Red Midnight

When guerrilla soldiers strike Santiago’s village, they shoot at everyone in their path. Dos Vías is on fire, and the night glows red. “Take the cayuco and sail to the United States of America. Now go!” Santiago’s uncle Ramos tells him, and Santiago, twelve, and his four-year-old sister, Angelina, flee.

With a map, a machete, and very little food, Santiago and Angelina set sail in their uncle Ramos’s sea kayak, built for just such an escape, but not for a sailor who is only a boy. Santiago heads for the United States on a voyage that will take them through narrow channels guarded by soldiers, shark, infested waters, and days of painful heat and raging storms. Santiago knows that he and Angelina probably will die trying to make the voyage, but they certainly will die at the hands of rebels or government soldiers if they do not try.

The Dark Light

When it was discovered that thirteen-year-old Tora has leprosy, she is sent from her family’s remote mountain farm to the leprosy hospital in the bustling port of Bergen. In early-nineteenth-century Norway, lepers are quarantined in this hospital and no longer considered among the living. But even as her body gradually fails her, Tora’s new life blossoms. She finds strength through helping her fellow patients, both young and old, and she decides to see for herself what the Bible says about leprosy. To do so, she must make friends with the young and angry Mistress Dybendal, the only person at the hospital who can teach her to read.As she did in The Abduction (an ALA Best Book for Young Adults and a School Library Journal Best Book of the Year), Mette Newth brings another era vividly to life and demonstrates the timeless nature of the search for identity and tolerance.

The Singing Mountain

When sixteen-year-old Carlie learns that her older cousin Mitch is staying in Israel to study at an Orthodox yeshiva, she is upset and angry. Since she was orphaned years ago, Carlie and Mitch have lived together like brother and sister. In Israel Mitch finds fulfillment in studying the Torah, in his work as an artist, and in his new relationship with an Israeli girl.

In California, Carlie, her aunt Vivian and uncle Harry grow increasingly alarmed at Mitch’s defection. They fear he has been brainwashed. Aunt Vivian decides to take Carlie to Israel to lure Mitch back home. Once there, Carlie is awakened by Mitch’s new spirituality. After surviving a traumatic incident she realizes that she has a strength of her own. Finally, Carlie holds the key to the changing paths that each of them will take.

The Cuckoo’s Child

Eleven-year-old Mia refuses to believe that her parents are not coming back after they are reported lost at sea. In 1962, Mia’s parents suddenly disappear while sailing off the coast of Greece. Mia and her two sisters are returned to the United States to the custody of her aunt they barely know. Mia wishes for a regular American life and spends a summer in her aunt’s Tennessee home, waiting for news of her parents. By summer’s end, Mia gradually understands why her mother left her and how she disrupted her aunt’s life.

Yum Yum!: What Fun!

Creak, crack, creak, crack. There’s a mysterious noise in the house, but Katie and James and their little dog, Harry, are too busy cooking up something delicious to notice. Crash! Bash! Crash! Bash! Everyone heard that noise! What could it be? Katie and James and their little dog, Harry, are happy to share their snacks with anyone who drops by . . . but what if this boisterous surprise guest wants to snack on them instead? Yum, Yum!

I Need You More Than I Love You And I Love You To Bits

When Morris meets Betty, love is unavoidable. In short prose
passages, we follow the course of their passionate first love. A
confident debut written in a surprising form, which gives the story intelligence and depth.

Morris feels like Betty can see everything he’s thinking. Betty
believes Morris understands her like no one ever before. She tells him everything, even about the dried-up worm that she saw on the sidewalk on the way to school. But sometimes the darkness closes in on Morris. His father is manic-depressive and his mother is always talking about dreams and poetry and her new boyfriend. Morris begins to wonder if crazy people are drawn to each other. Betty points out that he is like his father. As their love grows, it almost consumes them. Soon it’s as if they are always trying to escape
themselves until they ask, “How do you know when it’s over?”