Materials from United States of America
A story of secrets and shadows by a Newbery Honor author.
When Jerry Moon is sent to live with her great–great–aunt, she discovers a trunk in the basement that reveals dark mysteries about her family’s ancestry. Newbery Honor author Kathryn Lasky brings a dramatic and rarely–portrayed period of history to life in this powerful coming–of–age tale that weaves together the Spanish Inquisition, Jewish belief, and a girl learning to understand her past.
Ages 12+
Enrique, a young boy in Peralta Middle School, faces abuse at home and danger on the barrio streets. Yet he is driven to succeed by the desire to join that “other America” he sees on TV and in the movies, and is aided in his quest by compassionate teachers. His ambition finds expression in his determination to drop his ESL class in favor of taking French, and his story begins, “Call me Henr.”
Lorraine Lpez (author of Soy la Avon Lady and Other Stories) has created a vivid picture of barrio life, filled with honesty, insight, and humor for young adults. She paints a balanced and detailed landscape of Enrique’s world. Although Enrique is confused and angered by his mother’s refusal to stand up for him against the abuse of his stepfather, he also draws strength from the supportive and loving family of his friend Francisco. While some of his teachers are uncaring or inept, others provide help and encouragement at critical moments in his life.
When Enrique witnesses his friend Horacio gunned down in a drive-by shooting and is seen by the assailants, gang members set out to kill him. As the novel reaches its climax, Enrique must make some agonizing decisions.
Although specifically about barrio life, this novel is universal in its themes-the drive for success, the desire for love and family support, and the need for true friendship. Lpez’s fully delineated characters provide a rich and credible mural of our human comedy.
Lorraine Lpez‘s Soy la Avon Lady and Other Stories was selected for the Marmal Prize, and also won the IPPY Award for Multicultural Fiction.
On the eve of World War II, young Alejandro comes of age on his family’s South Texas farm, known as Chicken Foot Farm because of how his mother marks her chicks. “Mama held the chick against her breast and splayed its left foot between her thumb and index finger. With her free hand she… quickly cut off the end of the chick’s shortest toe.” Rich with the customs and traditions of rural, Mexican-American life, Chicken Foot Farm depicts a multi-generational family in flux as change crawls relentlessly toward their land and lifestyle. As the seasons–and loved ones–come and go and misfortunes befall the family, Alejandro learns the lessons of life: the importance of family, honesty, hard work, and compassion. When the kitchen burns down one night, Alejandro feels they have lost something integral to their family unity. But his father promises they will build another kitchen, the new one better than the old. As Abuela Luciana ages, she begins to behave erratically, burning tortillas, forgetting to add water to the beans she is cooking, and even disappearing from the farm. She is certain someone has cursed her–put mal de ojo on her. How can the family cure her when she is the curandera, the one who has always taken care of them? Most importantly, Alejandro works hard to win his father’s approval, even though Papa generally ignores him in favor of the eldest son, Ernesto, who Papa says will inherit the farm. When Ernesto joins the Army, the family must face the possibility that he may not return as the entire country is thrown into the uncertainty of war. Following the attack on Pearl Harbor, young Alejandro notices something new in his family’s kitchen: a framed United States flag now hangs on the wall. “It’s something I can do for the war,” his Abuela Luciana tells him. Not understanding, she explains to him, “I can remind people that we are Americans.” In these poignant images of a time and place long gone, Anne Estevis sketches a tight-knit, Mexican-American community on the cusp of a new way of life as tractors replace mules and modern science competes with superstitious beliefs.
He didn’t say good-bye. He didn’t leave a phone number. And he didn’t plan on coming back – ever.
In Wisconsin, Rico could blend in. His light hair and lighter skin wouldn’t make him the “dark dude” or the punching bag for the whole neighborhood. The Midwest is the land of milk and honey, but for Rico Fuentes, it’s really a last resort. Trading Harlem for Wisconsin, though, means giving up on a big part of his identity. And when Rico no longer has to prove that he’s Latino, he almost stops being one. Except he can never have an ordinary white kid’s life, because there are some things that can’t be left behind, that can’t be cut loose or forgotten. These are the things that will be with you forever…. These are the things that will follow you a thousand miles away.
For anyone who loved The Outsiders — and for anyone who’s ever felt like one — Pulitzer Prize-winning novelist Oscar Hijuelos brings to life a haunting choice and an unforgettable journey about identity, misidentity, and all that we take with us when we run away.
Alicia, a member of the Acoma Pueblo, learns the art of pottery from her parents, from shale collecting in the canyon to the formation and decoration of pots, in a cultural examination of a time-honored Pueblo tradition.
There is another desert party in the works in this spicy companion book to Mañana, Iguana. This time it is Snake’s birthday, and Iguana, Tortoise, and Rabbit are shopping for birthday gifts to bring to his fiesta. But what presents should they buy for Snake? In a sneaky twist, Rabbit convinces them to buy gifts that aren’t for Snake at all—but for him! With a clever text, a spattering of Spanish vocabulary. and lively illustrations, this author-illustrator team presents quite the fiesta fiasco. Glossary included.
Felix knows his dad was a famous baseball player in Cuba—and that his father risked everything to send Felix to America. But his mom won’t reveal anything else. When a baseball team with Cuban players comes to town, Felix wonders if they knew his dad and sneaks into their locker room to ask. That’s when the players mistake him for their new batboy. Determined to uncover the truth about his mysterious father, Felix plays along, going as far as running away from home to become the team’s batboy. His bittersweet adventure glows with the friendship of a miraculous dog, the warmth of a mother’s love, and the magic of baseball.
With real wit and heart, Gary Soto takes readers into the lives of young people in ten funny, heartbreaking tales. Meet Carolina, who writes to Miss Manners for help not just with etiquette but with bigger messes in her life; Javier, who knows the stories his friend Veronica tells him are lies, but can’t find a way to prove it–and many other kids, each caught up in the difficulties of figuring out what it means to be alive.
You are invited to the biggest party of Cindy Chvez’s life. In text and gorgeous color photos, Elizabeth King takes us to this joyous, once-in-a-lifetime event–the quinceañera. It is the celebration of a Latina’s fifteenth birthday, a coming-of-age ritual in which a community welcomes its newest adult member with a church service, a feast, and dancing. The tradition, which has its roots in Aztec and Mexican custom, is popular in the United States. With a lavish dress, an honor court of friends, a big cake, and a night filled with music, the quinceañera is a chance for a young woman to feel like a queen. But there are solemn, quiet moments, too, particularly at the Mass held before the party. The history, significance, and fun of the quinceañera are warmly recounted in this lovely book. It is an inviting glimpse at a part of American culture for newcomers to the tradition, and a special scrapbook for those anticipating or remembering their own quinceañera.
A family memoir full of New Mexico flavor, Tortilla Chronicles serves up a hearty helping of the “City Different” from the perspective of the humble, hardworking Romeros, a family honored for its contributions to regional folk arts. Marie Romero Cash, herself a renowned artist, poignantly sketches each family member using his or her own voice. Their stories present a rare glimpse into the life of a traditional Hispano family and provide an antidote to typical nostalgic tourist accounts of 1950s Santa Fe. One of the main characters is Santa Fe itself, and the narrative tours the city’s streets, shops, plaza, and surrounding hills and arroyos in astounding detail. The ancestry and rituals of family life, the culture and religion of northern New Mexico, and the growth of a neighborhood and its children are all part of the recipe.