Harvesting Hope: The Story of Cesar Chavez

Cesar Chavez is known as one of America’s greatest civil rights leaders. When he led a 340-mile peaceful protest march through California, he ignited a cause and improved the lives of thousands of migrant farmworkers. But Cesar wasn’t always a leader. As a boy, he was shy and teased at school. His family slaved in the fields for barely enough money to survive.

Cesar knew things had to change, and he thought that–maybe–he could help change them. So he took charge. He spoke up. And an entire country listened.

An author’s note provides historical context for the story of Cesar Chavez’s life.

A So-Called Vacation

Brothers Gabriel and Gustavo, high school students in the Rio Grande Valley of Texas, are horrified when their father suggests that they spend the summer in California doing field work to earn extra money. They’re not immigrants; the boys and their younger sister Paula were born in Texas, and the idea of picking fruits and vegetables hard labor usually associated with undocumented workers is totally humiliating. But their father thinks working in the fields will be good for his children. After all, the experience didn’t hurt him when he was a kid. ”Look at me. I didn’t die. All that work made me stronger.” Gustavo, heading into his senior year, doesn’t want to leave his girlfriend. And what will all his friends think? Gabriel doesn’t care what anyone thinks; he’s just not interested in spending the summer doing back-breaking labor. It’s only when the promise of visiting Disneyland, after working the fields, is offered that they ultimately agree to the ”vacation.” Before long, the family finds itself in a migrant camp, living in a shack with no electricity or bathroom. Toiling in the fields by day, trying to get the hang of picking strawberries, the boys and their father attempt to make sense of it all, including the motives and hopes of their fellow workers: the manic Borrado brothers, who are the fastest pickers around, and Victor, who introduces them to the canal where the migrant teens swim, even though two boys drowned there last season. Unfortunately, while learning their way around town, the family members experience the racism frequently directed at recent immigrants. How often, Gabriel wonders, has he done the same thing and dismissed someone just for being in the U.S. illegally? In this illuminating novel for teens that sheds light on the subjects of immigrant labor and prejudice within the Hispanic community, Genaro Gonzalez blends the ageless theme of fathers and sons at odds with a contemporary issue weighing on many minds. While set in a place unfamiliar to many, the characters’ hopes and dreams for the future will resonate with young adult readers.

Canto Familiar

cantoCelebrate childhood and the Mexican American experience with this lively collection of poems accompanied by beautiful woodcut illustrations. This touching and humorous volume is a vibrant companion to Neighborhood Odes.

Dona Flor: A Tall Tale About A Giant Woman With A Great Big Heart (Pura Belpre Medal Book Illustrator (Awards))

Doña Flor is a giant woman who lives in a puebla with lots of families. She loves her neighbors–she lets the children use her flowers for trumpets, and the families use her leftover tortillas for rafts. So when a huge puma is terrifying the village, of course Flor is the one to investigate. Featuring Spanish words and phrases throughout, as well as a glossary, Pat Mora’s story, along with Raúl Colón’s glorious artwork, makes this a treat for any reader, tall or small. Award-winning author Pat Mora’s previous book with Raúl Colón, Tomás and the Library Lady, received the Tomás Rivera Mexican American Children’s Book Award, an IRA Teacher’s Choice Award, a Skipping Stones Award, and was also named a Texas Bluebonnet Award Master List title and an Americas Award for Children’s and Young Adult Literature commended title. She lives in Santa Fe, New Mexico.

Fiesta U.S.A.

In a tribute to the customs and traditions of Latinos in the United States, engaging photographs capture four fiestas: the Day of the Dead, las Posadas, the dance of the Matachines, and Three Kings’ Day.

Family/Familia

Young Daniel doesn’t share his dad’s excitement over going to the family reunion. What’s the big deal? It’s just going to be a bunch of old people he doesn’t know, sitting around and telling stories about other old people he doesn’t know. Once there, though, Daniel is in for several pleasant surprises.

Play Ball!

Based on the childhood of New York Yankees catcher Jorge Posada, this is the story of a boy from Puerto Rico who worked hard to be his best and didn’t stop until he was a champion.

Nerdlandia

A humorous play in which Martin, a Chicano nerd, undergoes a transformation with the help of his friends and experiences true love. Includes a glossary of Spanish words and phrases used in the dialogue.

Local News

In thirteen stories full of wit and energy, Gary Soto illuminates the ordinary lives of young people. Meet Angel, who would rather fork over twenty bucks than have photos of his naked body plastered all over school; Philip, who discovers he has a “mechanical mind,” whatever that means; Estela, known as Stinger, who rules José’s heart and the racquetball court; and many other kids, all of them with problems as big as only a preteen can make them. Funny, touching, and wholly original, Local News is Gary Soto in top form.

The Eyes Of The Weaver: Los Ojos Del Tejedor

Cristina Ortega is the granddaughter of Juan Melquiades Ortega, a master weaver of northern New Mexico’s Chimayó Valley. Chimayó’s roots are in early Spanish Colonial times and has long been famous for its unique weavings. Juan M. Ortega was taught to weave by his father in the early days when weavers sheared their own sheep and spun and dyed the wool for their blankets. El Tejedor (The Weaver) continued weaving until he was one hundred years old, when his eyesight failed him. In The Eyes of the Weaver, Cristina shares her memories of visits when she was ten years old with Grandpa in the village of Chimayó, where he taught her how to weave. She also recalls how Grandma helped her husband choose color combinations for his Chimayó blankets. It was during these visits that Cristina learned how important it is for a child to listen to and learn from his or her relatives.Some of Juan M. Ortega’s weavings and tools of the trade have been included in the exhibit, “American Encounters,” at the National Museum of American History, Smithsonian Institution, in Washington, D.C.Reading level: 10 years and up