Follow Miss Lewis as she circumnavigates the globe aboard the ship Explorer and reports her experiences in photographs, sketches, and letters sent back to her students at home.
Around The World
United States
Materials from United States of America
Neighborhood Odes
Twenty-one poems about growing up in an Hispanic neighborhood, highlighting the delights in such everyday items as sprinklers, the park, the library, and pomegranates.
Canto Familiar
Twenty-five poems about the pleasures and woes that Mexican American children experience growing up. Simple poems, many involving Mexican Americans, celebrate experiences at school, home, and in the street. A companion to Neighborhood Odes, (1992). Touching, vibrant, and humorous, this lively collection of poems accompanied by beautiful illustrations celebrates childhood and the Mexican American experience. Invoking ordinary domestic and community incidents, it’ a fine introduction not only to poetry but to Chicano culture. Nelson debuts with scenes–homey, comfortable, bright–that make the book even more accessible.
Buried Onions
When nineteen-year-old Eddie drops out of college, he struggles to find a place for himself as a Mexican American living in a violence-infested neighborhood of Fresno, California.
Cool Salsa: Bilingual Poems On Growing Up Hispanic In The United States (Edge Books)
Growing up Latino in America means speaking two languages, living two lives, learning the rules of two cultures. Cool Salsa celebrates the tones, rhythms, sounds, and experiences of that double life. Here are poems about families and parties, insults and sad memories, hot dogs and mangos, the sweet syllables of Spanish and the snag-toothed traps of English. Here is the glory, and pain, of being Latino American.Latino Americans hail from Cuba and California, Mexico and Michigan, Nicaragua and New York, and editor Lori M. Carlson has made sure to capture all of those accents. With poets such as Sandra Cisneros, Martiacute;n Espada, Gary Soto, and Ed Vega, and a very personal introduction by Oscar Hijuelos, this collection encompasses the voices of Latino America. By selecting poems about the experiences of teenagers, Carlson has given a focus to that rich diversity; by presenting the poems both in their original language and in translation, she has made them available to us all.As you move from memories of red wagons, to dreams of orange trees, to fights with street gangs, you feel Cool Salsa’s musical and emotional cross rhythms. Here is a world of exciting poetry for you, y tuacute; tambieacute;n.
The Cucuy Stole My Cascarones/El Coco Me Rob Los Cascarones
Mighty Monster Mysteries! Roberto and his mother made thirty dozen confetti-filled eggs, or cascarones, for his birthday party. Roberto can’t wait to crack the hollowed, painted and confetti-stuffed eggs over his friends’ heads. But, when he goes to the kitchen to get the cascarones, they’re gone! The only clue they ever existed is a trail of confetti that leads to a shadow.
The Upside Down Boy / El Niño De Cabeza
The author recalls the year when his farm worker parents settled down in the city so that he could go to school for the first time.
Featured in WOW Review Volume X, Issue 1.
Home at Last
Ana Patino is adjusting well to her new life in the United States, but her mother is having problems because she doesn’t know English. When one of the babies falls ill, Mama tries to get help, but no one can understand her. Convinced that she needs to learn the new language, Mama agrees to take English lessons. As Mama gains new language skills, she also develops a sense of confidence and belonging.
When This World Was New
When his father leads him on a magical trip of discovery through new fallen snow, a young boy who emigrated from his warm island home overcomes fears about living in New York.
Calling The Doves/El Canto De Las Palomas: El Canto De Las Palomas
In this bilingual autobiography, the Mexican American poet Juan Felipe Herrera describes his childhood in California as the son of migrant workers. The author recalls his childhood in the mountains and valleys of California with his farmworker parents who inspired him with poetry and song. A rich, personal narrative about growing up as a migrant farmworker. Herrera relates how he learned to love the land from his father, and poetry from his mother. He uses lyrical passages to portray everyday life, e.g., the ritual of breakfast: The sky was my blue spoon – the wavy clay of the land was my plate. The colored-pencil and acrylic illustrations are bright and at times fanciful. Simmon’s artwork brings to life Herrera’s words, which are printed in both English and Spanish.