Materials from the Americas
When a little girl dreams about a bear, her grandfather explains how we connect with the knowledge of our ancestors through dreams. Bear, Hawk, Caribou, and Wolf all have teachings to share to help us live a good life. But when Grampa gets sick and falls into a coma, the little girl must lean on his teachings as she learns to say goodbye.
Grandma knows that there is wondrous knowledge to be found everywhere you can think to look. She takes her girls to their special garden, and asks them to look over their collection of rocks, crystals, seashells, and meteorites to see what marvels they have to show. “They were here long before us and know so much more about our world than we ever will,” Grandma says. So they are called grandfathers. By taking a close look with an open mind, they see the strength of rocks shaped by volcanoes, the cleansing power of beautiful crystals, the oceans that housed their shells and shapes its environment, and the long journey meteorites took to find their way to them. Gathered together, Grandma and the girls let their surroundings spark their imaginations.
At the front of a middle school classroom in Oklahoma, a boy named Khosrou (whom everyone calls “Daniel”) stands, trying to tell a story. His story. But no one believes a word he says. To them he is a dark-skinned, hairy-armed boy with a big butt whose lunch smells funny; who makes things up and talks about poop too much. But Khosrou’s stories, stretching back years, and decades, and centuries, are beautiful, and terrifying, from the moment his family fled Iran in the middle of the night with the secret police moments behind them, back to the sad, cement refugee camps of Italy.and further back to the fields near the river Aras, where rain-soaked flowers bled red like the yolk of sunset burst over everything, and further back still to the Jasmine-scented city of Isfahan. We bounce between a school bus of kids armed with paper clip missiles and spitballs to the heroines and heroes of Khosrou’s family’s past, who ate pastries that made people weep and cry “Akh, Tamar ” and touched carpets woven with precious gems. Like Scheherazade in a hostile classroom, Daniel weaves a tale to save his own life: to stake his claim to the truth. And it is (a true story). It is Daniel’s.
Eleven year-old Peter Lee has one goal in life: to become a paleontologist. Okay, maybe two: to get his genius kid-sister, L.B., to leave him alone. But his summer falls apart when his real-life dinosaur expedition turns out to be a bust, and he watches his dreams go up in a cloud of asthma-inducing dust. Even worse, his grandmother, Hammy, is sick, and no one will talk to Peter or L.B. about it. Perhaps his days as a scientist aren’t quite behind him yet. Armed with notebooks and pens, Peter puts his observation and experimental skills to the test to see what he can do for Hammy. If only he can get his sister to be quiet for once — he needs time to sketch out a plan.
A girl learns words in a new language to prepare for her move to a new country. But when her family arrives, everyone speaks so fast and “all her words fly away like birds.” The girl waits, and watches, and listens, trying to figure things out. Only, it’s hard. Then one day the girl meets someone who needs her help. And as she makes a new friend, the new words start to come easier — becoming her words, at last.
Carry On began in a high school in Outremont, Quebec, where author and poet Simon Boulerice conducted creative-writing workshops for young newcomers to Canada. As the students began writing, their poems gave voice to their reflections on leaving family, friends, and countries of origin to make new homes and connections in their new home, Canada.
Paired with expressive portraits by award-winning artist Rogé, each young writer reflects on the experience of leaving one home for another. The collection of poems express feelings of anxiety, sorrow, anticipation, gratitude, and hope for the future. With thoughtful verse and evocative illustrations, Carry On is a tribute to human resilience, the voices of newcomers, and creating empathy for all those who wonder about their place in the world.
Oh, there goes Lala! She carries a pot of water around the corner, down the block, and over the fence, to a patch of dirt and concrete where tiny weeds sprout. “Hello, hello, friends!” she whispers. Lala waters the plants every day, but it is her kind words that make them sway and nod.
Lala’s wild nature and quiet compassion enchant in this evergreen story about the power of kind words and the magic of being loved for who you are.
When new friends Lupe, Flapjack, and Elirio are each bullied by Las Matamoscas, they know they’re going to like one another. When they find out they all love lowrider cars, they know they’ll be friends for life. But the bullies won’t leave the Lowriders alone and they don’t let any girls or babies into car clubs.
Before Yo-Yo Ma became one of the most renowned and celebrated cellists, he wanted to play the double bass. But it was too big for his four-year-old hands. Over time, Ma honed his amazing talent, and his music became a reflection of his own life between borders, cultures, disciplines, and generations.
Since then, he has recorded over a hundred albums, won nineteen Grammy Awards, performed for eight American presidents, and received the National Medal of the Arts and the Presidential Medal of Freedom, just to name a few accomplishments.
Staying true to himself, Yo-Yo Ma performed at the US-Mexico border at the Rio Grande on April 13, 2019, as part of his multi-continent “Bach Project” tour to prove a point—through music, we can build bridges rather than walls between different cultures.
Featured in WOW Review Volume XVI, Issue 2.
Twelve Native American kids present historical and contemporary laws, policies, struggles, and victories in Native life, each with a powerful refrain: We are still here!