In Sydney, Australia, and in Morocco, two boys and their families have a day of shopping. Readers are invited to compare illustrations in two wordless stories that are intended to be read one from left to right and the other from right to left.
See the review at WOW Review, Volume 3, Issue 2
In the little village of Duk Padiet in southern Sudan, a boy named Jacob Deng thrives on the love of his mother, the companionship of his sisters, the excitement of learning how to look after his uncle’s herds of cattle. The year is 1987, and suddenly in the night soldiers from the north invade the village, looting, burning, and killing. The war has arrived, and the life of Jacob will never be the same. This novel is based on the real life experiences of a Sudanese boy who, with thousands of other boys from the region, fled for his life and spent seven years walking through deserts, grasslands and forests, crossing crocodile-infested rivers, surviving life in massive refugee camps. The so-called Lost Boys of Sudan – as they were called by an American aid organization – numbered as many as 27,000, and while many died – from starvation, attacks by wild animals, drowning, or through the brutality of the military – many survived. Jacob never returned to his village, but though he was only seven years old when he had to flee, he somehow managed to live through an almost unimaginable ordeal. Throughout the seven years covered in this story, Jacob resists the temptation to join the liberation army. Steadily Jacob finds himself more and more adhering to his mother’s advice that getting an education is crucial to escaping the cycle of violence that afflicts his country. Jacob’s struggle, then, is to persist in seeking out teachers and eventually a school where his ambition to learn about the world can be met. Through it all he learns about loyalty and love for close friends who have been thrust together with him on this extraordinary journey, and also about the guiding light provided by the memory of his mother.
See the review at WOW Review, Volume 4, Issue 2
Baba Wagué is only four years old when he is sent to the tiny Malian village of Kassaro to be raised by his paternal grandparents, according to the family tradition. He is most unhappy about this at first, but under his grandmother’s patient and wise tutelage he comes to love his close-knit village community. He learns how to catch a catfish with his bare hands, flees from an army of bees, and mistakes a hungry albino cobra snake for a pink inner tube. Finally, Grandma Sabou decides that Baba is educated enough to go to school, and he moves back to the city, where his family struggles to provide him with a formal education. But he brings his village stories with him, and in the process of sharing them with his neighborhood uncovers his immense artistic and storytelling talents.
A warm visual essay on the universal relationship between children and their grandparents features photographs from a diverse range of ethnic, cultural and socio-economic regions of the world.
Departure Time is the amazing journey of a girl in two stories. The girl in the hotel with the fox and the rat, and the girl whose father travels a lot, who suggests they write a story together, a story about talking animals. She doe sn’t wan to. She is angry with him, because he can’t make it home in time for her birthday.
A children’s retelling of the epic story from India and Southeast Asia. Rama marries beautiful Sita, but Ravana, the 10-headed, 20-armed Demon King, falls in love with her, too. He captures her and takes her in his chariot to the Demon Kingdom, Lanka. Rama has to find a way to rescue Sita, and he seeks the help of the monkey general Hanuman, and Jambuvan, the King of the Bears. Rama, his brother Lakshman, and the band of monkeys and bears battle their way to the Kingdom of the Demons. With the help of the fish, they build a bridge to cross the sea and find Sita locked in Hanuman’s tower, guarded by demonesses. After a final, terrible battle, the Demon King is defeated and Rama and Sita are reunited. The touching ritual at the heart of the Hindu festival of Diwali features the lighting of earthen lamps, called “divas,” which celebrate Rama’s and Sita’s return home.
Whenever Jem meets someone new, no matter who, as soon as she looks into their eyes, a number pops into her head. That number is a date: the date they will die. Burdened with such an awful awareness, Jem avoids relationships. Until she meets Spider, another outsider, and takes a chance. But while they’re waiting to ride the Eye Ferris wheel, Jem notices that all the other tourists in line flash the same number. Today’s number. Today’s date. Terrorists are going to attack London. Jem’s world is about to explode!
Skip, an eleven-year-old runaway, becomes friends with Billy, a homeless man, and together they flee a war-torn Australian city with six-year-old Max and camp out at a seaside amusement park, where they are joined by Tia, a fifteen-year-old ballerina, and her baby.
FRENCH EDITION. For over sixty-five years Antoine de Saint-Exupéry’s The Little Prince has captured the hearts and minds of its readers. The whimsical story with a fairy tale touch has sold over 80 million copies in 230 languages. This exciting graphic adaptation features beautiful, new artwork by Joann Sfar. Hand-chosen by Saint-Exupéry’s French publishers for his literary style and sensitivity to the original, Sfar has endeavored to recreate this beloved story, both honoring the original and stretching it to new heights. A vibrant, visual gift for longtime fans and those experiencing the story for the first time.
Marie-Claire Coté is fifteen-head-strong and full of life. It’s 1941, Canada is two years into World War II, and workers are scarce. So Marie-Claire pitches in on the family farm, tries to keep up with her school-work, and listening to stories told by her fun-loving hard-living uncle, Gérard. But the whole family is taken aback Gérard is diagnosed with tuberculosis and even more shocked when Marie-Claire and her younger brother and sister are all stricken with the disease and are sent to “chase the cure” at a nearby sanatorium located in the rolling hills of southern Manitoba. Marie-Claise fights her illness and longs for privacy in a place where there is none. She desperately wants to ignore the other “TB exiles” around her, especially her frail but irritatingly cheerful roommate Signy, who seems determined to become best friends. And then there’s fellow patient Jack Hawkings, the nineteen-year-old musician with the heart-stopping smile. Soon she discovers that the sanatorium is a world unto itself–a world in which loss can be survived, and friendship, and love can be found in unexpected places.
See the review at WOW Review, Volume 4, Issue 3