All For The Better

During the dark days of the Great Depression, eleven year old Evelina Lopez leaves Puerto Rico to live with an aunt in New York City. Evelina learns that one person can make a difference as she adjusts to life in her new home.

Hurray For Three Kings’ Day!

An Hispanic family enjoys the traditional celebration of El Dia de los Reyes, or Epiphany, by reenacting the long walk of the three wise men bringing gifts to the baby Jesus. By the illustrator of Too Many Tamales.

Kids Share San Ramon, Nicaragua and Vermont, United States of America: From North America to Central America, Awakening the artist and author inside … (Volume 2) (English and Spanish Edition)

We unite children from the rural coffee-growing region of San Ramon, Nicaragua with their counterparts in Montpelier, Vermont. This workshop took place during the 2009-2010 school year, when Kids Share Workshops and Publishing Inc. traveled to a remote Nicaraguan cloud forest (that’s right, a cloud forest!), where a small community of coffee growers lives and works.

The Great Good Thing

“Rawwwwk! Reader!” screams an orange bird. “Booook open!” groans a frog. Then the sky lifts away and the enormous face of a child peers down into Sylvie’s storybook world. At last, a reader again! Sylvie has been a twelve-year-old princess for more than eighty years, ever since the book she lives in was first printed. She’s the heroine, and her story is exciting — but it’s always exciting in the same way. That’s the trouble. Sylvie has a restless urge to explore, to accomplish a Great Good Thing beyond the margins of her book. This time, when the new face appears, Sylvie breaks the rule of all storybook characters: Never look at the Reader. Worse, she gets to know the reader, a shy young girl named Claire, and when Claire falls asleep with the book open, Sylvie enters her dreams. After a fire threatens her kingdom, Sylvie rescues the other characters, taking them across the sea in an invisible fish that rolls up like a window shade when it’s out of water. For years they all live, royalty and rogues, in Claire’s subconscious — a surprising and sometimes perilous place. In this new land, Sylvie achieves many Good Things, but the Greatest, like this dazzling book, goes far and deep, beyond even her imaginings.

Into the Labyrinth

What a relief when the old story-book is republished and the characters who live inside it suddenly discover they have Readers again — lots of Readers! Princess Sylvie finds herself rushing to get to her place whenever a new Reader — whether in Boston or Bangkok — opens the book. Her mother, the queen, is especially frazzled when the popular story is loaded onto the Web, a weightless, “virtual” world of unforeseen challenges. To cope with the stress, Sylvie convinces the Writer to add a new character, who gives yoga instruction to the storybook’s cast in those moments when they have time off. But stress proves the least of their problems as strange things start happening — words get changed around, scenes disappear — and Sylvie and her friends must launch themselves into the labyrinth of cyberspace to confront a twenty-first-century evil that threatens to destroy their world.

The Serpent Came To Gloucester

Drawing on a true story, an award-winning author and illustrator present a picture-book tribute to the beauty and mystery of the ocean, and to the mesmerizing creatures that may frolic there.It came from the sea, from the lonely sea,It came from the glittering sea.In a small Massachusetts fishing village in August of 1817, dozens of citizens claimed to have seen an enormous sea serpent swimming off the coast. Terrified at first, the people of Gloucester eventually became quite accustomed to their new neighbor. Adventure seekers came from miles around to study the serpent and aggressively hunt it down, but the creature eluded capture. The Gloucester sea serpent was then, and remains now, a complete mystery. Reviving the rhythms and tone of a traditional sea chanty, M.T. Anderson recounts this exhilarating sea adventure through the eyes of a little boy who secretly hopes for the serpent’s survival. The author’s captivating verse is paired with Bagram Ibatoulline’s luminous paintings, created in the spirit of nineteenth-century New England maritime artists.