Materials from the Americas
A mysterious shadow walks the corridors. It goes from room to room, and sometimes leaves with someone in its arms, taking them to the land of dreams. Until one day a patient at the hospital―a young child―speaks to the shadow, offering it a drink of water. The child is fearful at first, but as he gets to know the shadow through their conversations, he realizes that she has feelings of her own. So begins a great friendship between an unlikely pair: a young child, and Death.
Ten-year-old Jimena loves El Salvador but when gangs threaten to force her to join, she and her mother immigrate to the United States, but are separated at the border.
It is David’s first day at his brand-new school. He doesn’t know anyone. At recess, he stands alone and watches the other children enjoying their activities on the playground, from practicing soccer moves and climbing monkey bars to playing hopscotch and daydreaming in the grass. Bundled deep inside David’s pocket is a string of rubber bands, knotted and ready for a game of elastic skip.
Canadian women have long been trailblazers, creating art, making discoveries and setting records – and often battling incredible odds and discrimination in the process. Here, award-winning children’s writer Elizabeth MacLeod presents biographies of more than one hundred of these remarkable women, from the famous, such as Margaret Atwood, to the lesser known, such as multi-award-winning mathematician Karen Yeats. There are stories of activists and architects, engineers and explorers, poets and politicians and so many more. Each category pairs a historical groundbreaker with a present-day woman making her mark in that same field. Included are stories of Indigenous women, immigrants, women with disabilities and women from the LGBTQ+ community. Together, they tell the story of Canada. And together they offer a vision of what’s possible, to inspire all children to blaze trails of their own.
Little Lobo, a Mexican American, and Bernabe, his dog, gather tacos, frutas picadas, cuernos, and more and deliver them to los luchadores preparing for Lucha Libre 5000.
Loretta Garbutt uses subtlety and sensitivity to explore the five stages of grief (denial, anger, bargaining, depression, acceptance) in this moving picture book story of loss. It features a gender-neutral main character (no first name or pronouns are given) making the story universally relatable. This is a perfect choice for fostering discussions with children about their emotions, particularly the feeling of loss. It also offers a poignant representation of an intergenerational relationship between a grandfather and grandchild. Carmen Mok’s expressive and thoughtful illustrations employ a limited color palette to convey the character’s emotional trajectory. There are curriculum applications here in social-emotional development as well as character education lessons in caring and resilience.
Birdie and Grandma are having a girls’ day! But Grandma’s all worn out now. Birdie has a solution: a makeover! It’ll give Grandma a chance to relax. Birdie insists that Grandma lie down because this beauty parlor has a lot of moving parts―chinny-chin-chin hair removal, long stretches of blush, slashes of lipstick, and eyeshadow. Earrings, scarves, the works! Birdie knows best: she owns this beauty parlor!
The invasion begins–but not as you’d expect. It begins with rain. Rain that carries seeds. Seeds that sprout–overnight, everywhere. These new plants take over crop fields, twine up houses, and burrow below streets. They bloom–and release toxic pollens. They bloom–and form Venus flytrap-like pods that swallow animals and people. They bloom everywhere, unstoppable.
Every afternoon at four o’clock, Mister Rodriguez steps out of a narrow laneway and strolls through the street. The village children watch him go, ever more curious about the enigmatic old man with the bushy white mustache. Some say they’ve seen him float above the ground. Others say he played a piano without touching a single key. The truth, though, is more beautiful than any of the children could have imagined.
The Honey Jar retells the ancient stories Rigoberta Menchú’s grandparents told her when she was a little girl, and we can imagine her listening to them by the fire at night. These Mayan tales include natural phenomena narratives and animal stories. The underworld, the sky, the sun and moon, plants, people, animals, gods, and demigods are all players in these vibrant stories. Enchanting images by Domi draw on the Mayan landscape and the rich visual vocabulary that can be found in the weavings and crafts for which the Maya are renowned.