
Petty Crimes

Materials from United States of America
As a young migrant worker, David is shocked and thrilled when the man running the field store offers him a loaf of bread in exchange for a song. Singing has been strongly discouraged by David’s father, who views it as a less-than-manly activity. But the opportunity to get food for free is a temptation David can’t resist, and the praise he receives afterwards produces a sense of euphoria he has never felt. Someone is actually paying him to sing! But singing always leads to conflict with his father, and the only time David can do it without getting into trouble is when the others start to harmonize to pass the time as they move up and down the rows, picking cotton, asparagus, or other crops. To help get through the grueling labor, David regularly daydreams about performing in front of an adoring audience. As David and his family move from town to town following the crops, he begins to forget his dream of becoming a singer, until one day when he learns about a local competition. Somehow, his feet carry him to the Four Square Apostolic Church where the contest will take place, but he is shaken when the elderly black ladies setting up for the event tell him it’s only for “colored folk.” When he is ultimately given the chance to participate, he eagerly seizes the opportunity. Is it really possible that his dreams might come true? Will the people who believe in him–a group of African-American women and an ambitious young reporter from the Oakland Tribune–be able to help David overcome the racial, social, and familial barriers he faces?
Seventeen-year-old Chloé Rodriguez, who inherited her uncle’s beloved Harley after his death, spends the subsequent year trying to pass chemistry, wondering whether she should look for her birth parents, and beginning an unlikely relationship with her chemistry tutor, while also trying to figure out how she really feels about the boy who has been her best friend since they were children.
The images in this book highlight the lives of the men and women who struggle to exist while literally feeding this country. Countless words and studies over decades bemoan the plight of those who toil in the fields, but Rick Nahmias’s pictures bring farm workers to us in an unforgettable way, taking us beyond stoop labor stills and into their intimate moments and inner lives. Having traveled over four thousand miles to document California’s migrant workforce, Nahmias’s soulful images and incisive text go beyond one state’s issues, illuminating the bigger story about the human cost of feeding America. The Migrant Project includes the images and text of the traveling exhibition of the same name, along with numerous outtakes and an in-depth preface by Nahmias. Accompanied by a Foreword from United Farm Worker co-creator Dolores Huerta, essays by top farm worker advocates, and oral histories from farm workers themselves, this volume should find itself at home in the hands of everyone from the student and teacher, to the activist, the photography enthusiast, and the consumer.”Every day in the hot fields of California, hundreds of thousands of farmworkers toil for long hours at low pay to provide fruit and vegetables to feed our nation. Most Americans never see the faces of these hard-working men and women, and know little or nothing about the harsh conditions they endure. The Migrant Project has done an extraordinary job documenting these workers’ lives. Rick Nahmias’s powerful photographs and the beautiful essays of dedicated advocates tell an inspiring story of the farmworkers’ historic struggle for the respect, the dignity, and the justice they so obviously deserve.”–U.S. Senator Edward M. Kennedy, Massachusetts “Nahmias’s images starkly capture both the humanity of the farm workers who literally feed our country, and the inhumanity of a system which has kept them and their predecessors prisoners to poverty for decades. This book is a testament to the flesh-and-blood cost of feeding America.”–Arianna Huffington, author, editor-in-chief of The Huffington Post, and nationally syndicated columnistExhibition schedule for The Migrant Project photographs:Mexican Cultural Institute, Washington D.C., February 21-April 14, 2008Museum of Tolerance, Los Angeles, California, March 4-April 25, 2008For more information on immigrant and migrant worker issues, please access the following organizations:Farmworker JusticeCalifornia Rural Legal AssistanceNational Association of State Directors of Migrant EducationNational Council for La RazaInternational Relations Center Americas ProgramCongressional Hispanic Caucus InstituteGlobal Commission on International MigrationInstitute for Agriculture and Trade PolicyNational Farmworker MinistryNational Rural Funders CollaborativeNational Farm Worker AllianceSouthern Poverty Law CenterUMOS Clergy and Laity United for Economic JusticeAmerican Friends Service CommitteeAFL-CIOCoalition for Comprehensive Immigration ReformCatholic Campaign for Immigration Reform
When Luís’s father joins the army shortly after the start of World War II, Luís’s entire life changes. His mother decides to return to the dusty New Mexican village where she and her husband grew up. In Los Angeles, Luís had struggled to find a place in his ethnically diverse neighborhood and had been intimidated into ending a close friendship with a Jewish boy. In Las Manos, everyone is Hispanic and Catholic like Luís, but the way of life seems backward and slow. Luís and his mother stay in a cramped bungalow with his dying grandfather and sullen grandmother, and Luís must share a bed with his uncle, a priest. Then, just as Luís begins to feel more comfortable in Las Manos, he learns an settling fact-his family is not Catholic after all. They are Jewish, a secret that has been kept for generations. Angry and confused, Luís realizes he must confront his feelings about family, religion, and friends, and ultimately make his own decision about who he is. Glossary of Spanish words.
