Las Navidades are coming. The house smells of cinnamon and coconut, crepe paper festoons the yard, and best of all, the Three Magi will soon bring presents to all the children. Esmeralda hopes they will bring her a baby doll. But instead, she receives something far more precious: she experiences firsthand the magic of giving and the power of her family’s love for her.
These books begin with historical overviews of Haiti, including the reasons for recent political unrest. The first-person narratives of young refugees follow. All of the teens tell why they left their native countries, how they made their journeys, their experiences and difficulties in North America, and if they plan to return to their homelands. The introductions state that the young people were interviewed; it is unclear exactly when these conversations took place. It seems in Haiti as if they occurred prior to the reinstatement of President Aristide.
Richard Hughes’s celebrated short novel is a masterpiece of concentrated narrative. Its dreamlike action begins among the decayed plantation houses and overwhelming natural abundance of late nineteenth-century Jamaica, before moving out onto the high seas, as Hughes tells the story of a group of children thrown upon the mercy of a crew of down-at-the-heel pirates. A tale of seduction and betrayal, of accommodation and manipulation, of weird humor and unforeseen violence, this classic of twentieth-century literature is above all an extraordinary reckoning with the secret reasons and otherworldly realities of childhood.
Provides comprehensive information on the geography, history, governmental structure, economy, cultural diversity, peoples, religion, and culture of the Antigua and Barbuda.
Ricki is looking forward to Divali, the Hindu Festival of Lights. He’s also waiting for two special rosebuds to bloom. The buds are on the bush that his grandfather had planted in the front yard. His grandfather promises that the roses will be the color of Divali. One morning, on his way to school, Ricki bends one of the rosebuds to get a closer look and accidentally snaps it off. When his grandfather believes the new neighbors have stolen his rosebud, Ricki must summon the courage to confess what he has done.
Seek life. Chache Lavi. That’s what Paulie’s uncle says they must do. But to seek life, Paulie and her family have to leave Haiti-the only home that Paulie has ever known. Since forever, Paulie has run in and out of the little houses nestled under the palms, smelling cocoa-bread and playing on the beach with her best friend Karyl. But now the little houses are gone. Their wood has been made into boats-boats used to escape Haiti.Paulie wants to stay and fight-to change Haiti into a better place to live. She wants to talk to the reporters and bravely tell the truth, like Karyl’s brother, Jean-Desir. But the macoutes come with their guns and knives to stop them. And they do something so terrible that Paulie must face the truth: before the soldiers come back, they must all leave-tonight, by sea.
When Ida finds out that Papa must leave Jamaica to work in America, she’s heartbroken. But there is some consolation in knowing that Papa needs her to care of the tangerine tree while he’s away, and his parting gift of a book comes with a promise: he’ll be home again by the time she’s able to read it.
Contrasts the two worlds of an eight-year-old Dominican American girl who lives in New York City but speaks Spanish as her native language and frequently returns to her island home.
Maricel E. Presilla takes us on a journey through the history of Christmas in the Hispanic islands. As she describes all of the foods of Christmas Day, she tells us about the peoples from around the world who brought their ingredients and recipes to the table. Presilla gives us carefully tested recipes that allow readers of all ages to join in on the feast.
A lyrical biography of a Cuban slave who escaped to become a celebrated poet. Born into the household of a wealthy slave owner in Cuba in 1797, Juan Francisco Manzano spent his early years by the side of a woman who made him call her Mama, even though he had a mama of his own. Denied an education, young Juan still showed an exceptional talent for poetry. His verses reflect the beauty of his world, but they also expose its hideous cruelty. Powerful, haunting poems and breathtaking illustrations create a portrait of a life in which even the pain of slavery could not extinguish the capacity for hope.
Featured in Volume I, Issue 1 of WOW Review.