a very fast swimmer and he trained constantly. He said that God had given him a gift and a whip. “The whip,” he said with a grin, “is to flog myself into getting the most out of the gift.” He felt that, just maybe, he could be a champion and win Olympic gold for Hawai‘i. His chance came August 12, 1911, at Alakea Slip in Honolulu Harbor, when he demolished the world amateur record for the 100-yard freestyle. His excitement was crushed when mainland AAU officials refused to believe his time. “What are you using for stopwatches over there in Hawai‘i?” they asked. “Alarm clocks?” The AAU officials doubted that a virtually untrained swimmer could break a world record. It was up to Duke to prove he could go up against the world’s fastest swimmers and beat them. Along with his athletic accomplishments, Duke is remembered for his concern for others, humility in victory, courage in adversity and good sportsmanship.
Take a closer look at Duke’s Olympic Feet as examined in WOW Review.
In his first year of school, Francisco understands little of what his teacher says. But he is drawn to the silent, slow-moving caterpillar in the jar next to his desk. He knows caterpillars turn into butterflies, but just how do they do it? To find out, he studies the words in a butterfly book so many times that he can close his eyes and see the black letters, but he still can’t understand their meaning. Illustrated with paintings as deep and rich as the wings of a butterfly, this honest, unsentimental account of a schoolchild’s struggle to learn language reveals that our imaginations powerfully sustain us. La Mariposa makes a subtle plea for tolerance in our homes, our communities, and in our schools.
This book has been included in WOW’s Language and Learning: Children’s and Young Adult Fiction Booklist. For our current list, visit our Booklist page under Resources in the green navigation bar.
“‘La frontera’…I heard it for the first time back in the late 1940s when Papa and Mama told me and Roberto, my older brother, that someday we would take a long trip north, cross la frontera, enter California, and leave our poverty behind.” So begins this honest and powerful account of a family’s journey to the fields of California — to a life of constant moving, from strawberry fields to cotton fields, from tent cities to one-room shacks, from picking grapes to topping carrots and thinning lettuce. Seen through the eyes of a boy who longs for an education and the right to call one palce home, this is a story of survival, faith, and hope. It is a journey that will open readers’ hearts and minds.
The author describes the many challenges he faced as the son of Mexican American migrant workers during his quest to continue his education and become an academic success, overcoming poverty, family turmoil, guilt, and self-doubt.
This book is a sequel to The Circuit (1997) and Breaking Through (2001), which covered Mexican-born Jiménez’s childhood.
Featured in Volume I, Issue 4 of WOW Review.