Cesar Chavez is known as one of America’s greatest civil rights leaders. When he led a 340-mile peaceful protest march through California, he ignited a cause and improved the lives of thousands of migrant farmworkers. But Cesar wasn’t always a leader. As a boy, he was shy and teased at school. His family slaved in the fields for barely enough money to survive.
Cesar knew things had to change, and he thought that–maybe–he could help change them. So he took charge. He spoke up. And an entire country listened.
An author’s note provides historical context for the story of Cesar Chavez’s life.
Set in the Pilsen barrio of Chicago, this children’s picture book gives a heartwarming message of hope. The heroine, Amrica, is a primary school student who is unhappy in school until a poet visits the class and inspires the students to express themselves creatively-in Spanish or English. Amrica Is Her Name emphasizes the power of individual creativity in overcoming a difficult environment and establishing self-worth and identity through the young girl Amrica’s desire and determination to be a writer. This story deals realistically with the problems in urban neighborhoods and has an upbeat theme: you can succeed in spite of the odds against you. Carlos Vzquez’s inspired four-color illustrations give a vivid sense of the barrio, as well as the beauty and strength of the young girl Amrica.Luis J. Rodrguez grew up in Watts and East L.A. His bestselling memoir about gang life, Always Running (now available in paperback in both English and Spanish from Touchstone Books), won the Carl Sandburg Award. His Poems Across the Pavement (Ta Chucha Press) won the Poetry Center Book Award from San Francisco State University, and his poetry collection, The Concrete River was awarded the 1991 PEN Oakland/Josephine Miles Award for Poetry. Mr. Rodrguez has worked extensively with gang members to guide them in positive directions, and he is frequently featured as a keynote speaker or guest poet at national conferences and cultural centers. Rodrguez explores the Chicano experience with an unrelenting, socially conscious eye that moved Larry Weintraub of the Chicago Sun-Times to call him a poet “we need to hear.”Illustrator Carlos Vzquez was born in Mexico, studied physics and art, and now teaches in adult education programs in New York City.This book is also available in a Spanish language edition as La llaman Amrica translated by Tino Villanueva. 1-880684-41-1
\”Today is Butterfly Day!\” Julianita excitedly tells her grandfather as they make their way down Carmen Street to school one morning. Today is the day Julianita and her friends have been waiting for–they\’re going to learn about monarch butterflies. But what\’s even more thrilling is they\’re each going to receive their very own caterpillar to raise! When Julianita gets hers, she names him Tiger because of his striking yellow and black stripes. Ms. Rodríguez teaches her students all about the monarch. But Julianita already knows that they fly south thousands of miles every winter because her grandfather remembers seeing the beautiful monarchs in his village in the highlands of Mexico. As the children feed and care for their caterpillars, they anxiously anticipate the transformation from caterpillar to chrysalis to butterfly. When Tiger finally emerges from his chrysalis, Julianita doesn\’t want to let him go. She worries that he will get lost on his way to Mexico. \”Tiger knows the way to Mexico because it\’s in his heart,\” her Abuelito reassures her. She feels sad to see Tiger fly away, but Julianita knows that someday, she will follow him to her grandfather\’s magical Mexico. Paired with April Ward\’s charming illustrations that depict Julianita\’s neighborhood–her home on Carmen Street, the bench where Abuelito rests in Palo Verde Park, her parents\’ store that sells everything in the whole wide world–this book by award-winning author Monica Brown is sure to entertain and educate kids ages 3-9. This is a perfect choice for children learning about insects and the forces of nature.