Americas

Materials from the Americas

Sundays on Fourth Street / Los Domingos En La Calle Cuatro

”My cousin Pepe combs my hair back just like his, and Aunt Pilar laughs. Then she slides her red lipstick across my lips, but Mama wipes it off because I’m too young. Mama puts on her new jeans, and Aunt Pilar polishes her high heels. Uncle Armando finishes washing his old car.” And then, a young girl and her family pile into the shiny car, grown-ups in the front, and kids in the back, and head to Fourth Street.Sundays spent on Fourth Street are magical, family outings that three young cousins eagerly anticipate. Strolling down Fourth Street with their parents, the children encounter a bustling wonderland filled with music, food, and fun. The cousins savor sharp bursts of flavor from mangos on a stick covered with lemon, chili and salt; delight in the sight of folk dancers spinning in the plaza; revel in rides and raffles at the church carnival; and yearn for clothes and toys they see in shop windows. While the children may not get the things that so often catch their attention, they can always look forward to more fun together next Sunday on Fourth Street. Based on real-life visits to Fourth Street in Santa Ana, California, author Amy Costales has written a story that pays homage to a special street and, more importantly, time spent with loved ones. Paired with Elaine Jerome’s colorful illustrations that depict lively street scenes, readers of all ages will enjoy Sundays on Fourth Street.

Prizefighter En Mi Casa

Following a car accident that left her with epilepsy, twelve-year-old Chula–with a little help from a visiting fearsome Mexican boxer–tries to deal with the repercussions her new condition has on her family, neighborhood, and school.

The Throwaway Piece

Jewel is shuttled from one foster home to another. But Jewel wasn’t always a “State Kid.” Her mother Angela’s constant search for happiness through a steady stream of unsavory boyfriends leads to the state’s intervention in Jewel’s life. Listening to her new foster mother’s list of “nos”—no drugs, no lying, no stealing, no skipping school, no boys in or out of the house, no being late—Jewel realizes that her mother said “yes” a lot. Probably too much. She remembers saving Angela’s life when one of many boyfriends beat her, trying to hide another boyfriend’s attempts to rape her when she was fourteen, and being sent to a foster home to please the latest boyfriend. But still, Jewel worries about her mother and knows that she will once again pick up the pieces when the latest jerk leaves. Bit by bit Jewel’s life begins to change for the better after her latest move to a new foster home and school. Although most people can’t see past her tough “State Kid” façade—spray-painted hair, heavy make-up, ripped clothing and unlaced shoes—her English teacher realizes there’s more to her then meets the eye. He convinces Jewel to tutor a fellow student who needs help with math, and gradually she learns how to make friends. In the process, she touches the lives of many people around her, including her social worker, teachers who believe in her, her new-found, tentative friends, and even their parents. But when she’s forced to choose between her life-long job—taking care of her mother”—and doing what’s right for herself, old habits and loyalties are hard to break. Jewel is sure that this time, she can save her mom. But will she be able to save herself?

Messed Up

Fifteen-year-old RD is repeating the eighth grade, planning to have an easy year, but after his grandmother walks out her boyfriend is no longer able to care for him, which leaves RD to fend for himself while avoiding being caught.

¿de Veras?

For one month each year, the National Hispanic Cultural Center in Albuquerque brings together New Mexico teens for a creative writing program that immerses them in a process of reflection and creativity while encouraging them to explore their identity as people, as a culture, as a region, and as a society. These students unite their varied experiences, backgrounds, and beliefs to form a supportive community of respect through conversation and writing.¿de Veras? (really?) features a collection of poems, essays, and stories written in the Voces program between 2002 and 2006 that represent the diversity of perspectives and individuality of voices of the young creators. These writings reflect the authors’ courage to examine their lives, their neighborhoods, their families, and their cultures. What emerges is their amazingly perceptive, sometimes damning, yet always-honest insights.

Surprising Cecilia

Surprising Cecilia is the second novel-following the success of Cecilia’s Year-about a girl whose dreams carry her far beyond the small farm community she lives in. Both novels are set in the rich Hispanic culture of the Rio Grande Valley in the 1930s. Cecilia has worked hard so that she can go to high school. Now it’s September-the school bus is bringing Cecilia to the new adventures, surprises, and responsibilities of growing up. Susan Gonzales Abraham and Denise Gonzales Abraham are the daughters of Cecilia Gonzales Abraham, the hero of the Cecilia books. Cecilia’s Year has been selected as the Best Book for Young Adults in 2004 by the Texas Institute of Letters.

Nerdlandia

A humorous play in which Martin, a Chicano nerd, undergoes a transformation with the help of his friends and experiences true love. Includes a glossary of Spanish words and phrases used in the dialogue.

Riding the Universe

Seventeen-year-old Chloé Rodriguez, who inherited her uncle’s beloved Harley after his death, spends the subsequent year trying to pass chemistry, wondering whether she should look for her birth parents, and beginning an unlikely relationship with her chemistry tutor, while also trying to figure out how she really feels about the boy who has been her best friend since they were children.

Carnaval

For weeks the people of the Brazilian town of Olinda have been sewing costumes, painting masks, and creating giant puppets–preparing for carnaval. Like Mardi Gras in New Orleans, carnaval is a five-day festival of parades, dancing, and singing. But unlike Mardi Gras, Olinda’s carnaval still celebrates the traditions and folklore of the people and the shared cultures–indigenous, European, and African–that make up Brazil. As generations have done each year, the people of Olinda and their visitors give themselves over to the music, dance, and joy of carnaval.