A collection of poems in English and Spanish discusses imagination, dreams, family, and growing up in California and in Mexico.
United States
Materials from United States of America
Rubber Shoes / Los Zapatos De Goma: A Lesson in Gratitude / Una Leccin De Gratitud
The Mystery Of The Mischievous Marker
The Cucuy Stole My Cascarones/El Coco Me Rob Los Cascarones
Mighty Monster Mysteries! Roberto and his mother made thirty dozen confetti-filled eggs, or cascarones, for his birthday party. Roberto can’t wait to crack the hollowed, painted and confetti-stuffed eggs over his friends’ heads. But, when he goes to the kitchen to get the cascarones, they’re gone! The only clue they ever existed is a trail of confetti that leads to a shadow.
The Upside Down Boy / El Niño De Cabeza
The author recalls the year when his farm worker parents settled down in the city so that he could go to school for the first time.
Featured in WOW Review Volume X, Issue 1.
Home at Last
Ana Patino is adjusting well to her new life in the United States, but her mother is having problems because she doesn’t know English. When one of the babies falls ill, Mama tries to get help, but no one can understand her. Convinced that she needs to learn the new language, Mama agrees to take English lessons. As Mama gains new language skills, she also develops a sense of confidence and belonging.
When This World Was New
When his father leads him on a magical trip of discovery through new fallen snow, a young boy who emigrated from his warm island home overcomes fears about living in New York.
Calling The Doves/El Canto De Las Palomas: El Canto De Las Palomas
In this bilingual autobiography, the Mexican American poet Juan Felipe Herrera describes his childhood in California as the son of migrant workers. The author recalls his childhood in the mountains and valleys of California with his farmworker parents who inspired him with poetry and song. A rich, personal narrative about growing up as a migrant farmworker. Herrera relates how he learned to love the land from his father, and poetry from his mother. He uses lyrical passages to portray everyday life, e.g., the ritual of breakfast: The sky was my blue spoon – the wavy clay of the land was my plate. The colored-pencil and acrylic illustrations are bright and at times fanciful. Simmon’s artwork brings to life Herrera’s words, which are printed in both English and Spanish.
Big Bushy Mustache
It’s almost Cinco de Mayo, and Ricky’s class is going to put on a play to celebrate the festive Mexican holiday. When asked to choose his costume, Ricky picks a big, bushy mustache, just like his dad’s. He’s tired of everyone telling him he looks like his mother. After all, he’s a boy–he wants to look like his Papi. Although he’s supposed to leave it in school, Ricky wears the mustache home, reveling all the way in how grown-up it makes him feel. But by the time he gets there, the mustache is gone, and Ricky dreads having to tell his teacher what happened.