This is a Collection of original legends–How Food Was Given, How Names Were Given and How Turtle Set the Animals Free–with time-honored lessons for children about the values of sharing and respect presented in a beautiful full-color format. Told in a strong, rhythmic language, the stories read aloud well and can be used to help children think about the values of sharing, self-sacrifice and reverence for life in all forms. One of the most valuable aspects of the “Kou-Skelowh series is that it was developed with Aboriginal cultural protocol. In 1981 the Okanagan Elders Council was approached and asked if some traditional legends could be used in the project. When the Elders gave permission for three legends to be used they were translated into English. The English versions were then taken back to the Elders Council for examination and edited until they were approved for educational use by Okanagan Children. Theytus was granted permission to publish the stories on the condition that no individual claim ownership of the legends.
Canada
Materials from Canada
The Little Duck -Sikihpsis
Little Duck wants to be a Plains Cree dancer, and decides to dress up like one and walks into the Cree camp. When he sees he does not fit in, the lonely duck returns to his pond and finds acceptance from the other ducks. He becomes content with who he is and his life as a duck.
The Little Duck is a universal story that transcends cultural boundaries and leaves one with a lesson about the importance of self-worth.
How Summer Came To Canada
When the giant Winter came down from the North to live in eastern Canada the land became frozen and white. Glooskap, mythical lord and creator of the Micmac Indians, saves his people from endless cold when he brings a beautiful Queen to his country. Her name is Summer and she persuades Winter to relax his icy grip every Spring while she awakens the land from its deep sleep and bestows life on everything that grows.
Native Cultures in Alaska (Alaska Geographic)
The Elders Are Watching
As Native elders have advised from time immemorial, this is a gentle plea to respect the natural environment.
When the award-winning poet David Bouchard first saw the artwork of First Nations artist Roy Henry Vickers, he was struck by Vickers’ reverence for nature, the vibrancy of his colors, and his perceptive understanding of Canada’s rugged West Coast. He saw in Vickers’ images the perfect complement to his own lyrical, thoughtful poetry. They collaborated on the original edition of The Elders Are Watching, which has delighted more than 100,000 readers in four languages. Bouchard says, “Both Roy and I share similar dreams for our children. Through this book, we hope that others will come to share these dreams and together work toward correcting some of the mistakes of the past.”
In this new edition, their vision is as fresh and relevant today as it was when the book was first published. A plea to respect the natural treasures of our environment and a message of concern from aboriginal leaders of the past to the people of the new millennium, The Elder Are Watching has both a timelessness and an urgency that must be heard.
More Glooscap Stories: Legends of the Wabanaki Indians
Children of the Yukon
Brilliant, colorful paintings depict children of the Yukon at work and play: snaring rabbits, feeding ravens, racing on snowshoes and hunting moose, panning for gold in famous Bonanza Creek, and exploring the ruins of Dawson City.
The Enchanted Caribou
The Loon’s Necklace
According to Canadian Indian legend, when an old man’s sight was restored by a Loon he gave the bird his precious shell necklace as a reward. That is why the loon has a white collar and speckles on its back. Elizabeth Cleaver’s rich and beautiful style of picture-making gives new visual excitement to the splendors of the British Columbia landscape, and to the magic of this Indian legend.