Materials from the Americas
On the way to school one morning, Wanda scoops some tadpoles into her sand pail. When she presents them to her teacher, the teacher agrees to let the class take care of them until they become frogs. But what will happen to the tadpoles once they grow legs and their tails begin to shrink? Wanda is worried. She wants to keep them. When she secretly moves the frogs into her own bedroom at home, Wanda’s family is in for a hilarious host of surprises. Sequel to Wanda and the Wild Hair.
Deep in the lush Mexican forests, amidst the tall mountains and the rushing rivers, dwells a great goddess. Her broad torso bends to form the sky and her legs rise to become the valleys and deserts. She is the earth, the land of Mexico, and if you listen closely, you will hear her calling “tengo hambre, tengo hambre,” for she is always hungry. Gifted storyteller Mary-Joan Gerson draws from Mexico’s rich cultural traditions, including tales from the Mayan, Mixtec and Yaqui peoples to create an authentic collection that reflects the many faces of Mexico’s heroines. And Maya Christina Gonzalez’s vibrant paintings brilliantly capture the spark behind the stories, and the noble dignity of these eight extraordinary women. The tales come from the different cultures of Mexico, all focusing on the important roles of women.
Matt and Bibi unravel a pattern to discover a lost city. The Zills are visiting Peru to study the mysterious lost city of Quwi when Matt and Bibi stumble into an adventure. With only each other, their faithful dog Riley, and an unusual ancient relic to guide them, the twins must use their understanding of patterns and sequences to locate the lost city—and the way back.
Paul Faustino, known as the best soccer journalist in the business, reluctantly investigates the disappearance of 18-year-old Ricardo, a soccer prodigy known as “El Brujito,” while in alternate chapters a slave in old San Juan becomes a powerful voodoo priest.
Smart and independent, 11-year-old Khyber lives with her mom, Tammy, a former stripper, and her autistic twin brothers in a poor Toronto neighborhood. Though she doesn’t have a lot in common with her classmates, Khyber does have wonderfully eccentric friends: Valerie, Toronto’s meanest waitress, and X, a homeless woman in hiding from “the secret police.” Despite having to deal with pompous social workers who make her mother cry and ignorant kids who make remarks about her brothers, Khyber manages to enjoy herself, poring over atlases, planning exotic journeys, and taking peanut butter sandwiches to X. But when Tammy decides to move her sons to a group home for proper care, Khyber’s world starts to crumble. She fights with her mom and then gets expelled from school. To make matters worse, X suddenly disappears. Khyber sets out to find her in a wild all-night odyssey of self-discovery.
Millie’s is a small family — just a mother, a father, a small brother, Hamish, and her. Both her parents had been orphaned (and were introduced in Watts’ novel Flower), but the family they created was tight-knit and loving. When Millie’s mother announces that she is pregnant, it seems life is perfect. They have each other, and, although the Great Depression has brought hard times to their small town, Millie’s father’s services as a blacksmith are still in demand. But when her mother dies, suddenly everything changes. Her father retreats into depression and Millie, only thirteen, finds herself responsible for a newborn baby. When a stranger appears and threatens the remnants of the family even further, Millie musters courage she never dreamed she had to rebuild the home that means so much to her.Irene N. Watts’ memorable story is as complex and as comforting as family life itself.
The setting is Sri Lanka, 1980, and it is the season of monsoons. Fourteen-year-old Amrith is caught up in the life of the cheerful, well-to-do household in which he is being raised by his vibrant Auntie Bundle and kindly Uncle Lucky. He tries not to think of his life “before,” when his doting mother was still alive. Amrith’s holiday plans seem unpromising: he wants to appear in his school’s production of Othello and he is learning to type at Uncle Lucky’s tropical fish business. Then, like an unexpected monsoon, his cousin arrives from Canada and Amrith’s ordered life is storm-tossed. He finds himself falling in love with the Canadian boy. Othello, with its powerful theme of disastrous jealousy, is the backdrop to the drama in which Amrith finds himself immersed.
Why does everyone seem so scared? That’s what the new boy in town, Rex Norton-Norton, aka Rex Zero, wonders as he rides his bike through Ottawa’s streets. Is it spies? Kidnappers? Or is it because of the shadowy creature some say is stalking Adams Park? One thing is certain in this summer of 1962 as the Cold War heats up: nothing is quite what it seems. What’s a boy to do? If his name is Rex Zero and he has a bike he calls “Diablo,” five wild and funny siblings, an alpha dog named Kincho, a basement bomb shelter built of old Punch magazines, and a mind that turns everything inside out, he’s bound to come up with an amazing idea.
Every day, Angelina dreams of her home in Jamaica and imagines she is there, until her mother finds a wonderful way to convince her that New York is now their home.
Discusses the childhood of Diego Rivera and how it influenced his art.