Latinx in US

¿de Veras?

For one month each year, the National Hispanic Cultural Center in Albuquerque brings together New Mexico teens for a creative writing program that immerses them in a process of reflection and creativity while encouraging them to explore their identity as people, as a culture, as a region, and as a society. These students unite their varied experiences, backgrounds, and beliefs to form a supportive community of respect through conversation and writing.¿de Veras? (really?) features a collection of poems, essays, and stories written in the Voces program between 2002 and 2006 that represent the diversity of perspectives and individuality of voices of the young creators. These writings reflect the authors’ courage to examine their lives, their neighborhoods, their families, and their cultures. What emerges is their amazingly perceptive, sometimes damning, yet always-honest insights.

Ce´sar

cesarBorn in 1927 in Yuma, Arizona, César Chavez lived the hard-scrabble life of a migrant worker during the depression. He grew to be a charismatic leader and founded the National Farm Workers Association, an organization that fought for basic rights for his fellow farm workers. In powerful poems and dramatic stylized illustrations, Carmen T. Bernier-Grand and David Díaz pay tribute to his life and legacy.

Parrot in the Oven: Mi Vida

Manny relates his coming of age experiences as a member of a poor Mexican American family in which the alcoholic father only adds to everyone’s struggle.

Featured in Volume VI, Issue 1 of WOW Review.

Return to Sender

After his family hires migrant Mexican workers to help save their Vermont farm from foreclosure, eleven-year-old Tyler befriends the oldest daughter, but when he discovers they may not be in the country legally, he realizes that real friendship knows no borders.

Featured in WOW Review Volume XI, Issue 3

Under The Same Sky

A teenager discovers racism and romance on his father’s farm. For his fourteenth birthday, Joe Pedersen wants a motorbike that costs nearly a thousand dollars. But his mom says the usual birthday gift is fifty dollars, and his dad wants Joe to earn the rest of the money himself and “find out what a real day’s work feels like.” Angry that his father doesn’t think he’s up to the job, Joe joins the Mexican laborers who come to his father’s farm each summer. Manuel, the crew boss, is only sixteen, yet highly regarded by the other workers and the Pedersen family. Joe’s resentment grows when his father treats Manuel as an equal. Compared with Manuel, Joe knows nothing about planting and hoeing cabbage and picking strawberries. But he toughs out the long, grueling days in the hot sun, determined not only to make money but to gain the respect of his stern, hardworking father. Joe soon learns about the problems and fears the Mexicans live with every day, and, before long, thanks to Manuel, his beautiful cousin Luisa, and the rest of the crew, Joe comes to see the world in a whole different way.In her sensitive new novel, Cynthia DeFelice explores our dependency on migrant workers and simultaneous reluctance to let these people into our country and into our lives.

The Lady In The Blue Cloak: Legends From The Texas Missions

For each Texas mission, there is a rich and complicated history. In the title story, from Mision de San Francisco de los Tejas, a mysterious woman in blue visits the Teas people to prepare them for the missionaries\’ arrival. In \”Rosa\’s Window\” and \”The Bell\” the love and grief of two couples torn apart in the making of the Mision de San Jose y San Miguel de Aguayo manifest themselves in the very edifices of the mission. The Mision de Nuestra SEnora de la Purisma Concepcion de Acuna, named for and dedicated to the Blessed Virgin Mary, was the scene of a remarkable salvation as the Teas workers tried to escape the heated pursuit of the Comanches in \”The Miracle at the Gate.\” Here Kimmel gracefully retells these and other powerful legends behind four of th missions, each enhanced by a beautifully evocative painting by Susan Guevara.

The Rowdy, Rowdy Ranch / Alla En El Rancho Grande

On El Rancho Grande, the grandchildren are not so interested in how Grandpa bought the ranch, but in what can be done on the ranch. The children play hide and seek in cornfields, under “the canopy of green leaves, golden threads and giant ears of corn.” They feed the family horses, ride the rambunctious pigs, and take frolicking dips in the duck pond. But through all of the outdoor escapades, their family stories are circling in the air, like the “sunflower wind” blooming around them. While drinking ice-cold lemonade in the sunshine, they hear about how Grandpa’s song of sorrow won him El Rancho. They hear about chickens that have abandoned their coops to live in Abuela’s chicken tree, and they even discover a story about a boy who cried chocolate tears. In those days of running and jumping, the narrator, Tito, did not realize that he was hearing the stories that would wrap him up “like an enchanted sarape to keep me warm for the rest of [his] life.”

No Dogs Allowed!

Sometimes the unexpected is even more fun than the best-laid plans. Iris, her family, the neighbors, and dog take a road trip to the lake. But first, the cars break down. Then they get lost. And when they finally arrive at the lake, they see a NO DOGS ALLOWED sign. What to do? Iris’s family’s make-do attitude saves the day, for as they go about their beach activities while trying to figure out what to do with the dog, each takes a turn taking care of the dog. Soon the day is over, and the dog has had the best time of all — the beach had been brought to him. Sesame Street’s Sonia Manzano’s first picturebook provides an ocean of humor, a warm, close-knit Puerto Rican community, and a take-charge family who refuses to let things get in their way!

Sunflowers / Girasoles

After helping her grandfather plant squash, onions, carrots, cabbage, and other vegetables that her mother uses in soups and salsas, seven-year-old Marisol plants sunflower seeds in her neighbors’ yards, and weeks later, everyone gets to enjoy the fruits of Marisol’s labor.

”My name is Marisol. I’m seven years old. This spring, I helped my grandfather make a garden.” First, Marisol and her grandfather had to prepare the ground. They pulled out the old plants and weeds. They mixed up all the dirt ”to make it soft.” Then it was time to plant the seeds. They planted seeds to grow the vegetables Mama uses in soup squash, onions, carrots, and cabbage. They planted seeds to grow the things she needs to make salsa garlic, tomatoes, cilantro, and chili peppers. They planted mint for Abuela’s tea. They planted watermelon seeds for Marisol and her brother. And for Grandad, they planted sunflower seeds because their ”big black eyes with long yellow eyelashes” make him happy. And he likes to eat the seeds! One day, Marisol’s grandfather gives her a small bag of sunflower seeds, but instead of eating them she plants them here and there one in the corner of Mrs. Sosa’s yard, another in Mr. Binh’s yard. In fact, as she walks to school, she plants seeds in the corners of all the yards she passes. And she plants the last three seeds in the playground at school. As the days pass, sometimes it’s rainy and sometimes it’s sunny. Finally, one bright day, Marisol’s sunflower surprise shines a bit of happiness all around. The tender relationship between grandparent and grandchild is illuminated in this children’s book by author Gwendolyn Zepeda with warm illustrations by Alisha Gambino. Children ages 3-7 will sow and reap ideas of their own about ways to share a little joy, just as Marisol does with sunflowers.