This is a collection of poetry written by Chicano/Latino youths about their dreams, struggles, identity, hope and love.
United States
Materials from United States of America
Sip, Slurp, Soup, Soup – Caldo, Caldo, Caldo
A bilingual picture book offers up a celebration of a kitchen where mom has just pulled out the large stew pot to begin a fabulous vegetable soup and all the kids are invited to help.
The Uncertain Journey (Stories Of Illegal Aliens In El North)
Tooth On The Loose
An original take on losing a tooth. This little girl has tried everything to make her loose tooth come out before her dad’s birthday (except letting her brother yank it) so she’ll have money to buy him a gift. Nothing has worked and now it’s the big day. She just can’t go to his party empty handed! At the last second, her mom helps her think of a gift that doesn’t require any money—just imagination and heart. I have no dinero, this card’s all I’ve got. But, Papi, te quiero, I love you a lot. And her dad couldnÂ’t be happier. Susan Middleton Elya’s trademark mix of Spanish vocabulary and fun verse combined with vibrant paintings by Jenny Mattheson will inspire lots of homemade gifts (and patience with loose teeth).
Sofi Mendoza’s Guide to Getting Lost in Mexico
When Southern California high school senior Sofi Mendoza lies to her parents and crosses the border for a weekend party, she has no idea that she will get stuck in a Mexican village with family she has never met before, unable to return to the United States and the easy life she knew.
Gracias The Thanksgiving Turkey
Big Enough/Bastante grande
Mamá always sighs, “Muy, muy chica,” every time Lupita tries to help out at the restaurant that Mamá runs all by herself. But when push comes to shove–or when Grabb comes to swipe–everyone in this exciting tale discovers that, although Lupita may be too little for some tasks, she is big enough for others.
Blood Secret
A story of secrets and shadows by a Newbery Honor author.
When Jerry Moon is sent to live with her great–great–aunt, she discovers a trunk in the basement that reveals dark mysteries about her family’s ancestry. Newbery Honor author Kathryn Lasky brings a dramatic and rarely–portrayed period of history to life in this powerful coming–of–age tale that weaves together the Spanish Inquisition, Jewish belief, and a girl learning to understand her past.
Ages 12+
Call Me Henri
Enrique, a young boy in Peralta Middle School, faces abuse at home and danger on the barrio streets. Yet he is driven to succeed by the desire to join that “other America” he sees on TV and in the movies, and is aided in his quest by compassionate teachers. His ambition finds expression in his determination to drop his ESL class in favor of taking French, and his story begins, “Call me Henr.”
Lorraine Lpez (author of Soy la Avon Lady and Other Stories) has created a vivid picture of barrio life, filled with honesty, insight, and humor for young adults. She paints a balanced and detailed landscape of Enrique’s world. Although Enrique is confused and angered by his mother’s refusal to stand up for him against the abuse of his stepfather, he also draws strength from the supportive and loving family of his friend Francisco. While some of his teachers are uncaring or inept, others provide help and encouragement at critical moments in his life.
When Enrique witnesses his friend Horacio gunned down in a drive-by shooting and is seen by the assailants, gang members set out to kill him. As the novel reaches its climax, Enrique must make some agonizing decisions.
Although specifically about barrio life, this novel is universal in its themes-the drive for success, the desire for love and family support, and the need for true friendship. Lpez’s fully delineated characters provide a rich and credible mural of our human comedy.
Lorraine Lpez‘s Soy la Avon Lady and Other Stories was selected for the Marmal Prize, and also won the IPPY Award for Multicultural Fiction.
Chicken Foot Farm
On the eve of World War II, young Alejandro comes of age on his family’s South Texas farm, known as Chicken Foot Farm because of how his mother marks her chicks. “Mama held the chick against her breast and splayed its left foot between her thumb and index finger. With her free hand she… quickly cut off the end of the chick’s shortest toe.” Rich with the customs and traditions of rural, Mexican-American life, Chicken Foot Farm depicts a multi-generational family in flux as change crawls relentlessly toward their land and lifestyle. As the seasons–and loved ones–come and go and misfortunes befall the family, Alejandro learns the lessons of life: the importance of family, honesty, hard work, and compassion. When the kitchen burns down one night, Alejandro feels they have lost something integral to their family unity. But his father promises they will build another kitchen, the new one better than the old. As Abuela Luciana ages, she begins to behave erratically, burning tortillas, forgetting to add water to the beans she is cooking, and even disappearing from the farm. She is certain someone has cursed her–put mal de ojo on her. How can the family cure her when she is the curandera, the one who has always taken care of them? Most importantly, Alejandro works hard to win his father’s approval, even though Papa generally ignores him in favor of the eldest son, Ernesto, who Papa says will inherit the farm. When Ernesto joins the Army, the family must face the possibility that he may not return as the entire country is thrown into the uncertainty of war. Following the attack on Pearl Harbor, young Alejandro notices something new in his family’s kitchen: a framed United States flag now hangs on the wall. “It’s something I can do for the war,” his Abuela Luciana tells him. Not understanding, she explains to him, “I can remind people that we are Americans.” In these poignant images of a time and place long gone, Anne Estevis sketches a tight-knit, Mexican-American community on the cusp of a new way of life as tractors replace mules and modern science competes with superstitious beliefs.

