It s the day of Lolo’s big sister’s quinceañera party, and suddenly everyone is too busy to play with Lolo. But when she lets her dog Gobi runfree, everyone notices. Vivid illustrations in acrylics and watercolor by Martha Avile
s skillfully portray Lolo using her fast feet and wits to outsmart Gobi and save her big sister’s special day!
United States
Materials from United States of America
He Forgot To Say Goodbye
“Ramiro Lopez and Jake Upthegrove don’t appear to have much in common. Ram lives in the Mexican-American working-class barrio of El Paso called “Dizzy Land.” His brother is sinking into a world of drugs, wreaking havoc in their household. Jake is a rich West Side white boy who has developed a problem managing his anger. An only child, he is a misfit in his mother’s shallow and materialistic world. But Ram and Jake do have one thing in common: They are lost boys who have never met their fathers. This sad fact has left both of them undeniably scarred and obsessed with the men who abandoned them. As Jake and Ram overcome their suspicions of each other, they begin to move away from their loner existences and realize that they are capable of reaching out beyond their wounds and the neighborhoods that they grew up in. Their friendship becomes a healing in a world of hurt.
Quinceanera: English-Language Edition
You are invited to the biggest party of Cindy Chvez’s life. In text and gorgeous color photos, Elizabeth King takes us to this joyous, once-in-a-lifetime event–the quinceañera. It is the celebration of a Latina’s fifteenth birthday, a coming-of-age ritual in which a community welcomes its newest adult member with a church service, a feast, and dancing. The tradition, which has its roots in Aztec and Mexican custom, is popular in the United States. With a lavish dress, an honor court of friends, a big cake, and a night filled with music, the quinceañera is a chance for a young woman to feel like a queen. But there are solemn, quiet moments, too, particularly at the Mass held before the party. The history, significance, and fun of the quinceañera are warmly recounted in this lovely book. It is an inviting glimpse at a part of American culture for newcomers to the tradition, and a special scrapbook for those anticipating or remembering their own quinceañera.
Tortilla Chronicles: Growing Up In Santa Fe
A family memoir full of New Mexico flavor, Tortilla Chronicles serves up a hearty helping of the “City Different” from the perspective of the humble, hardworking Romeros, a family honored for its contributions to regional folk arts. Marie Romero Cash, herself a renowned artist, poignantly sketches each family member using his or her own voice. Their stories present a rare glimpse into the life of a traditional Hispano family and provide an antidote to typical nostalgic tourist accounts of 1950s Santa Fe. One of the main characters is Santa Fe itself, and the narrative tours the city’s streets, shops, plaza, and surrounding hills and arroyos in astounding detail. The ancestry and rituals of family life, the culture and religion of northern New Mexico, and the growth of a neighborhood and its children are all part of the recipe.
The Almost Murder and Other Stories
“Pops stormed his way down the hall in a pissed-off march–trouble on the move. A quick glance at his florid, contorted face told me he was smashed. I looked down at meat, spoon, dough–anything to avoid his bleary red eyes. The stench of booze sickened me. So did my father.” In the title story of this gritty collection for teens, a young girl remembers the night her father almost killed her mother. The peace that comes when her father is put in jail is short lived though, because in order to keep him behind bars she will have to testify against him in court. Can she be strong enough to overcome her fear? What if he leaps out of his chair and attacks her too? Can she do what needs to be done in order to keep her mother and grandmother safe? In Theresa Saldana’s first collection of stories for young adults, her characters confront issues relevant to all teens, from friendship to dreams for the future. Many, though, must overcome suffering–whether physical or emotional–that impacts their sense of security and well being. A teenager survives an auto accident that has left her with multiple disfiguring scars. Will she ever be able to really live again? A young high school student prepares to leave the safety of her neighborhood where her friends have accepted her the way she is–overweight. Will her new classmates at Hunter College be able to see who she really is inside her big body? Sure to intrigue young adult readers who will identify with numerous contemporary cultural references–from reality TV shows to computers and the Internet–the engrossing stories in this collection give voice to young Latinas who, like their counterparts everywhere, yearn to be “normal.”
