Little Voice (In The Same Boat Series, 4)

A young Ojibway girl, struggling over the fact that her father has died, spends a summer in the bush with her grandmother and finds her own identity and voice. Things have been hard for her family since her father’s accidental death in a logging accident, and Ray has been unable to express her grief. In school, the green eyes she inherited from her father are unusual for a child from an Ojibway background in a northern Ontario town and get her noticed in ways she doesn’t enjoy. At home, Ray believes that her mother, grieving herself and busy with Ray’s younger brother and sister, no longer needs her. Ray becomes so withdrawn that at times she hardly speaks. At the end of this beautiful and empowering story, which begins in 1978, the withdrawn green-eyed girl has found her voice and is not afraid to use it.

Mush-Hole: Memories of a Residential School

When Maddie Harper was seven years old, she found herself in the Brantford School in Ontario with about 200 other little girls who called it “mush-hole” because mush was their daily fare. Here, Harper tells of her eight years at the school, the cultural degradation she was forced to endure, her escape at age 15, her alienation from her community, her descent into alcoholism and finally, her return to traditional ways and recovery.

Black Star, Bright Dawn

In this redesigned edition of Scott O’Dell’s classic novel, a young Eskimo girl encounters frightening obstacles when she takes her father’s place in the Iditarod, the annual 1,172-mile dogsled race in Alaska.

Arctic Adventures: Tales From The Lives Of Inuit Artists

Extreme weather, hunger, magic, hunting, and the land are themes that shape the existence of the Inuits’ of the Far North. These stories — retold by Raquel Rivera based on the lives of native artists Pudlo Pudlat, Jessie Oonark, Kenojuak Ashevak and Lazarusie Ishulutuk — offer young readers a glimpse into this rich, remote culture, past and present. In “Pudlo and Kapik Go Hunting,” a young boy drifts out to sea on an ice floe; “Oonark\’s Arctic Adventure” tells of a mother and daughter stranded on the icy tundra; “The Shaman’s Granddaughter” movingly explores loss and mystery; and “Lazarusie and the Polar Bears” reveals just how finely attuned the relationship between animals and humans can be. Accompanying each story are illustrations by Jirina Marton, who has spent time in the Arctic and whose deep appreciation for its subtle beauty shines through her art. In addition to the stories, there is a feature spread on each artist with a photograph, a brief biography, and a reproduction of one of the artist’s works.

Tuk And The Whale

During the early 1600s, there was an active whaling industry in Canada. Whale oil was used to light the streets and buildings of European cities and to manufacture leather, wool, and soap. The baleen was used to make everything from carriage springs to corsets. Told from the point of view of a young Inuit boy named Tuk, this story imagines what might have happened if the people of Tuk’s Baffin Island winter camp had encountered European whalers, blown far from their usual whaling route. Both the hunters and the whalers prize the bowhead whale for different reasons. Together, they set out on a hunt, though they are all on new and uncertain ground. Scrupulously researched and vetted, this early chapter book inspires discussion about communication between two groups of people with entirely different world views, early whaling practices, and a productive partnership that also foreshadows serious problems to come. Simply and beautifully told, Tuk and the Whale includes a glossary, historical note, and recommendations for further reading.

A Small Tall Tale From The Far Far North

small tallThis spectacularly beautiful, inventive picture-book journal of life with the Alaskan Eskimos at the turn of the century is a brilliant leap of the imagination and the embodiment of the aphorism “every picture tells a story.”

Full color throughout.

New York Times Best Illustrated Book Of The Year, Ala Notable Children’s Book

Two Old Women

Based on an Athabascan Indian legend passed along for many generations from mothers to daughters of the upper Yukon River area in Alaska, this is the suspenseful, shocking, ultimately inspirational tale of two old women abandoned by their tribe during a brutal winter famine. Though these two women have been known to complain more than contribute, they now must either survive on their own or die trying. In simple but vivid detail, Velma Wallis depicts a landscape and way of life that are at once merciless and starkly beautiful. In her old women, she has created two heroines of steely determination whose story of betrayal, friendship,community, and forgiveness will carve out a permanent place in readers’ imaginations.

“Just Talking About Ourselves”: Voices Of Our Youth (Just Talking About Ourselves)

The prose that comprise these anthologies are true depictions of the lives of Native youth in urban and reserve settings. Volume 2.

Dance On A Sealskin

In today’s Alaskan Yupik Eskimo communities, villagers still gather in the kashim to sing, drum, and dance, carrying forward the ancient traditions of their forebears. This is the heartwarming fictional story of Annie’s “first dance,” a coming-of-age ceremony to signify official entry into the Eskimo community. 20 color illustrations.