The Great Bear

Once there was a dancing circus bear who spent her days in a cold, hard cage. Each night she was led to the town square, where acrobats, trapeze artists, and clowns performed for a boisterous crowd. The bear performed, too, year in and year out, lifting her feet and swaying to the music of trumpets, drums, and cymbals. As she danced, some people clapped, and many poked her with sticks or threw stones. One night, however, the bear did not dance. She stood very still. She finally can no longer stand the torment and determines to set herself free.

When I Love You at Christmas

Simply tie the front and back covers of this 14-page board book together, and get ready to celebrate! The two envelopes inside contain everything you need to decorate: sheets of stickers, shiny paper, and ornaments to cut out and color, plus tips for creating even more decorations for your very own tree.

Rubia and the Three Osos

Retells the story of Goldilocks and the three bears in rhyming text interspersed with Spanish words, which are defined in a glossary.

The Monster In The Mattress And Other Stories / El Monstruo En El Colchon Y Otros Cuentos

A bilingual collection of short mystery stories for intermediate readers.

You Don’t Have A Clue

When two gun-toting hoodlums tell the fourteen-year-old narrator of René Saldaña’s story, “The Right Size,” to kiss the floor, he doesn’t think twice. And his dad and younger brother drop to the floor just as quickly. “This guy Jimmy probably thinks Dad is the greatest threat among the three of us, but he’s dead wrong. Dad couldn’t hurt a bug,” the boy thinks. In the ensuing twenty minutes, he learns that his dad isn’t as weak as he thought, and in fact, his dad is willing to do whatever it takes to protect his family, even if it means killing someone. The teens featured in these stories deal with situations typical to all young adults, including attraction to the opposite sex—or to the same sex, in one story—and first sexual encounters, problems with family and friends, academic and personal aspirations. But they also deal with every kind of thrilling situation imaginable, from missing girls to kidnappings and dismembered bodies. A young girl finds herself living with her “family,” though she has no memory of them or who they claim she is. A geek at a prestigious public high school finds himself working with his very attractive arch-rival to solve the mystery of a severed, bloody arm that appears inexplicably in his locker. And Mike’s life sucks when his parents split up, but it gets worse when his best friend is abducted by a thug shot by Mike’s dad, a police officer. There’s something for everyone here, with aliens, ghosts and even an Aztec god making appearances in these stories. Set in schools and communities from New York City to Venice Beach, California, the protagonists reflect the breadth and diversity of the Latino authors included in this innovative collection. Published authors such as Mario Acevedo, Alicia Gaspar de Alba, Diana López and Sergio Troncoso appear alongside less well-known authors who deserve more recognition. With an introduction by young adult literature expert Dr. James Blasingame of Arizona State University, this collection is sure to keep readers on the edge of their seats until the last page is turned.

Fiesta!

Describes a festival or holiday celebrated in Latin America for each month of the year, from the feast of Saint Anthony in January through Mexico’s Cinco de Mayo, an Inca festival in Peru in June, and a ritual of African origin in Brazil in September.

High Riders, Saints and Death Cars: A Life Saved by Art

Nicholas Herrera started life as a mischievous, dyslexic boy, born into one of the old Spanish families of New Mexico. Bad teachers and poor schooling helped him to lose himself in drugs, drinking, riding motorcycles and driving fast cars. A near-death experience, a wonderful mother and a fascination with making art saved him. Today Nicholas Herrera is one of the most noted Santeros in the US. His work is displayed in folk-art galleries across the country and is collected by the Smithsonian. He is noted for the highly personal, political nature of his work and his innovative treatment of what can sometimes be a rather bland art form designed to sell to tourists. His work is intensely personal and even confessional. A survivor of alcoholism and drug addiction, which almost led to his death in a terrible car crash, Herrera is now sober and remarkably productive. His art is his life and his life is his art. Extraordinarily charismatic, Herrera is the grandson, nephew and son of artists. His young daughter is now following in his footsteps.