United States

Materials from United States of America

The Stranger And The Red Rooster/ El Forastero Y El Gallo Rojo

One day in a small California barrio, a scary-looking stranger with an ugly scar on his face arrives. Silence falls on the streets. Normally raucous children stop playing, and their fearful mothers quickly beckon them inside. Everyone peeks out of windows and doors to watch the stranger walk down Main Street. Later in the week, the stranger again appears in town. And a few days later, on a pleasant Sunday morning, the man shows his frightening face yet again. But this time, he’s not alone. Cradled in the stranger’s arms is a big, red rooster with a yellow ribbon tied around its neck. When the rooster sets off after a bug with the stranger hanging on to the ribbon “like a cowboy who had lassoed a wild bull,” the townspeople are finally able to look past the long, ugly scar on the stranger’s face. Echoing the oral tradition common to so many Latinos, acclaimed author Victor Villaseñor shares with young readers one of his father’s favorite stories. With vibrant illustrations by José Jara, this will soon become the favorite of many children aged 3 to 7.

The New Republic: 1760-1840s (Hispanic America)

Provides comprehensive information on the history of the Spanish exploring the United States from the American Revolution to the Mexican Revolution.

The Boy without a Flag: Tales of the South Bronx

The violent world of the underclass and the daily battle with hopeless poverty, drug addiction, and other urban horrors come vividly to life in a collection of stories about being young and desperate in the South Bronx. A first collection. Original.

The Boys of San Joaquin

Paolo calls Rufus “a Mack truck with no one driving.” Rufus is the O’Neil family dog, and he shows up one morning with part of a twenty-dollar bill in his teeth.Paolo, age twelve, figures that there must be more where that bill came from, and since his cousin Billy needs to repair a bent wheel on his bike, there’s a reason for looking. He, Georgie, and Billy end up in the monsignor’s garden behind the Cathedral of San Joaquin, but it’s not exactly treasure they find, it’s a hand that shoots out of the undergrowth to grab Paolo’s neck. The search for the stash leads the boys — sometimes scared spitless — on many a byway around Orange Grove City, California, in the summer of 1951. And onto the byway of conscience.”Suppose you found a treasure. Couldn’t you keep it?” Paolo asks his uncle. “I mean, say you know who it belongs to, and they probably need it….But when you find it, nobody has it. Isn’t nobody’s property in particular, then,” he reasons. “Well, maybe somebody has it, but it isn’t theirs. It would be yours, wouldn’t it?”No answer. “How in the heck is a guy supposed to be somebody in this world without any money?”

N Is for Navidad

Bienvenidos! to a celebration of Christmas, Latino-style! From the ngel (angel) hung above the door to the zapatos (shoes) filled with grass for the wise men s camels, each letter in this festive alphabet introduces children to a Spanish word, and each colorful page takes them through another joyous aspect of the 22 days of the traditional holiday. Vibrant art from acclaimed illustrator Joe Cepeda beautifully complements the lively, rhythmic text to bring the reader a wealth of heritage and a season of light! Feliz Navidad!

Bird Springs

Eleven-year-old Gregory and his family had to leave the Navajo reservation at Bird Springs—the only home they’ve ever known—and move to a motel in Tucson, Arizona. Gregory misses his absent father, but he likes school, particularly art class with the kind teacher. He also makes a new friend, Matt, who promptly informs him art class is really art therapy and that Gregory is staying in a shelter, not a motel. Even though Matt can be outspoken, he’s just what Gregory needs now. He’s honest and generous with his allowance so they can ride the Ferris wheel at the carnival. Award-winning author Carolyn Marsden paints a poignant story of a little boy who, as he confronts the more painful aspects of his past, is filled with a sense of hope.

Dona Flor: A Tall Tale About A Giant Woman With A Great Big Heart (Pura Belpre Medal Book Illustrator (Awards))

Doña Flor is a giant woman who lives in a puebla with lots of families. She loves her neighbors–she lets the children use her flowers for trumpets, and the families use her leftover tortillas for rafts. So when a huge puma is terrifying the village, of course Flor is the one to investigate. Featuring Spanish words and phrases throughout, as well as a glossary, Pat Mora’s story, along with Raúl Colón’s glorious artwork, makes this a treat for any reader, tall or small. Award-winning author Pat Mora’s previous book with Raúl Colón, Tomás and the Library Lady, received the Tomás Rivera Mexican American Children’s Book Award, an IRA Teacher’s Choice Award, a Skipping Stones Award, and was also named a Texas Bluebonnet Award Master List title and an Americas Award for Children’s and Young Adult Literature commended title. She lives in Santa Fe, New Mexico.