Americas

Materials from the Americas

The Shaman’s Nephew: A Life In The Far North

When Jewish author/storyteller Sheldon Oberman met Inuit artist/hunter Simon Tookoome, he knew the encounter was special. Still, he had no idea their meeting would result in an amazing collaboration that would span a decade. Through the use of many tape recordings and translations, Sheldon has painstakingly woven the threads of a remarkable man’s life into a book for all to treasure. With Tookoome’s drawings to enhance the text, Oberman has managed to express the cadence and voice of one of the last of the Inuit to live the traditional nomadic life in the Arctic. The Shaman’s Nephew magically transports readers to a cold climate that warms and grows more familiar with every turn of the page.

An Eskimo Birthday

eskimoYoung Eeka lives in Point Hope, Alaska, well above the Arctic Circle where there is little daylight during the winter months. It’s her birthday and Eeka is hoping that her mother may have found the right fur for the newly made velveteen parka that her mother has just made for her. However, with the coming of a storm, her attention moves towards the safety of her father who may be caught in the great winter storm that has developed while checking his traps. From Eeka escorting her younger cousin home from school, to the stories of survival and legend told by Eeka’s grandfather, young (and older) readers will be introduced to a bit of Eskimo culture. Lastly, Glo Coalson’s lovely and descriptive illustrations are integral to the book.

Little Voice (In The Same Boat Series, 4)

A young Ojibway girl, struggling over the fact that her father has died, spends a summer in the bush with her grandmother and finds her own identity and voice. Things have been hard for her family since her father’s accidental death in a logging accident, and Ray has been unable to express her grief. In school, the green eyes she inherited from her father are unusual for a child from an Ojibway background in a northern Ontario town and get her noticed in ways she doesn’t enjoy. At home, Ray believes that her mother, grieving herself and busy with Ray’s younger brother and sister, no longer needs her. Ray becomes so withdrawn that at times she hardly speaks. At the end of this beautiful and empowering story, which begins in 1978, the withdrawn green-eyed girl has found her voice and is not afraid to use it.

“Just Talking About Ourselves”: Voices Of Our Youth (Just Talking About Ourselves)

The prose that comprise these anthologies are true depictions of the lives of Native youth in urban and reserve settings. Volume 2.

The Sacred Harvest: Ojibway Wild Rice Gathering (We Are Still Here: Native Americans Today)

Glen Jackson, Jr., an eleven-year-old Ojibway Indian in northern Minnesota, goes with his father to harvest wild rice, the sacred food of his people.

As Long As The Rivers Flow

Starting in the 1800s and continuing into the 20th century, First Nations children were forcibly taken to government-sponsored residential schools to erase their traditional languages and cultures. This moving book tells of one such child, author Larry Loyie, and his last summer with his Cree tribe. It is a time of learning and adventure. He cares for an abandoned baby owl, watches his grandmother make winter moccasins, and sees her kill a huge grizzly with one shot. The sensitive text and Heather Holmlund’s expressive illustrations beautifully capture the joy and drama of a First Nations family’s last summer together.

A Small Tall Tale From The Far Far North

small tallThis spectacularly beautiful, inventive picture-book journal of life with the Alaskan Eskimos at the turn of the century is a brilliant leap of the imagination and the embodiment of the aphorism “every picture tells a story.”

Full color throughout.

New York Times Best Illustrated Book Of The Year, Ala Notable Children’s Book

Two Old Women

Based on an Athabascan Indian legend passed along for many generations from mothers to daughters of the upper Yukon River area in Alaska, this is the suspenseful, shocking, ultimately inspirational tale of two old women abandoned by their tribe during a brutal winter famine. Though these two women have been known to complain more than contribute, they now must either survive on their own or die trying. In simple but vivid detail, Velma Wallis depicts a landscape and way of life that are at once merciless and starkly beautiful. In her old women, she has created two heroines of steely determination whose story of betrayal, friendship,community, and forgiveness will carve out a permanent place in readers’ imaginations.

Halfbreed

“I write this for all of you, to tell you what it is like to be a Halfbreed woman in our country. I want to tell you about the joys and sorrows, the oppressing poverty, the frustration and the dreams. . . . I am not bitter. I have passed that stage. I only want to say: this is what it was like, this is what it is still like.” For Maria Campbell, a Métis (“Halfbreed”) in Canada, the brutal realities of poverty, pain, and degradation intruded early and followed her every step. Her story is a harsh one, but it is told without bitterness or self-pity. It is a story that begins in 1940 in northern Saskatchewan and moves across Canada’s West, where Maria roamed in the rootless existence of day-to-day jobs, drug addiction, and alcoholism. Her path strayed ever near hospital doors and prison walls.It was Cheechum, her Cree great-grandmother, whose indomitable spirit sustained Maria Campbell through her most desperate times. Cheechum’s stubborn dignity eventually led the author to take pride in her Métis heritage, and Cheechum’s image inspired her in her drive for her own life, dignity; and purpose.