The Dead And The Gone
Susan Beth Pfeffer’s Life as We Knew It enthralled and devastated readers with its brutal but hopeful look at an apocalyptic event–an asteroid hitting the moon, setting off a tailspin of horrific climate changes. Now this harrowing companion novel examines the same events as they unfold in New York City, revealed through the eyes of seventeen-year-old Puerto Rican Alex Morales. When Alex’s parents disappear in the aftermath of tidal waves, he must care for his two younger sisters, even as Manhattan becomes a deadly wasteland, and food and aid dwindle.>With haunting themes of family, faith, personal change, and courage, this powerful new novel explores how a young man takes on unimaginable responsibilities.
A Birthday Basket for Tia
With the help of her cat, Chica, Cecilia prepares a special gift in honor of her great-aunt’s ninetieth birthday, a celebration basket filled with things to remind Tia of the wonderful moments that she and Cecilia have shared.
Here, Kitty, Kitty!/Ven, gatita, ven! (My Family: Mi Familia)
Our new kitty likes to hide. A nuestra nueva gatita le gusta esconderse. She hides under the table, Se esconde debajo de la mesa, inside a flowerpot, dentro de una maceta and behind the curtains. Y detrás de las cortinas. We call out to her, La llamamos, pero . . . but will she ever come close enough to pet? ¿se acercará lo suficiente como para acariciarla? Here, kitty, kitty! ¡Ven, gatita, ven! This third book in Pat Mora’s bilingual My Family/Mi familia series will delight children with its mischievous kitty, playful illustrations, and engaging story. Este tercer libro de la serie bilingüe My Family/Mi familia de Pat Mora entretendrá a los niños con una gatita traviesa, ilustraciones graciosas y una historia encantadora.
Growing Up with Tamales/Los Tamales De Ana (Spanish Edition)
“My name is Ana. Every year, my family makes tamales for Christmas. This year, I am six, so I get to mix the dough, which is made of cornmeal. My sister Lidia is eight, so she gets to spread the dough on the corn husk leaves. I wish I was eight, so that my hands would be big enough to spread the dough just right–not too thick and not too thin.” And so the years pass, and Ana turns eight, ten, twelve, fourteen, sixteen. But every year, big sister Lidia is always two years older. Ana envies her elder sibling and wishes she could do what Lidia does: put just the right amount of meat inside the tamales and roll them up; steam the tamales without scalding herself with the hot, hot steam; chop and cook the meat for the tamales without cutting or burning her hands. When she turns eighteen, though, Ana knows she will keep making tamales and she will be able to do all of the steps herself in her very own factory. When Christmas comes around, Ana will deliver tamales to all of her customers around the world, in delivery trucks that say “Ana’s Tamales.” And maybe Ana will even let Lidia work for her. Gwendolyn Zepeda’s rhythmic prose is combined with April Ward’s bright illustrations to create an affectionate and amusing story about sibling relationships that introduces an important Hispanic holiday tradition–making tamales!
Brothers Torres, The
Frankie Towers has always looked up to his older brother, Steve, and with good reason. Steve is a popular senior who always gets what he wants: girls, a soccer scholarship, and–lately–street cred. Frankie, on the other hand, spends his time shooting off fireworks with his best friend Zach, working at his parents’ restaurant, and obsessing about his longtime crush, Rebecca Sanchez.
Frankie has reservations about Steve’s crusade to win the respect of the local cholos. He doesn’t think about them, though, until he gets into a fist fight John Dalton – the richest, preppiest kid in his New Mexican high school, and longtime nemesis of Steve. After the fight, Steve takes Frankie under his wing – and Frankie’s social currency begins to rise. The cholos who used to ignore him start to recognize him; he even lands a date to Homecoming with Rebecca.
The situation with Dalton continues to simmer, and after another incident Steve is bent on retaliating. Frankie starts to think that his brother is taking this respect thing too far. He may have to choose between respecting his brother and respecting himself.
In an honest and humorous debut novel, Coert Voorhees uses a coming of age story to look at where loyalty ends and the self begins.